Written 1984 by Terry Reeves
Performed by: Vocals - Terry Reeves, Guitar Terry Reeves, Bass - Brian Reeves
Recorded: Wallington Croydon London


For me George Best was the greatest player that ever lived, but suffered from being better at what he did than everybody else. 
At one time in my life I think I was within an inch of becoming an alcoholic and yes at the time it solved all my problems. I was rescued by a beautiful women but unfortunately George was not.
He was one of my greatest heroes and I spent a large amount of my early years trying to emulate some of his football skills. I was given the opportunity to meet him on two occasions and he was a really nice genuine man and I was really upset when he died.
My brother Brian and me completed this recording in one afternoon and he came up with the fantastic bass line, it was always our intention to develop it and take it further.

This is my tribute to George Best

LYRICS

Yes I drank the bottle dry
Please don't ask the question why
Just except this drunken man
Drinking for another plan

Couldn't take things in my stride
Second place it hurt my pride
Told to take some time to think
Think I'll have another drink

CHORUS

Yes he's the greatest he really has it all
The king of any man who ever kicked a ball
He makes the head lines every time he shows his face
I wonder if they know our hero up in space
If not it's just a disgrace

He's here
Georgie   
No fear

Tried to force me to retire
From the bottle I admire
Knew I'd lose out in the end
Destroying me or my best friend

Belong to no one else but me
I'm not public property
I know I have myself to blame
Life is not my favourite game

CHORUS

It's not as sad as you might think
Not looking for a missing link
And I don't need an open door 
Cause all I have to do is poor

Georgie Georgie come back Georgie
Georgie Georgie come back Georgie

Best Of Both Worlds

Shattered Concentration

Cast of Characters:

David Marconi — @david-marconi-917184705 — electric guitar, bass, foundation synth plus midi percussion and assorted traditional voices, production, mix, and composition
Elpiverse — @elpiverse — Elpi -- vocal composition, arrangement, and production
Ron Lewis — @ron-lewis-779503933 — synth 
TexMex Shaman --  @texmex-shaman –Stephen– sitar and mastering
Mistermark – @user-432503709 – Mark – talking drum
Llanpsych-- @llanpsych -- Tez – electric guitar
J.J. Terrell-- @j-j-terrell—JJ-- synth flute
K2 and the Three [and the Four]--@k2andthe3, @k2-kara –Ken–drums and percussion
Entheogenic Psychonaught (Josh Clary)– @josh-clary-1 –Josh – 5-string fretless bass
AliasZen (Elpi's husband) — artwork (created with the help of AI)


This song began with David, who wrote it on the guitar, synth, and bass over a programmed beat he created. He and Josh met more than two months ago and decided to do a collaboration, based on mutual enjoyment of and respect for each other's music. Dave had this song pretty much fleshed out, although it was still a skeleton when he offered it to Josh, who, of course, got the rest of the Eclectic Collective involved. 
  Dave asked us all to compose our own parts for the song, so we all got to work right away doing that. We all realized that the first order of business would be to get a real beat on this, so Ken accomplished that task with some dynamic, Eastern inspired drums and percussion, which he plays throughout the song. JJ then stepped in and added his best eastern flute magic. Stephen was next with the perfect-vibe sitar you hear in the first two sections. 
  Josh came next to add his five-string fretless bass to the mix, augmenting David's high, staccato bass with his deep, low tone bass. Then, for the third section, where David's Gilmore-esque guitar solo resides, Josh drops out, allowing for Dave's awesome bass playing in that section. However, Josh does come in again towards the end, in the final section, too. Also, in that section, Tez dropped an augmented, harmonic, electric fire, complementary guitar part. Then, David's frequent collaborator and friend Ron added some well blended, ethereal synth to the first section, too.
  Once we had the instrumental parts pretty much laid down, we began to discuss getting a woman to sing on this, as David was inspired by The Great Gig in the Sky, by Pink Floyd, and we all agreed. Who we found to do it actually blew all of our minds. JJ, being familiar with her music, contacted Elpi first, and we were all lucky enough that she agreed to do it. Having heard Mediterranean music all her life in Greece, she tapped into what her husband said were her "ancient Greek roots," for her spectacular vocal performance. She finds all the modal notes and places them perfectly throughout her sections. 
  But before we were done, Mark came through with some really striking talking drum parts in the first two sections, too. Once we had everything in the can, David took over, both with some masterful editing and production, and with the balanced, dynamic mix. The mix was a formidable task, but he did it with considerable skill, also taking everyone's opinions into account, which is a talent in and of itself. When he was done with the mix, he turned it over to Stephen for the mastering, which the latter did to everyone's satisfaction, as always.
  This is the first song the Eclectic Collective has done with David, Elpi, and Ron, and we all hope it's the first of many, as we welcome them into the EC family. They all have some wonderful music on their pages, too, so do yourself a favor and check out all of them, as well. We hope you enjoy listening to this song as much as we enjoyed creating it.  

TheSiege

Chthonic

Strange walker

anticipation of what is to come

This is my final instrumental mix but I think I will develop it into a full song.

Feel free to provide comments and feedback

Interlude

HEAVEN HELP THE FOOL - HUNGRY GIZMO scs…ALWAYS MOVING SONG AND OF REFLECTION AND THE REAL UNCONDITIONAL REDEMPTIONS OF OUR LIFES AS WE ARE ALL HIT AND MISS AS LIFE IS COMING OVER THE SIDES OF FLOATATION DEVICES AND ITS ALL YOU DO IN THIS JOURNEY AS A FOOL IS TO LAND ON YOUR OWN AND CONTINUE. 

HEAVEN HELP THE FOOL +^circle be unbroken 
BY HUNGRY GIZMO scs 

+^LOOP S.  W.

HEAVEN HELP THE FOOL **HUNGRY GIZMO scs

"tales from fortrose (Chapter II)" is an atmospheric and moody medieval chill album, created by a trio of friends Luke Tidbury, Kimiuk and Lórien Loops.  

The primary inspiration was taken from their trip together to a town of Winchester (the old capital city of England/Wessex). The album features upbeat feudal inspired tracks and darker melodies to reflect on wars, battles and celebrations from that era.


More music like this on our playlists across various streaming platforms:
www.globetrottingmusic.com/playlists

Follow the artists:
https://www.instagram.com/luke_tidbury/
https://www.instagram.com/kimiuk_/
https://www.instagram.com/pevanni/ as Lórien Loops

Luke Tidbury, Kimiuk & Lórien Loops - the hero's journey

Discipline is the art of aligning chaos with purpose: the silent gravity that shapes the galaxies of the mind. To live with order is to dance with eternity, to refine impulse into creation itself. In each measured breath lies the paradox of control and freedom, of stillness and expansion. The cosmos rewards those who move with intention, for mastery is not restriction, but harmony with the infinite pulse of existence.

The Silent Prism

Exploration sonore, ovni musical, improvision, Chant du Pont Guérisseur , ☳ ج ב 𐤀 ᛒ ब 𓇼 𓁿 𠂇 יד ≒ ∞⁻ ⨁ ⍟ 竹 木 ᚁ ⌇⌇ 生 ⌀ ⟁ Ⰱ 𐰋 ᄋ ☍

Mémoire d'Eau

Just messing around learning, experimenting, playing and expressing myself. My little collection of demos, songs, experiments and instrumentals. I hope you enjoy them. I'm a guitarist / Vocalist / Producer and enjoy learning to express my moods, emotions, dreams and thoughts as I go.

Thank you all for the likes comments and reposts.

I have added a support link as I am struggling to keep up my subscriptions here currently and it would help me keep on creating and posting more songs. Thank you if you read this far lol.

Interlude

Dreaming on Another Distraction