Time stopped in Santa Cruz.

===============================

I created this composition, like others, between 2014 and 2016.

I finished work and went with my iPad to create music.

The center of all this time was the neighborhood of Santa Cruz, in the center of Seville, my city.

Anyone who visits my city will inevitably pass by there.

Some of my favorite tapas places are there.

The terraces of some hotels have spectacular views from which you can enjoy the city while having a drink, a coffee, a wine, or whatever you prefer. I know them all.

The small squares full of tranquility, the murmur of water from some fountains, the sensation of feeling history as a pure essence! or the smell of orange blossom, which permeates everything around this time of year, make me enjoy something special that, in some way, I need. It's hard to explain, but that's how it is.

And there it seems that time stops.



12 tracks from Music Studio 2 with original instruments and from the Xewton forum.

1 Track with Sunrizer synthesizer
1 Track with Kv331 Synthmaster 
1 Track with X pad.


DAW. MS2
Hardware. ipad

Mix. My car. 🚘

Thank you for your listening and comments

Paco.

Time Stopped In Santa Cruz ( Nv 2024)

I was a dot inside my own tapestry 
I was amused by all a those they things 
the did not see

but all that I really needed was
somebody else to believe and read 
all the Natural Rhapsody 
all the Natural Rhapsody 

I walked alone inside a my own territory 
I was a victim of my own stupidly 

but all that I really needed was
somebody else to believe and read 
all the Natural Rhapsody 
all the Natural Rhapsody 

no target on my back but
still they kicking me

while I'm down struggle to see
what's staring straight at me 
one way ticket to happy

I was inertias latest cripple casualty 
I was immune to all a their forms
and repartee

but all that I really needed was
somebody else to believe and read 
all the Natural Rhapsody 
all the Natural Rhapsody 
all the Natural Rhapsody 


Natural Rhapsody

Flipping Funkfest

From the album "Röckers" (2024)

Lyrics:
Strangers are the most interesting people that you'll meet
Yeah, it's not the closeness
But the distance
That make people reveal themselves to you
Strangers are the most interesting people that you'll meet

Sitting in an airplane seat
Next to my ticketed passengers
Maybe it was the tight seating that created a false sense of intimacy
Maybe she was just covering up the silence
She told how she had been sick as a child
And how she always secretly blamed her mother.
Maybe she had taken comfort in an anonymous and friendly face
I've always been told I have an anonymous and friendly face

Primordial ooze climbed from the sea
Marauding villagers freak
A curated killing spree
Birds of prey stick together 
And so should we

Strangers are the most interesting people that you'll meet
They will unburden themselves to a total stranger
All their lovers
The family secrets
Anthropologists say that human beings by nature  are a trusting species
It's our shared sense of community survival
Well, I've seen a change recently
Everybody suspicious of everybody else
What have we done?
To reverse thousand of years of human evolutionary behavior?

Primordial ooze climbed from the sea
Marauding villagers freak
A curated killing spree
Birds of prey stick together 
And so should we

Strangers are the most interesting people that you'll meet.

Strangers Are The Most Interesting People That You'll Meet

Lyrics and music: Michele Ansani (1998).
Inspired by a Robert Musil's short story ("The Perfecting of a Love", 1911).
Cover photo is from Pietro Corrao.

Like some others I have already posted, this is a song from the late 1990s, recorded then with a Korg D8. I remixed the surviving file, working on volume and equalisation after separating the tracks, and adding some stuff. 

LYRICS (ENG / ITA)

nervously looked at the stranger
at that moment his beard lit up for a moment
she guessed there solidity, naturalness
and everything reconnected, she was there...

It flashed in her mind that already other times
The thing had begun in the same way, it was so...
And at the thought for an instant a voluptuous horror touched her
A voluptuous abulic horror
as before a sin yet unnamed

she wondered if he could have noticed
that she was looking at him
and her body filled with a slight sensuality
she seemed to be swimming in darkness before him
dissolved and impalpable like pale foam

so they travelled close
and little by little crept back into her thoughts
that restlessness
she tried to tell herself
that it was only the disturbance
of that sudden solitary journey
among strangers
soon afterwards instead she believed
that it was the wind that enveloped her
in a rigid frost

there was suddenly
a light high and clear on her past
as on an indescribable landscape of mysterious order
was a strange sense of the future
as if everything
that seemed long past
still lived on

furtively she sought the stranger
at that moment his hand for a moment
caressed her
she sensed in it a natural solidity
and everything reconnected
they were there ...

and thought of days
strangely distinct
from all the others
open before them
like a fugue of remote rooms
and joined with a hasty laugh
to the conversation

----

nervosamente guardò lo sconosciuto
in quel momento la sua barba per un attimo s’illuminò
v’indovinò solidità naturalezza
ed ogni cosa si ricollegò, lei era lì…

le balenò in mente che già altre volte
la cosa nello stesso modo incominciò, era così...
ed al pensiero per un istante la sfiorò
un orrore voluttuoso abulico
come davanti a un peccato ancora senza nome

si chiese se potesse essersi accorto
che lei lo guardava
e il suo corpo si colmò di una leggera sensualità
le sembrava di nuotare nelle tenebre davanti a lui
dissolta e impalpabile come pallida schiuma

così viaggiarono vicini
e poco a poco ritornò ad insinuarsi nei suoi pensieri
quell’inquietudine
cercò di dirsi
che era solo il turbamento
di quell'improvviso viaggio solitario
fra gente estranea
subito dopo invece poi credeva
che fosse il vento che l’avvolgeva
in un gelo rigido

vi fu improvvisamente
una luce alta e chiara sul suo passato
come su un paesaggio indescrivibile dall’ordine misterioso
era uno strano senso di futuro
come se tutto ciò
che pareva da lungo tempo passato
vivesse ancora

furtivamente cercò lo sconosciuto
in quel momento la sua mano per un attimo
l’accarezzò
v’indovinò solidità naturalezza
ed ogni cosa si ricollegò
erano lì ...

e pensavano a giorni
stranamente distinti
da tutti gli altri
aperti davanti a loro
come una fuga di stanze remote
e si unirono con un riso precipitoso
alla conversazione

La Conversazione *

A song created with ai (concept by me), written for a friend that gone too soon from these damn bikes. Always wear helmets and the best is not to ride them at all, because they took already many lives and young souls very unfairly, close friends and acquaintances. Careful y'all out there, 4 wheels are always safer with normal speed of course, because this can be truly dangerous too if you overestimate your limits and strengths.

~R.I.P Takis~ :((

Speed Shadows (R.I.P Takis)

Lost Thought (Without You / Rolling The Dice)

Late Saturday Night

seroquel

demo track from album constant strangers 

Lost It- Demo

To Have and To Hold is not a biography, a lecture, or a historical reconstruction. It is an imagined world — one you step into to feel your way around an idea rather than to learn it.

The album takes place loosely in early-20th-century Cambridge, at the moment when Western thought was beginning to strain under its own certainty. Science had proved astonishingly powerful at breaking reality into parts, explaining mechanisms, and producing results — yet at the same time it was encountering problems it could no longer fully contain. Probability was replacing certainty. Events mattered as much as objects. Meaning no longer sat still.

Out of this tension emerged process philosophy: the idea that reality is not made of finished things, but of ongoing happenings — that love, time, marriage, and even truth itself are not states you reach, but activities you keep participating in.

The album imagines this moment through a human lens. A mathematician trying to complete a system of logic. A thinker insisting that nothing important is ever truly finished. Proofs accumulating. Years passing. A marriage understood first as a statement, then slowly revealed as a practice. Love appearing not as romance in the foreground, but as something quietly unfolding elsewhere — happening whether it is attended to or not.

Rather than explaining these ideas directly, the songs allow you to inhabit them. You hear bells ring. You feel evenings close in. You sense the weight of unfinished work and the relief of letting something continue without control. The philosophy is not taught; it is lived.

This is a soft documentary in sound — an audio quantum leap into a world. Its purpose is not accuracy, quotation, or instruction, but immersion. By the time the album ends, you may not be able to define process philosophy in a sentence — but you may feel why it arose, what problem it was answering, and why it still matters.

To Have and To Hold is an exploration of commitment not as possession, but as attention.
Of marriage not as a conclusion, but as renewal.
Of understanding not as something you arrive at — but something that keeps happening.

If you listen closely, nothing here ever quite resolves.
But something continues.

What Continues

Just messing around learning, experimenting, playing and expressing myself. My little collection of demos, songs, experiments and instrumentals. I hope you enjoy them. I'm a guitarist / Vocalist / Producer and enjoy learning to express my moods, emotions, dreams and thoughts as I go.

Thank you all for the likes comments and reposts.

I have added a support link as I am struggling to keep up my subscriptions here currently and it would help me keep on creating and posting more songs. Thank you if you read this far lol.

Lost Thought (Without You / Rolling The Dice)

Dreaming on Another Distraction