An Unwanted Goodbye is a piece for solo piano, cello and violins, born from the need to give voice to a farewell that was never chosen.
Like doves, who remain loyal to one partner for life, this music tells the story of a love torn apart — not by time, but by a sudden shot fired for “sport.”

The piano unfolds with a slow, silent bass line, while the strings weave a fragile, cinematic melody — expressing disorientation, absence, and the quiet pain of losing everything in an instant.
There are no screams. Only silence. The kind of silence left by hunting, when a life is taken for fun, leaving behind only emptiness.

This composition stands as a statement against hunting, against the cruelty that destroys innocent lives in the name of entertainment.
Sometimes, within that emptiness, a melody is born.
And this is mine.

Composed by Francesco Adornetto (piano) & Jane Johnson (strings).

An Unwanted Goodbye

"Deep beneath the forest, there is magic all around,
With music, dance and laughter, yet you'll barely hear a sound,
But if you're very still, you may hear a fiddle play,
As tiny creatures celebrate another splendid day."

- Beneath the Forest, by Francess Harris

A companion piece to "Enchanted Forest Dance." 
----------------------------------------------
Poem and original composition by Francess Harris - Copyright 2025
All Rights Reserved.

Beneath the Forest

Composition and Sampling collage by Synline.
Photo by Eyeem Mobile GmbH

Ride or Die

Le nouveau morceau jungle/drumNbass prog de M'Z est en ligne 
Il s'appelle Tarzan 
et ça s'écoute partout ici : 
https://music.imusician.pro/a/_cagw1Gc
impatient d'avoir vos retours

Tarzan

Cast of Characters:
Cgmaness – @hiddenhands-760647700 – Chris – acoustic guitar, synth, and composition
Mistermark-- @user-432503709 -- Mark –- vocals, lyrics, mix, and production
K2 and the Three [and the Four]--@k2andthe3, @k2-kara –Ken -- drums
Entheogenic Psychonaught (Josh Clary)– @josh-clary-1 – four string fretless Warwick bass
Llanpsych -- @llanpsych -- Tez – Fender Stratocaster electric guitar
J.J. Terrell– @j-j-terrell – piano, B3 organ voice, synth sax, and JJ's angels (voice synth), Lucky Man style synth
TexMex Shaman– @texmex-shaman –Stephen– master and production
This song started as a project that was begun on his guitar and synth, then shelved by our master songwriter, Chris. He always gives us magic to work with, and as soon as he shared this one with the rest of Eclectic Collective, we all jumped on it.
Mark heard his part first, and set about writing some great lyrics to sing with his solid, inimitable voice. His lyrics are about a hypothetical future where we've turned to technology in search of human connection, only to realize that it has only isolated us more, and that we really already had that connection to begin with. The narration is from a future perspective, like all this has already happened, and its speaking to us from the future, almost like a warning.
The rhythm section was still absent, though, but not for long. Ken added his groovy, perfectly in the vibe drums to it next. Josh, of course followed soon after, now that he had drums to work with, by adding his fretless four string bass to the song. Now that it was sounding like a well rounded piece, Tez came through with some thrilling guitar solos that you hear throughout. JJ first added some piano, B3, and sax to the song, then later completed it with his psychedelic synth and divine voice synth that provides the "choir" you hear in there.
Now that it was all in the bag, Mark spent considerable time and effort mixing it, then turned it over to our resident pro Stephen for the mastering.
This is one of our favorite songs we've ever done, and it reminds us all of both Pink Floyd and King Crimson. This is a great example of what the team is able to do with a really solid, yet open musical seed, provided by a master composer. We hope you enjoy listening to it as much as we enjoyed making it.
Original lyrics by Mistermark:
The wind by the seashore, the wash of the waves
the sand on your skin and the glance that you gave
the sounds of the carnival we left it all behind
there were words left unsaid at the back of your mind
how could I have been so blind?
It was so long ago now it’s just you and me
it seems I've forgotten the way you like your tea
the house becomes quiet as the guests head for home
the garden’s been gathered and the kids are all grown
on their own
“The robots will help” they said “it’s better this way”
“there’s no need to work and there’s more time to play”
our leaders assured us we’d never go poor
and nobody questions the truth anymore
but what did we do it all for?
Our science sustains us like fine works of art
but are we closer together or farther apart?
we’re each on an island alone on the sea
the ocean between us expands rapidly
is this where we wanted to be?
It was so long ago now it’s just you and me
it seems we’ve forgotten the way it used to be
machines tried to help us but something went wrong
the future we wanted was here all along
The wind by the seashore, the wash of the waves
the sand on your skin and the glance that you gave
the sounds of the carnival we left it all behind
there were words left unsaid…





Faded Fortunes (Eclectic Collective)

a small snippet of a live performance by the Intonarumori Trio at the opening of When The Fog Clears as part of The Ten Days On The Island Festival. This was the exhibition where i got to exhibit Caligo Paean, so a big evening for me......more about the trio here

Formed in 2018, The Intonarumori Trio is Danielle Kirby, Mat Ward and Dylan Banks. All three are Hobart based artists whose individual professional practices all span 20 plus years. They have diverse artistic backgrounds that include painting, instrument and theatre design, installation, classical music, noise- art, graphic design and academic research. They have all exhibited, published and performed extensively across Australia as well as undertaken international art-based residencies.  

The trio explore the more occult-centric aspects of Russolo’s practice, approaching performances as a ritualistic space to play with the idea of connection and communication beyond the human realm. 

Russolo believed, and pursued the idea that noise could be used as a bridge to spiritual understanding. He sought to congure and transform energy through the Intonarumori’s ability to ‘spiritualise’ noise. 

Performances by the Trio are pure improvisation, allowing the space and the air to guide the players. The clips are from various performances and studio sessions 2018 - 2025 

Intonarumori Trio LIVE @ Ten Days On The Island Festival

A tribal tune for good conversation. We've lived with anti intellectual bullshit for way too long and modern forms of it are starting to poison the world through autocratic populist liers. When you have no true power of knowledge yet still want to cling to power and control people the only way you retain power is end the ability for us to have conversations. Not in my world!
This world isn't full of bad people it's full of bad ideas that mostly good people get taken in by!
Let's talk about the good stuff! Let's talk about the facts and let's love the good ideas instead! That's our evolution in thought and that is what will have us selected for a future where we exist not fighting each other into oblivion. Conversation... Hands down our most powerful tool

Check out White Fawn on #SoundCloud
https://on.soundcloud.com/RWsJ98VExRf1RKwGJf

Kudos to White Fawn aka Hannah for seeding the low tuned guitar for this one. On Hannah's recent track she plays with live tuning the bass during the track which gave me the idea to go super low with the acoustic. Thaaaaaanks

Listen to Sullen by White Fawn on #SoundCloud
https://on.soundcloud.com/FYROmUrhSLqUCIhcRC

Tuning C G C F A C
Tempo roughly 60-61 BPM

Instruments
-Live acoustic and vox
-Vox backing
-Bodhrán played by mallets
-Drone pad played on keys
-Tremolo Acoustic (Low string tuned to Bb)
-Electric guitar clean picked

To add
-Bass
-Flute


The Conversation Cure

Linguistic blocks of code are built
Our cards are dealt by surrounding guilt
We learn the words and evidentiary norms
Then agree some terms with good human forms

The conversation norms

Idea seeds for some rational brains
Critical mind food for path worth our train
Thought is confirmed
Ordered words
Both found assured
Quite simply
We learned the conversation cure

The cure can't be stopped
Until absolute
We're pure until evidence not required for proof
The questions are stopped
Forced answers spoofed
Intent clouds your intellectual
Dogma
Refute

Our book is full?
No more blank page...?
No absolute sees any truth to save!
If proof of right needs bed with faith
We limit our senses and sense of wake

The conversation cure
Find our pure

The Conversation Cure

Cast of Characters:
Single Use & Recycled -- @user-995867230 -- Bill — acousitc rhythm and lead guitar and composition
Entheogenic Psychonaught (Josh Clary)– @josh-clary-1 –Josh – Warwick fretless four-string bass
K2 and the Three [and the Four]--@k2andthe3, @k2-kara –Ken -- drums and percussion
J.J. Terrell– @j-j-terrell – synth strings
TexMex Shaman– @texmex-shaman –Stephen — acoustic rhythm guitar, production, mix, and mastering
The Beautiful Dark -- @thebeautifuldark -- Carl — vocals and lyrics

This song started as an idea Bill came up with on his acoustic guitar. Having found each other on the Cloud and enjoying each other's music, Josh and Bill decided to do a collab. Bill is a real deal guitarist, who's as prolific as he is skilled. Of course, Josh invited Eclectic Collective to the party, too.
  Shortly after doing so, he laid down a bass part to Bill's skeleton withi his four string fretless bass. Ken followed suit, and after a back and forth, completed the rhythms secion. JJ dug in next, adding the thrilling strings that highlight the high points of the melody. 
  There wasn't a whole lot of room for everyone on this, though, as Bill had the guitar parts nailed down tight. However, after sitting on the shelf for about half a year, Carl came along and added the missing piece with his raucuos vocals. Stephen also fattened up the sound a bit with his acoustic rhythm guitar.  
  Once it was in the can, we asked Stephen to work his production, mix, and mastering magic on it, too, which he came through with, as always.
  This brilliant song almost didn't see the light of day. It sat for what felt like forever, until we decided to revive it. This will not be the last collab we do with Bill, though, who was generous in not only sharing his music with us, but allowing us to do whatever we wanted with it, too. We hope you enjoy listening to this as much as we enjoyed creating it.  

Original lyrics by The Beautiful Dark:

Shifty shire
Ah, redistrict rot
Dividing a country for power by plot
Gerry's meandering
Not thinking of sane
What colourful friends can stop red rain?

With freedom waning
Conversation is paused
A few rich men failing
With solidarity cause
Shift the shire!
At minority we've baulked
That mind inconvenient
New red lines are chalked

State turf wars are on
Ah, redistrict rot
Dividing a country for power by plot
For the rights of the white man
We missing those slaves
So legislate oppression
That skin 'aint red way

Shire-Single Use & Recycled/Eclectic Collective

Written by James Geer

Cruising on my couch
Gazing through the sky
Floating in my home
By the by and by

Television’s on
A flick from 39
Called tell your children
It’s All about crime

Jimmy got stoned today
Ran over Mr Krebs 
Jimmy got stoned today
Ran over Mr Krebs 

Asked jack for a smoke
Jack said you bet
Jack offered him
A special cigarette

48 miles per hour
Screeching thru the town
Didn’t mind the pedestrians 
Knocked the old man down

Mary lied to the cops
So Jimmy got away
Mary lied to the cops
So Jimmy got away

Mr Krebs

Glad, that https://soundcloud.com/theforestarmy invited me to add some sax,
photo, backtrack - composition, concept, instruments by "The Forest Army"

The night turns to gray - feat. joerxworx

Fragmented thoughts in a daze of fear and wonder.

I might expand on this?

Feel free to leave a comment as it is always appreciated and helpful.

Hope you enjoy it.

Mental Collapse (Instrumental)

Just messing around learning, experimenting, playing and expressing myself. My little collection of demos, songs, experiments and instrumentals. I hope you enjoy them. I'm a guitarist / Vocalist / Producer and enjoy learning to express my moods, emotions, dreams and thoughts as I go.

Thank you all for the likes comments and reposts.

I have added a support link as I am struggling to keep up my subscriptions here currently and it would help me keep on creating and posting more songs. Thank you if you read this far lol.

Mental Collapse (Instrumental)

Dreaming on Another Distraction