The Paradox Song Review
Composed and produced by Paploviante /British accent Speech added by Bruce Conover
Review : supplied talking text with British accent ...
These were comments made on Paradox Review website about the song we both composed entitled Run Rabbit Run which can be found on page 
https://soundcloud.com/conover/run-rabbit-run-paplovianteconover
Bass Paploviante
Logic Pro X
Review:
The intro in this track just flows so well, it's so chilled out and easy to listen to. Love the way the guitar riff flows in to the mellow vocals and I have to praise the undramatic use of backing vocals which add a heavenly, soulful sound to the track. Sounds similar to Lynyrd Skynyrd - I'd definitely listen to this artist again, a very easy listen
I really enjoy the guitar in this song. It has a nice sound to it I could honestly just listen to it. Your voice isn't exactly what I enjoy listening too it's kind of boring sounding. At the one part of the song you have some drums pick up the tempo a bit.. and I was hoping that the song was going to completely pick up in speed but I was kind of disappointed when it did not.
Although I enjoy the instruments in this song I dislike the pitch at which this song is sung. It is to low key and very weary. It tells of a good story and has great lyrics I would just rather not like the way it is sung. I would advise the creator to give it a little more emotion next time. So it will be more enjoyable.
I don't think the song is commercial. The artist varies the sound of the guitar. Some of the music hearts my ears and sound alike an echo effect which i really don't like. I would listen to the song again. The song could be more original. I think it would be suitable for older males.
This late 80's feel that the song gives off is a nice change of pace from the heavy type of rock and power chords that you usualy get from a song. It gives you a down to earth feeling. while the song has a bit of a slow beginning it does end up picking up just slightly, but even throughout it it never loses the soft back beat that keeps the rhythm. When you listen to the lyrics it is quite clear that it is trying to convey a message to the listener and it makes the song easier to listen to and understand.
The slow guitar goes really nice, the lyrics are really hard to understand and does not seem to make sense. There is not too mant different instruments but the drums are there and that does not go well as an slow version. Its does all mix amazingly well together. Would work better as a country or western style but as it goes quite nice all together.
I really liked the lyrics and I think the instruments sounded great with them, I also like how some of the lyrics were echoed. I think maybe you could have used the backing singers more because sometimes it sounded a bit bare. I loved the instrumental in the middle. Other than my one point, I think it sounded great!
Nice, strong bass instrumentals to start off the song, they catch the audiences' attention and digs within the human body to the spot that likes to pulsate with the base. Unfortunately, that strong bass is not maintained and should have been better taken care of throughout the song. The vocalist has a nice, echoing voice that adds to t he pulsation that the bass started at the songs starting point. The drums are a nice extra, emphasized instrumental that provides a light, rhythmic consistency to the song. The light and airy guitar playing is a good contrast with what should be a stronger bass. With the guitar in place, the song receives an almost angelic, classic rock kind of feel. The vocalist also has a kind of haunting voice the sounds like the artist has seen and experienced the pain and suffering of the world and is looking for ways, such as music, to take away some of the bad. The guitar solo is a happy section of the song, but the bass really needs to be pumped up to truly make
etc ...

THE PARADOX SONG REVIEW - PAPLOVIANTE / CONOVER - FREE DOWNLOAD

Une autre collaboration avec la belle Lorzha La Succube.

Lyrics:
Mes lèvres sont des fruits sucrés et murs,  
dans l’ombre velue où le désir se tisse,  
je bois ton souffle court de miel obscur,  
quand la nuit nous lie et nous métisse.  

L’attente est un jardin sombre velouté de poils,  
où les fleurs carnivores sont des présages,  
tu trembles et plie sous mes doigts d’étoiles,  
et le temps filandreux se déchire sous l’orage.  

Je trace sur ta peau froide et lisse des runes,  
des signes anciens que seule la lune connaît,  
tu es l’énigme bleutée, la libellule importune,  
l’abîme où, à l’aube claire, je me noierai.  

(Chorus)
La la la, la la, la la la
La la, hum hum, La la
La la la, la la, la la la
La la, hum hum, La la

Ta couche est un livre où je lis à l’encre du feu,
Je la parfume d’hésitation et de cyprine. 
Chaque mot brûle et se consume,  peu à peu,
Dans le brasier de mes prunelles vipérines.  

L’aube aux pieds d’argent viendra, pâle et nue,  
Effacer nos noms du sable noir  de l’oubli 
mais sous tes cils, l’ombre persiste,  ténue,
où notre plaisir se grave et nous délie.  

Je pars, emportant ton parfum à mes cils,  
un sillage de sel et de rêve, dans la brume 
tu implores ma clarté chaude et vibratile,  
comme le sang doux et indigo des agrumes .

(Chorus)
La la la, la la, la la la
La la, hum hum, La la
La la la, la la, la la la
La la, hum hum, La la

Agrumes Indigo

Weitblick

Timeless Floating In Space / Paploviante Open Collaboration Offer 
Paploviante: E-Bass, Music, Composing, Arrangement, Mix and Mastering 
BPM 69/138
Painting Perchance AI
Free Download
Feel free to adding something !
If you publish it, you have to mention me in the description and title!

Timeless Floating In Space / Open Collab Offer

Cloudy days atmospheric soprano sax: https://soundcloud.com/joerxworx
Cover art by Heidi K: https://soundcloud.com/heidijks

Cloudy Days (Remix) feat. joerxworx

Song from the rock opera Five Thousand Sasquatch

Gold Colored Teacup

an homage to American TV painting personality Bob Ross, who I watched regularly back in the 80s before his posthumous internet fame
I'm sorry to have butchered Don McLean's beautiful song Vincent by changing the words and using his melody and my croaky voice...folksinger, I am not... oh well it was  a good lyric writing exercise at least


Bobby Bobby Ross
Painting with his secret sauce
Liquid White on canvas tossed
I watched him late at night on my TV

Cadmium Yellow daffodils 
A mix of Midnight Black to make his hills
His velvet voice and landscape plan so chill
Nature seemed to bow at his command

Now I understand
All those forest, ocean, winter scenes
400 episodes with Phthalo Green
On PBS commercial-free
His rush with brush and speedy painting bliss
And now he's called an ASMRist

Bobby Bobby Ross
His clouds they look like candy floss
Reds and yellows, greens in semi-gloss
Creeks that sing and swim in Prussian Blue

Those mountains built on cue
With his pallet knife, he lays them down 
Their peaks and valleys glow like starry crowns
Bold colors he will wear and share with you

Now I'm speaking true
Of his wise words that he wished for me
Happy accidents are meant to be
They have come to set you free
Just like life sometimes, some spots get messed
Here comes your big tree bravery test

I know the art snobs did not like him
Nor did that Alexander dude
But still, he spoke to me
Big hair, big heart, big B
His reruns run most every afternoon 
Here's to the boss our Mr. Ross
There'll never be another one as sweet or super cool

Bobby Bobby Ross
Creating all those Happy Trees
A song to sing in playful key
It's sometimes hard to stay between the lines

I've been painting crooked pines
Production mix all Vandyke Brown
Withered words that reek of pun and clown
Lie slushed and swollen on the Soundcloud snow

Now I think I know
What he tried to say to me
Art is love, it's life, it's tragedy
Inside of all of us you see
So find your passion, get that fire lit
And with a 2 inch brush
Beat the devil out of it


Music Don McLean 1971
Lyrics HotR 2025

Bob ( my apologies to Don McLean)

Demo-Track, Use Headphones !
Hubert Stytz:  Music   /     Pee Gee: Lyrics
 
Insprired by the famous artwork by "Gottfried Helnwein" , Hubert and I had the idea of making up a story about a jetset glamour lady and a" working girl " on the Boulevard, a picture in her head..her idol "James Dean" immortalized by Helnwein ! 

Boulevard of Broken Dreams

Queen of the night
On her way to a gala dinner
Dressed up like a diva
She looks like the perfect winner
Surrounded by admirers
Escorted by her body guard

Strolling on the Boulevard of Broken Dreams
Boulevard of Broken Dreams...Boulevard of Broken Dreams..

Sin of the night
Under the neon lights
Carries a picture in her head
Painting a smile on her face
If you look closer you can see
The fire in her eyes
Standing on the Boulevard of Broken Dreams...

Boulevard of Broken Dreams....Boulevard Of Broken Dreams
It ain´t always what it seems

Boulevard of Broken Dreams...

There´s still a fire burning
In those hungry eyes
Standing on the Boulevard of Broken Dreams...

Boulevard of Broken Dreams... Boulevard of Broken Dreams...

Boulevard of Broken Dreams

Last Night

Cast of Characters:
Entheogenic Psychonaught (Josh Clary)– @josh-clary-1 –Josh – Warwick four-string fretless bass, PRS SE semi-hollow body electric guitar, Sigma acoustic guitar, lyrics, vocals, and composition
SunnyBeck-- @sunnybeck — Beck — synth and MIDI composition
K2 and the Three [and the Four]--@k2andthe3, @k2-kara –Ken -- drums
J.J. Terrell– @j-j-terrell – organ
Llanpsych -- @llanpsych -- Tez – production, mix, and mastering
This is a love song written about Josh's favorite band, Phish. He came up with the chords on his acoustic guitar, and shared it with the group. This was written with Beck in mind, though, too, as he knew she'd be contributing her magic to this one, too. Even when it was just the acoustic guitar set to a looper beat, she came up with many of the parts you hear throughout. Although, she also readjusted and redid a lot of it, too, throughout the process. Ken was the next piece of the puzzle to jump in. He laid down his perfect drums beats to it in only one or two tries, giving it the groove it needed. After Ken laid down the beat, that allowed Josh to add his bass to the mix, too. It was almost done musically, but it needed a lead guitar, which Josh also put in there. Before it was finished, though, JJ weighed in with his clever organ, which can be heard from about 2:30 on. When it was all wrapped up musically, Josh also sang his lyrics, which are written from the perspective of two Phish heads conversing about the imminent Phish show, which is always a big, exciting event. 
  Josh has seen almost 70 Phish shows in his life, and he hopes his adoration for the band is evident in this song. This is the second song Eclectic Collective have done with Beck, and we all hope for many more, too. She's a fantastic musician, with a wonderfully deep well of creativity. We hope you enjoy listening to this as much as we enjoyed creating it. 

Original lyrics by Josh Clary:

Are you gonna meet me at the show tonight
Am I gonna see you at the show?
What songs do you think they’ll play tonight?
I’ve been waiting all year to go

You should check out last night’s set list
The show was packed with killer songs
Is there any one that you’ve been chasing?
I love it when the crowd all sings along
 
Trey’s been stirring up all the great jams
Page rules the keyboards from his throne
Mike digs the groove so deep and he stands
On Fishman’s beats that shake our bones
 
Hope you have your ticket for the show tonight
I know these days they’re on our phones
Some spun wook is always tripping
Looking for profundity in all the songs

Every now and then they have to just stop spinning 
Stare at the lights, and sing along
So I know we’ll hear some great things tonight
Every time I go, my mind gets blown
After in the lot I know I’ll eat a grilled cheese

Trading Mics For Phish Pages- Eclectic Collective w/ SunnyBeck

Watch Out Remastered (Unloved)

COMPOSER - PRODUCER - MUSICIAN
I PLAY BASS GUITAR AND DRUMS
IN THE BAND „4NO1“
(ALL STYLES, SINCE 1992)