I do not understand this song but inside me  this makes me question how God could make mistakes when he is perfect? Why didnt he made perfection in all beings...

opera

Aram Khachaturian arr. Aleksey Krasavin - Sabre Dance

Annen Polka op.117

Johann STRAUSS II (1825-1899)

Arrangement : Duo CORD'EOLE

Live concert Été 2013 

Fanny MAYNE & Nicolas FAURE

Flûte Traversière & Violoncelle

www.duocordeole.fr

Johann STRAUSS II (1825-1899) - Annen Polka op.117

The Colour - 2007

Liszt Museum- Chamber Hall - Budapest

Antonio Vivaldi - Vedro Con Mio Diletto - From Il Giustino

Por la Orquesta y Coro del Teatro de Bellas Artes. Dirigida por el maestro Enrique Patrón de Rueda

Opera Cármen de Bizet

VITTORIO MONTI ~ Csardas
(Performed by  the Budapest  Symphony Orchestra)

Csárdás (or Czardas) is the only famous composition of Vittorio Monti. A rhapsodical concert piece written in 1904, it is a well-known folk piece based on a Hungarian csárdás. It was originally composed for violin, mandolin or piano. Nowadays, it is usually played on the violin, but can also be played as a piano solo, saxophone solo, on the accordion, or as an orchestral arrangement. The duration of the piece is about four 

VITTORIO MONTI ~ Csardas

Giulio Caccini - Ave Maria

Dmitri Shostakovich - Andante aus dem Klavierkonzert Nr.2 F-Dur

Mendelssohn Violin Concerto, first movement. Wayne Lee, violin; Emely Phelps, piano. Recorded Fall 2010 in New York.

Mendelssohn Violin Concerto, first movement

Dimitri Shostakovich - Vals De La Suite De (waltz2)

Track: Serenade
Composer: Franz Schubert
Profonda: Juan Gonzalez
Piano: Jarkko Riihimäki
Album: La magia del corazón
Recorded at Nikodemus-Church, Berlin-Germany 2011
Profonda Music
www.violaprofonda.com


Serenade (by Franz Schubert) - Viola Profonda &amp; Piano 2011

Written by Handel; Arranged by Caroline Dale
Published by BMG Rights

01 Sarabande

Madama Butterfly -  Un Bel Di, Vedremo

Since her European debut with Opera National de Paris-Bastille in 1997, soprano Paula Delligatti has been a regular guest of leading opera houses and symphonies throughout Europe and the United States. She has appeared with Teatro Comunale Firenze, Deutsche Staatsoper and Deutsche Oper (Berlin), Pittsburgh Opera, Houston Grand Opera, New York City Opera, and Opera Pacific as Cio-Cio-San in Madama Butterfly, the Royal Opera House, Covent Garden (London) and the Teatro Comunale di Bologna as Amalia in I Masnadieri and the title role in Bellini’s Norma in Sicily.

In addition, she has appeared at the Opera National de Paris-Bastille and Teatro Comunale Firenze as Ghita in Zemlinsky’s Der Zwerg, Opera Pacific as Donna Anna in Don Giovanni, Atlanta Opera as Magda in La Rondine, Gilda in Rigoletto, and Nanetta in Falstaff, Madison Opera and Seoul Metropolitan Opera as Leonora in Il Trovatore, Mimi in La Boheme, and Alice Ford in Falstaff and the Shanghai Opera as Violetta in La Traviata, and in Boston as Odabella in Attila.

Last season, Ms. Delligatti returned to London to sing the title role in Tosca at the Royal Albert Hall and sang Mariella in Mascagni’s Il Piccolo Marat with Teatro Gratticielo at Alice Tully Hall, both to critical and popular acclaim.

Ms. Delligatti has also appeared with leading symphony orchestras, including the Montreal Symphony (Charles Dutoit), Israel Philharmonic (Yoel Levi), Atlanta Symphony Orchestra (Robert Spano) Royal Opera House, Covent Garden Orchestra (Bernard Haitink), and Cleveland Orchestra for the Verdi Requiem, Boston Symphony (Seiji Ozawa) for Mahler’s Symphony No. 2 and concert performances of Madama Butterfly (Ozawa), Cincinnati May Festival (James Conlon) for Act 3 of Turandot, Avery Fisher Hall as Ghita in Der Zwerg. She has also performed Orff’s Carmina Burana with the Guangzhou Symphony in China.

A native of Uniontown, Pennsylvania, Ms. Delligatti made her professional debut as Fiordiligi in Cosi Fan Tutte with Connecticut Opera. She returned in subsequent seasons as Cio-Cio-San and Donna Anna. She was also a regular guest with Sarasota Opera, appearing as Cio-Cio-San with Sarasota Opera, three heroines in Les Contes d’Hoffmann, and all three heroines in Il Trittico (Giorgetta, Suor, and Lauretta). She has also performed Cio-Cio-San with the Knoxville Opera, The Art and Music Organization of Manila, the Philippines, and Pamiro Opera Company in Green Bay, Wisconsin.

Madama Butterfly - Un Bel Di, Vedremo

Paula Delligatti

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