All songs on youtube and bandcamp.
'Sunday' song acoustic live: 
https://www.youtube.com/watch?v=YoMrhxvSFV0
ROCK, GRUNGE, PSYCHEDELIC, POP, EXPERIMENTAL.
Indie Songwriter
Compositor, guitarist, singer and more.
Music, drawing, photo, video.
EP 'The sleeper must fight' 2011.
EP 'Instruments' 2016.
EPs BRUT I-VII 2005-2016.
More sounds coming soon.

The Life Blood album contains songs written from the heart about stories of love, romance and inspiration. All of the songs are timeless classics that you will enjoy listening to again and again.  All songs are composed and arranged by Paul Arow. 
Please listen to my songs and join my pages. I reciprocate back.

At just 25 years-old, Madison still has an entire lifetime only just beginning to stretch out before her. But she’s been making music for years. The multi-instrumentalist is most at home on guitar, which she first picked up at age 7, but also writes on piano.
 As its title suggests, Revealer—the new album by Madison Cunningham—is full of confessions, intimations, and hard truths the Los Angeles singer-songwriter-guitaristmight rather have kept to herself. It’s a warts-and-all self-portrait of a young artist who is full of doubt and uncertainty, yetbursting with exciting ideas about music and life, who has numerous Grammy nominations but still feels like she has far to go, who turns those misgivings into songs that are confident in their idiosyncrasies. It’s also a rumination on music as a vehicle for such revelations, what’s gained and what’s lost when you put words to your innermost feelings.“There’s a sense of conflictabout revealing anything about yourself—not just what to reveal, but whetheryou should reveal anything at all,” she says. “When you have to vouch for yourself and present a true picture of who you are, that can get confusing very quickly.This record is a product of me trying to find myself and my interests again. I felt like somewhere along the way I had lost the big picture of my own life.”

Composer and producer based in Stockholm, Sweden. Co-running Irrlicht, a publishing house and record label focusing on contemporary art, text and sound.

🎭 Piero  Briones 🎭
Cantautor del Rock Místico
📍Lima, Perú
Oscuro, simbolista, etéreo, teatral y crítico.

Delicately distilled Synth-Pop, with a light garnish of emo. 
Est 2019.

A NEW KIND OF WEATHER

"The deconstructed, gorgeous cover of 'I Drove All Night' manages to sound simultaneously comforting and incredibly sad, carried by multilayered vocals as voluminous and warm as the thick textures that hold them." - The Wire

FOR OSTLAND

"Alternately uneasy, bloodthirsty and painfully beautiful, For Ostland is a conflicted record that adds an unexpected new voice to the modern technoid post-punk dialogue." - Resident Advisor

"The group unfurl smoldering cinematic soundscapes, strange slivers of shadowy sound, moaning fragmented melodies, all over a haunting heartbeat like pulse, a sort of slo-mo electronica, laced with strange hummed/sung vocals" - Aquarius Records Record of the Week

"'Ghosts And Lovers' takes a distant four-to-the-floor to cold hymnal territory. When the searing guitars finally hit, it turns into a shoegaze explosion that clouds everything – a burial and an act of pushing away." - RCRD LBL

"Filled with dirges of guitar reminiscent of Sunn O))), Godspeed-esque post-rock crescendos, and dense layers of droning synths, Ostland's charred landscape is ever-changing yet consistently desolate." - Ad Hoc

"So not only is [Ghosts and Lovers] overbearing, noisy, and emotionally crushing, but it's a Marissa Nadler cover, too." - The Needle Drop

GHOSTS AND VERSIONS

"[Mark Verbos' Sordid Future Mix] layers the vocals of the Nihiti version with the futurism of a late-night cyberpunk rave." - FACT Magazine

FACED WITH SPLENDOR
pink morning music video: http://vimeo.com/29935617

"Folky, but still a bit gloomy, the vocals are fantastic, lush intricate harmonies, slipping from croon to falsetto and back again, dark and dramatic, moody and moving, a little seventies British acid folk, a little bit modern psych folk, the strings soar and sing, adding tension and drama, the vocals and guitar often playing off each other..." - Aquarius Records

"A fairly surprising departure from their past psychedelic sound, the new EP presents an introduction of more acoustic elements, revealing nihiti's hidden expertise in simple songwriting." - Dazed & Confused

"Everything seems brightly lit and in focus here. From the song's natural evolution with varied acoustic instrumentation to the careful melody, nothing is out of place." - Tiny Mix Tapes

"Pinko Morning removes electronic elements from nihiti's music while retaining the dark undertones the band is known for. - Altered Zones


<b>OTHER PEOPLE'S MEMORIES</b>

"There’s not a lot on [nihiti’s] Other People’s Memories that sounds much like anything else currently happening, unless there’s some cadre of well-presented electroacoustic savants out there churning out music of this gloss and caliber." – Dusted Magazine

"nihiti… relies on the coexistence of electronic music with acoustic instruments to create a sound that is alternately tense, foreboding, and intricate in the most intriguing ways… A cerebral effort in line with This Heat, late-period Talk Talk, Gastr del Sol, and other heavy hitters of recent decades, and a group that is worth the considerable effort to investigate." – Other Music Featured Pick, 1/4/2011

"Song structures weave from straight up danceable near-goth anthems, to completely disassembled and almost entirely heartbreaking ambient pieces… completely disassembling the structural elements of [these] seemingly paint-by-numbers pseudo-genres and very, very genuinely and very, very creatively forcing something new to exist." – Insound.com Record of the Week

"nihiti’s album, other people’s memories is a luxurious excursion across dazzling dreamscapes, an amalgam of progressive rock, non poh faced IDM, and playful experimentalism which make you feel like you were somewhere else without being in between places." – 20jazzfunkgreats.co.uk

THOMAS AQUINAS TAKES REFUGE IN THE EDGE OF THE VOID

paularow is following