✌️✌️✌️... Mixed & Mastered by Daniel Doherty at Darklands Audio

2026

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Alice

Thank you for listening!
Picture: Emilio GS 
soundcloud.com/emilio-gs/sets/cinematic-music-by-emilio-gs

The Siege

"What I soon learned was that Tommy claimed to be a time traveler, a rogue agent sent to guide me down a path of chaos and destruction.“I’m here to help you unleash the beast within, Charlie,” he’d say, grinning as if he knew some cosmic secret. Tommy fed me stories of a world altered by music and madness, where creativity blossomed in the soil of despair. I lapped it up, hungry for more than the mundane life I had lived. It felt like a twisted fairy tale, one where I was both the hero and the monster.As the LSD kicked in, my perception twisted and turned. I became acutely aware of the energies swirling around us—colors danced, sounds reverberated, and thoughts morphed into vivid images. It was intoxicating, terrifying, and I felt an odd sense of vulnerability. I had always been a survivor, but now I was exposed, raw, open to the manipulation of others.III. The Highs and Lows of PsychedelicsThe C.I.A. wasn’t just interested in my charisma or my talent for manipulation; they wanted control. LSD transformed me, shifting my reality, making me susceptible to the influences that surrounded me. It unraveled the fabric of my sanity, allowing them to weave it back together in their own dark design. During one of my trips, Tommy played a song that would become a haunting echo in my mind, “Let’s Thank the C.I.A. for Inventing LSD.” The catchy tune, filled with irony, made me vibrate with a sense of rebellion and acknowledgment.It was during one of these highs that I began to feel the rift within me widen. With every dose of acid, I was losing more of myself. The voices grew stronger, the shadows darker. I learned of the Tate-LaBianca murders, tales of blood and chaos that danced sinisterly through my mind, but they were never solely mine. They belonged to a design, a game.IV. Convergence with KaczynskiThe months passed, and the ambition built in me like a fever pitch. I learned about Ted Kaczynski—another pawn caught in the gears of societal torment. They’d fed him the same psychological experiments at Harvard, molding his fragile mind into a weapon. I felt a kinship with him, knowing that we were both victims of a greater ambition, each puppet in the hands of bureaucratic masters.I wondered if they had whispered to him too, manipulating him under the guise of education. I could envision him, isolated in his cabin, fueled by the agony of mental anguish and anger, just as I had once been, before Tommy. It made me question the very nature of our existence, whether we were ever truly in control of our destinies or merely pieces on a chessboard.V. The Descent into MadnessAs Operation Chaos tightened its grip, I became lost between reality and the numerous layers they had conjured. The more I indulged in the fragmented version of myself, the heavier the chains of expectation weighed upon me. In the midst of this swirling chaos, Tommy pressed on, coaxing me toward an apocalyptic liberation I naïvely embraced.“Embrace the madness!” he’d chant, spurring me on like a demon in disguise. “You hold the key to your freedom! The world needs to see!” But those weren’t my aims, I realized with a shudder. I was just a man wanting to be loved, yet here I was about to become a harbinger of horror.The infamous night came as a culmination of all these influences—a fateful convergence of circumstances and choices. As I looked around at my followers, caught in the throes of euphoric insanity, I couldn’t help but feel both powerful and powerless. the tab of LSD, the guiding whispers of Tommy Zygote, and what happened under that night sky. It’s all a blur, yet some fragments break through the fog. I can hear the echoes of that terrible song, reverberating around me: “Let’s thank the C.I.A. for inventing L.S.D.”The truth is, I never truly understood the full scope of their designs, nor did I grasp the extent of my exploitation. Each action I took was both a manifestation of free will and a display of manipulative control."  - C.M.

Whats for breakfast

Thank the C.I.A for inventing L.S.D.

Thank the C.I.A. for inventing L.S.D.

Whose country?

Star lights

Watch the video here
https://youtu.be/Ys5F7IPk3GM

I got my first hate mail the other day
I guess that must mean I'm doing okay.
I'm in the forge but I'm no forgery
Being made like a blade
Come and play with me.
People like to call themselves by all kinds of pretty names
But they're just labels to help them play the game.
It's time to say goodbye. I gotta go
And I won't see you again
I think you know.
I'll keep on walking the way I like to walk
And I'll keep on talking the way I like to talk
And If I meet somebody who sees the light in me
This time I'll double check the truth in what I see.

Pop 2.0

The Truth In What I See

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Night Desert

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K G G - Strange Activity at Never Never

method:  this is a version of this extremely evasive poem in simple, intertwined loops; sc mastred auora 67 per cent
narration: this is one of the sequential, reflexive poems in my DIE ODRADEK VARIATIONEN collection, in the section titled DAS BUCH DER ZUMUTUNGEN – I might add the lyrics or even an interlinear translation when time permits
image: copyright jo richter

zuflucht

01 - NI - Session Guitarist - Picked Acoustic - Ray of Light
02 - Sonuscore - Elysion - Neptune Pad Reaching The Digital Era
03 - Sonuscore - The Orchestra Complete - Violin 1 Sustain - Oboe Staccato - Glockenspiel Hit - Harp Plucked - Flute Staccato
04 - UVI - FALCON - Plurality - Lyre E Bow Darkness Split
05 - NI - STRAYLIGHT - Cloud Piano
06 - SA - Orchestral Swarm - Horns - Tenuto Swarm

Ray Of Light

Video: https://www.youtube.com/watch?v=u71jAmLINOI
Catalogue: https://dominiquelebars1.bandcamp.com/

Les Inclassables

Classical guitarist/pianist who writes & produces music.  I study music and compositon at CQU Uni. I love crossing boundaries and genres in my original music.  New album on Spotify etc https://open.spotify.com/album/2cnmt2NytLzD9L3AVWwUdW?si=jcpQ5z5IRSmpSySFHQLvug

Whose country?

Paul Chantrill

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