Progress - Robot Voices

Mijo (AKA Michel Jordan) began his musical adventures on flute and piano at the tender age of 8. By age 11 he had branched out into woodwinds, playing alto sax in the school orchestra until the fateful day in 1977 when his family moved to Germany and he was forced to leave the saxophone behind.

Luckily, this did not spell the end of his career – upon arriving in Germany, he promptly put his talents to good use on a Gibson western guitar, expanding his repertoire with lessons and collaborations with Thomas Reuther, who went on to become a noted classical guitarist in his own right.

The two went on to eventually form the Turkish/Oriental fusion band ‘Grup Fakir’, with several other musicians, and received critical acclaim and an offer to tour Turkey in the mid-1990′s. Unfortunately the band dissolved shortly after recording their first demo cd, but Thomas and Michel continued their forays, delving into musical motifs that firmly straddled Greek and Turkish origins.

In 1995 Michel met new cohorts, Christian Wolff and Michael Fey, who he went on to produce and perform live soundscapes and themes to Fachhochschule – Frankfurt theatres production of Shakespeares’ ‘Midsummer Nights Dream’ and ‘Macbeth’. Again, his efforts met with resounding success, both personally and publicly.

Michel and Christian went on to form the experimental acoustic/electro-fusion/jazz/techno/blues-rock band ‘Ultraschall’, playing on a weekly basis with guest artists from around the world, including Christian Schmidhofer of Embryo.

In 1999, Jordan and Fey teamed up, under the Sensor II moniker, to produce some new tracks with a more electronic edge, cuts of which rose to the top of the charts on Garageband.com and were included on the Garageband ‘Best of Electronica’ compilation CD. It was through Garageband that Artemis connected with Jordan to eventually produce the track ‘Hypno’ on Artemis’ latest release ‘Gravity’.

‘Fata Morgana’ is Jordan’s latest effort, a sensual trip that beats a path across time and genre, melding the past, present and future sounds of world music.

"Repetition is based on body rhythms, so we identify with the heartbeat, or with walking, or with breathing." (K. Stockhausen)

I see a meaning in the limitation to minimalist sounds. My work blends elements of post-punk synthwave, EBM, minimal techno and trance, merging the divided aspects of our being into a cohesive, transcendent experience.

I love synthesizers and generating music with my PLAINE CM4X-generator. Follow me, if you are interested in algorithmic music!

Жаба любить вас,
Кальмар любить вас.
Жаба люблю тебе,
Кальмар люблю тебе.

Anyone proposing 
to work with me 
as a promoter, or other, 
needs to be fluent in :

Ukrainian, Polish, Russian, 
Egyptian Arabic, French, 
German, Korean, 
Japanese, and Chinese. 

https://ayamikhan.link/

"Child of Nature" is a sound & video collaboration to awaken your inner child.

Thank you very much for your support and your great comments   🙏  🍀  🌻

Love & Light  ✨🌟❤️🌟✨


Didgerdioo, mouth harp, singing, poem, spoken word & soulful inspirations,chant mantras, video clips & photos as well as camera by Amanitalinda🧚 🧚‍♀️ 🧚‍♂️https://soundcloud.com/amanitalinda

Lyrics by Amanitalinda🍄

Additional instruments & vocals by Jeamland

Mix & mastering & sound design by Jeamland
Near-field recording by Jeamland
Record producer by Jeamland
https://soundcloud.com/mortenjeamland

Music by Child of Nature℗2019-2025
©2025 Jessy Records


Profile photo by Amanitalinda  🍄

Cover design by Child of Nature 🌸

Video production by Child of Nature 🦋

Additional video and picture inspiration by Amanitalinda 🍄

Special thanks to Jessy, the cat princess, for her spiritual support and unconditional love😻💫🐾

Album & Remixes on Bandcamp: https://amanitalinda.bandcamp.com

You can find more demo songs, songs & remixes from us here https://soundcloud.com/theearthlove

Hello! I’m a university professor of history who enjoys playing guitar and piano/keyboard, and occasionally composing — unpretentiously, just for fun.
Most of my recordings (made with a KorgD8, Audacity, and more recently Reaper for MIDI and the Spitfire Audio libraries) are entirely homemade and decidedly imperfect.
My music includes old songs (all written back in the last century; here I’ve only shared the ones I’ve reworked in recent years) as well as both old and new instrumentals — usually in several versions, some of which eventually disappear because they’re simply unlistenable.

Thanks for stopping by and giving something a listen; in the description you’ll often find explanatory notes or translations of the lyrics.
Here I’ve discovered a community of talented musicians and songwriters, and plenty of beautiful music to enjoy. Whenever I like, comment, or repost a track, it’s always the result of attentive listening. For the same reason, I’m not interested in trading empty “likes” without real engagement, and I won’t reply to messages from would-be promoters — follower counts don’t matter to me in the slightest.

Update (2024, September 9). Completed the "AI & (fake) songwriting project". Here: https://soundcloud.com/mick-hansan 

P.S.: A prayer, a humble request to those who publish songs: use the description area to make the lyrics available... This would make listening to them more complete and enjoyable!

I've posted some 'live' homemade performance here: https://www.instagram.com/michele_ansani/

In deepest connection:
Child of Nature: https://soundcloud.com/childofnature
The Forest Army: https://soundcloud.com/theforestarmy
Amanitalinda: https://soundcloud.com/amanitalinda
Heidi K: https://soundcloud.com/heidijks
Jeamland & Bolt: https://soundcloud.com/jeamland-bolt
The Earth Love: https://soundcloud.com/theearthlove
Jörg: https://soundcloud.com/joerxworx
Martin: https://soundcloud.com/m_ja

Progress - Robot Voices

Pauli Laine