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Artificial Hades

AENEAS

ARK - Rework

A sound work by Sakat that emerges from direct contact with electrical current, not as a tool, but as a field of hidden structures. What appears as a simple flow of energy reveals layered worlds within it, micro-patterns nested inside one another, unfolding beyond human intention.

Through a self-made contact microphone, electricity becomes audible as more than noise or signal. Within feedback, interference, and instability, smaller systems speak from inside larger ones. The work follows these internal architectures rather than imposing form upon them.

During the process, control dissolves. The body no longer acts as a creator, but as a conductor, a passage through which unseen orders briefly surface. In this moment of exposure, authorship weakens and listening takes precedence.

This piece reflects on the idea that creation does not always originate from will. Even within a current measured and mapped by science, there exist concealed worlds, where creation repeats itself at ever smaller scales, waiting not to be designed, but to be revealed.

A Lesson in Conduction (Live Exposure)

ODENDIS_rideout

Shapednoise - "Intruder"

Jega - Saint Bees 
Taken from the album " 1995" 


Jega - Saint Bees

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Rites

Rites: II

PAN DAIJING - Lack 惊蛰 (PAN 79)
Format: LP / Digital Label: PAN Cat.No: PAN 79 Release Date: 28 July 2017

p-a-n.org/

pre-order: pan-daijing.bandcamp.com/album/lack-pan79

Pan Daijing announces her debut album, ‘Lack 惊蛰’, on PAN this July.

Culminating as the purgative ‘finale’ to her improvisational live performances, Pan Daijing’s debut album also offers an insight to her future works. The process was intuitive and raw, born out of her previous explorations. Over the past 2 years, she has composed, recorded and edited different concerts and field recordings across Europe, China, and Canada, forming the basis of the record. Arriving as her first full-length album, ‘Lack 惊蛰’ was crafted from this long, painstaking mental and physical practice.

Daijing’s pieces are created around a very intense and intimate mental catharsis, often expressed through a close physical interaction with strangers in her live sets which seek to engage them in a highly personal way. “When I was finalising this album, they didn’t feel like tracks to me anymore, but more like a psychoanalytical process,” she says. “I saw myself being this absurd, mad person ‘acting’ out the sounds… It’s rather physical, and became like a mindgame. All things came out naturally as part of me.”

The narrative of the album presents a perspective of the world as ‘the theatre of our minds’ - where Daijing sees the record as an ‘opera piece’ in its storytelling and drama.

The release is mastered by Rashad Becker at D&M, featuring photography by Ralf Marsault, and artwork by Bill Kouligas.

Pan Daijing

Pan Daijing - Practice of Hygiene 洁净之用

Rites: II

Paul Jebanasam

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