Marvelous music Paul.  This piece is packed full of suspense, action, drama, energy, mystery and creates a sense of wonderment.

fascinating melodic lines, intricate and expressive, beautiful work

A marvelous, exotic sound world - lovely, fascinating to travel through - thank you Paul Max!

Listening again to this amazing work.  The virtual performance is excellent and really adds to the listening experience.

[MY MISSION]
My mission as a musician is to help people with finding peace in their minds. If you like my music, please consider buying my albums on Bandcamp. Your support will be my engine to focus on making music.
https://masahiroshinoda.bandcamp.com/

[CONCEPT]
I dedicate this song to all the guitar kids around the world. Looking back on my days as a “guitar kid”, I couldn’t fit in at school and didn’t know how to make friends. Listening to my favorite rock bands and playing the guitar was not only my sole consolation but also helped me find hope in life. I want to tell you that there’s no reason to think that you're miserable because you’re alone. I believe real progress is made when you give your full attention to the task you’re engaged in and this can be done by embracing solitude. I conclude this with my favorite quote. “Without great solitude, no serious work is possible.” ― Picasso

[LYRCIS]
Guitar kids, guitar kids, 
Don't throw your dreams away
Guitar kids, guitar kids, 
Just carry on, day after day

Don't care what other kids say to you
Wipe the tears away
Plug your guitar into the amp
Let the music shout loud!

Hey, listen, kids,
When you feel you’re all alone in the world
Think in this way:
It’s time to focus on what you love
If you wanna make your dreams come true, 
You should embrace solitude
Don’t seek out 
And reach out for distractions

Guitar kids, guitar kids, 
No shortcuts, along the way
Guitar kids, guitar kids, 
Just carry on, day after day

Don't compare yourself with other kids
Just keep on your way
Plug your guitar into the amp
Let the music shout —

Hey, listen, kids,
When you feel you’re all alone in the world
Think in this way:
It’s time to focus on what you love
If you wanna make your dreams come true, 
You should embrace solitude
Don’t seek out 
And reach out for distractions

Guitar kids, guitar kids, 
Don't throw your dreams away
Guitar kids, Oh, guitar kids!

Support Masahiro

Song for Guitar Kids - Embrace Solitude -

E-Sweet Spirytus

🔥 Get ready to turn up the heat with "Lit" – the third track off our album "City Lights Desert Nights"! 🌃✨

In "Lit," we're bringing the fire with a pulsating beat and electrifying energy that will keep you moving all night long. Join us on this sonic journey to the future, where neon cityscapes and desert nights collide.

🎶 Stream "Lit" now and immerse yourself in the futuristic trap vibes that define the Walkerverse. 🔊

Don't forget, the full album is available on Bandcamp, so be sure to check out the rest of the electrifying tracks that make up "City Lights Desert Nights." Let's keep the party going! 🚀💃

03 Lit - Jaywalkerblack & Shooting Stars - City Lights Desert Nights

Un po' Battiato un po' Cinematic Orchestra... a modo mio

PIANO_IMPROVV_N°26 - "Birds Arrival On A Solitary Beach"

Approaching The Light With Four Angels

Written, arranged and produced by Davide Angelini
Vocals & instruments: Davide Angelini
Recording: 2008/2009
Album: RAPTURED BY THE SOUND
Originally: (p)&(c) 2013 Davide Angelini
This mix & remaster: (p)&(c) 2022 Davide Angelini

Lyrics:

MISTRAL
Forget your troubles and open the door
Take the front road, don't delay anymore
The rainbow shows you the den of the sun
Open your mind, let the fantasy run

(Mistral)
The wind takes you away
(Mistral)
To the end of the day
(Mistral)
On the sky's thread you stay
(Mistral)
The wind takes you away
The air supports you protecting your fly
Nomore desires, nomore fears if you try

Leave now your troubles and set free your mind
Dance with the mountains, the sea, the skyline
The rainbow shows you the den of the sun
Don't be afraid and begin now to run

(Mistral)
The wind takes you away
(Mistral)
To the end of the day
(Mistral)
On the sky's thread you stay
(Mistral)
The wind takes you away
The air supports you protecting your fly
Nomore desires, nomore fears if you try

Be happy now, the Creation's for you
Everything is the best thing to do
Open you mind, set the fantasy free
Dance with your feet on the top of the trees

(Mistral)
The wind takes you away
(Mistral)
To the end of the day
(Mistral)
On the sky's thread you stay
(Mistral)
The wind takes you away
The air supports you protecting your fly
Nomore desires, nomore fears if you try

(c) 2013 Davide Angelini

Raptured by the Sound (2022 mix & remaster)

Mistral (2022 mix & remaster)

Bandcamp

MISTRAL - (2022 mix & remaster)

Audiobake original open Collab + additional synths)

Check out AudioBake on #SoundCloud
https://on.soundcloud.com/QU71h

Enjoy!

Cyberian collabs playlist:
Listen to Cyberian - Open Collab Tracks, a playlist by AudioBake on #SoundCloud
https://on.soundcloud.com/5WM8G

Image from Pinterest:
https://pin.it/1MN2hXV

Cyberian remix (Audiobake)

Merry Christmas everyone ! :)

https://youtu.be/w3aqIi3jP-E

First star

...and of transformations (2018)
for large chamber ensemble
(Alto Flute [doubling Piccolo and Bass Flute], Oboe, Clarinet [doubling Bass Clarinet], Bassoon, 2 Horns, Trombone, Percussion, Harp, Guitar, Celeste, 2 Violins, Viola, 'Cello, Double Bass)

Programme Note:
The temple complex of Preah Khan is part of the vast area known as ‘Angkor’ in Cambodia. Much information can be found about the temple complex of Preah Khan, built by the exceptional God King Jayavarman VII. The history of the ancient Khmer civilisation, and the surreal, mysterious and magnificent temples of Angkor itself, have long caught my imagination. In this regard, I had written a series of large-scale works based on the architectural designs as well as encrypting the pieces with a set of relative information. Angkor, in effect, had become an obsessional source of extra-musical inspiration. However, it was not until 2017 that I actually visited Cambodia and saw ‘in person’ these wondrous temples. It was as if I was visiting a number of pen friends. I knew every temple so well, even if I had never seen them before ‘in the flesh’.

I felt a need to return ‘musically’ to Angkor and to respond to what I had seen. Of all the extraordinary sights, Preah Khan left a new and immensely strong impression. This was a place I knew about, but its specialness had never been made quite so clear. Books generally refer to the unique two-storey pavilion with its almost Romanesque columns, no doubt because they initially appear more ‘European’. However, there is nothing remotely of the ‘West’, and its neighbouring ‘Hall of Dancers’ bears some of the most exquisite bas reliefs in all of Angkor. Similarly, the mix of man made and now ‘natural’ architecture is exemplified by the way in which trees and buildings entwine, as if purposefully juxtaposed by a surrealist artist. I know that I will never forget standing in what still seems like a surreal and other worldly part of the complex, surrounded by mysterious buildings encrusted in fine and ornate bas reliefs. That was a literal ‘dream’ in a day’s reality. The mix of man and nature is surreal, for sure.

The curious thing I found was that while my music had moved on, I returned to the same schemes of creating ciphers and designing musical structures I had adopted twenty to thirty years ago. I realised that these compositional tools were ‘within’ my natural way of thinking. The fact that I had now seen Angkor in reality, as opposed to through illustrated books, ultimately made little actual difference to the creative spur the inspiration ignited. Yet there is a difference, which I can acknowledge. To attempt to recreate a ground plan, a physical structure that can be viewed from an infinite number of angles, through the necessary medium of a single musical pathway, plus the heady atmosphere of a moment in time is impossible. All we can ever do is evoke a perceived mystery or atmosphere and ‘report’ aspects of an inspiration.

Preah Khan has a famous stele with inscriptions that tell of the gods it invokes, the context of the temple and its relationship with the God King. The opening lines translate as "The Lord (bhagaván) is divided, for his body is the Body of the Law, the Body of Enjoyment, and the Body of Transformations". From here evolves the title of this work, which is ultimately all about transformations.

This sound version is for reference and was created using Spitfire Audio BBC Symphony Orchestra Professional.

© Paul Max Edlin 2018

The photograph of Preah Khan was taken by the composer in 2017

...and of transformations (2018)

Paul Max Edlin's music is published by Composers Edition. 

Paul Max Edlin, 2016/2017 Composer in Residence for the London Chamber Orchestra, has a career that combines composing with higher education, artistic direction and performing.  

His works have been performed by many leading artists including Alison Balsom, Arditti Quartet, Britten Sinfonia, David Campbell, Cantus Ansambl, Dame Sarah Connolly, Dame Evelyn Glennie, Rolf Hind, Johannes Möller, London Chamber Orchestra, London Sinfonietta, Olga Pasiecznik, Psappha, Silesian Quartet, Southbank Sinfonia, Gabriella Swallow, John Wallace and The Wallace Collection and Bede Williams. 

He studied with Edwin Roxburgh, Richard Blackford and Joseph Horowitz (Royal College of Music) and Michael Finnissy (University of Sussex). He has won many prizes including Premio Internazionale Ancona, Harriet Cohen Memorial Award and United Music Publishers Prize. His music explores symbolism and often derives its inspiration from extra musical material. From the mid 80’s to mid 90’s many works were inspired by the art and architecture of South-East Asia, especially Indochina. From 2000 onward symbolism of a wider range of sources guided his music, from the chiastic structures of J.S. Bach to the writings of Gabriel García Márquez and Federico García Lorca and visual work of Frida Kahlo.

Paul Max Edlin is former Director of Music at Queen Mary University of London. He was Artistic Director of Deal Music & Arts (formerly Deal Festival) from 2004 to 2021, Sounds New (2007 to 2013), Director of International Composer Pyramid (2008-2013) and was founding Chair of the Board of Trustees of Ora Singers. He is current Executive Chair of W.E. International Music Festival, which brings eastern and western cultures together.  From 2012 to 2013 he was President of the Independent Society of Musicians (ISM), the UK's leading association for professional musicians.

...and of transformations (2018)

Paul Max Edlin

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