Name: Three Persian Lyrics by Vito Palumbo
Duration: 12 min 16 s
Description: Live recording Teatro Grande di Brescia - Three songs on the persian poetry by Rūmī - Giulia Peri, soprano - Lamberto Curtoni, Cello

What a great composition! The vocalist is also awesome

nice evocation about the old Persian world. 

Hans Abrahamsen - Congratulations Greeting
For solo horn 
Performed by Annemarie Federle

For more details and score: https://www.ram.ac.uk/multimedia/congratulations-greeting

About 200 PIECES:

As part of its Bicentenary celebrations, the Royal Academy of Music embarked on an ambitious project, inviting 200 composers to write 200 new works for solo instrument or voice. The recordings and scores for these works, written for every principal study instrument taught at the Academy, are now available, creating a new library of varied contemporary works by many of the world’s leading composers.
ram.ac.uk/200-pieces

Congratulations Greeting

Abrahamsen - Congratulations Greeting

My teacher Margaret Baxtresser. LIVE performance, 1981, Ludwig Recital Hall at Kent State University. From one of the Naumburg programs she played back in the early 50's... I seem to remember that she resurrected it 30 years later (?)... According to what I have managed to put together, Maggie won that award at 18, and two years later she married Earl. During their early years (photo is from that time) she was studying in Philly in the Kapell/Samaroff circle, and with the Rev. Dr. Charles DeBodo (who willed her his prized 1878 Bechstein that Brahms had played, which is now in a museum in Madison). Philipp had been on the Naumburg jury that gave her the award. Through DeBodo, whom she regarded as her most important teacher by far, her piano lineage traces directly back to Liszt, Czerny and Beethoven. Somewhere I have a dub of the Audiophile red vinyl recording she made ca. 1952, which included the Debussy "Fireworks" -- best ever, corroborated by Gina Bachauer, who said to her "you're the only person who actually plays ALL of the notes!" Hoping to retrieve and post that soon!

LIVE at Kent State University

BRAHMS Sonata in C Major

Wasteland_underlife
for five instruments and electroacustic device

Commissioned by Ensemble Suono Giallo and funded by Ernst von Siemens Musikstiftung

Andrea Biagini, flute
Michele Bianchini, saxophone
Laura Mancini, percussion
Simone Nocchi, piano
Giacomo Piermatti, double bass

Score published by Edizioni Suvini-Zerboni, Milan

Wasteland_underlife (2022)_excerpt [use headphones!]

"A mistake that keeps being repeated is not a mistake, it's a choice." - Unknown

It's about taking chances, riding the river of life, and inspired by my love of those classic songwriters and their lo-fi vibe.  

Ride the river.

"The Same Mistakes Again" written, arranged, recorded, produced & performed by Eric Alexandrakis.

Mixed by Eric Alexandrakis and Zach Ziskin.

Mastered by Zach Ziskin.

©℗ 2023 Minoan Music

www.ItsABeautifulDayToday.com

https://www.facebook.com/ERICSGALEXANDRAKIS/
https://www.instagram.com/esgalexandrakis/
https://www.threads.net/@esgalexandrakis

Lyrics:

Well i've been down that troubled road before, many times afoul.
And i know every stone and tree and pothole, I've stepped on them and howled.
Yet still looking down that dusty road temptation calls my name.
Oh how does the painful sensation pull me to make the same mistakes again?

Oh there's a bridge over the river, which takes me home with ease,
But if life was always so easy, we'd never scrape our knees.
Yeah the trees, the bees and blades of grass get teased by the breeze and terrain,
But if we never ride that river, we'll make the same mistakes again.

That old uneven road has made me trip surely more than thrice,
And yet somehow I keep taking the same path, and I keep paying the price.
That bridge up ahead is an easy route that keeps me safe and sound,
But if I take that river, I might cover greater ground. 

Well there's a bridge over the river, which takes me home with ease,
But if life was always so easy, we'd never scrape our knees.
Yeah the trees, the bees and blades of grass get teased by the breeze and terrain,
But if we never ride that river, we'll make the same mistakes again.

BRIDGE

Well this boat is a bit flimsy, but in life there are never guarantees.
Things look so much different when rowing on one's knees,
But I'm moving forward living life, and always seeing new things.
Just looking to see what the future says, and what new things it brings.

Now an unsuspecting wave rolls by, and knocks me in the water.
Sometimes the cards we're dealt in the game of life, fold and burn or prosper.
As I gasped for air I swore that life will keep me, I'm no martyr.
When I regained my footing I stood real tall, and the world was mine to conquer.

Yeah there's a bridge over the river, which takes me home with ease.
But if life was always so easy, we'd never scrape our knees.
Yeah the trees, the bees and blades of grass get teased by the breeze and terrain,
But if we never ride that river, we'll make the same mistakes again.

Oh there's a bridge over the river, which takes me home with ease.
But if life was always so easy, we'd never scrape our knees.
Yeah the trees, the bees and blades of grass get teased by the breeze and terrain,
But if we never ride that river, we'll make the same mistakes again.

The Same Mistakes Again

DEATH   BELLS    2

Retrouvez sur chacune de nos productions d’opéra, une présentation de l’œuvre musicale par Charles Sigel, homme de radio qui nous emmène depuis des années au son de sa voix douce dans les vies et portraits musicaux les plus passionnants. Au petit déjeuner ou pendant vos trajets, sous la douche ou à l’heure de la lessive, écoutez-le vous raconter la genèse de ces œuvres comme si vous y étiez! Entre récit personnel et contexte historique, voyage musical et histoires plus ou moins tortueuses, ce format court vous préparera l’air de rien à votre visite au Grand Théâtre et peut-être même, le cas échéant, vous donnera envie d’assister au spectacle, si vous n’avez pas encore de ticket ;-)
Conception et voix : Charles Sigel 
Réalisation : Samantha Kellerman

Hèctor Parra : Justice

22 Chopin  Piano Sonata #2 In B Flat Minor, Op. 35,  Funeral March  - 3. Marche Funèbre

Live recording Teatro Grande di Brescia - Three songs on the persian poetry by Rūmī - Giulia Peri, soprano - Lamberto Curtoni, Cello

Three Persian Lyrics

Ravel, Gaspard de la nuit, No.1 "Ondine"

Alban Berg's Piano Sonata in a single movement, Opus 1, was published in 1910.

Three Persian Lyrics

Vito Palumbo

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