TALISMANN - NEPTUNE

Basal

Basal 2 (Out Of Control)

DON T EVER LOOK BACK

The chant of the void calls.
⛧ FRΞQUΞNCY DΞSCΞNT: VØID CHΛNT ⛧ is a descent into subterranean frequencies, where hypnotic techno collides with industrial shadows and trance echoes. Pulsing bass, ritual percussion, and evolving textures form a soundscape carved from darkness.

All original compositions by ApØtheØsis.
Best experienced in the dark, headphones on, volume high.

Genres: Hypnotic Techno · Deep Techno · Ritual Minimal · Industrial Techno · Acid Techno · Psytrance · Electro-Industrial · Experimental · Ambient Drone

#FrequencyDescent #VoidChant #Apotheosis #ÆtherfluxRecords #HypnoticTechno #DarkTrance #IndustrialPulse #RitualMinimal #TechnoWithoutPermission

ABYSS CHANT

Eidolon

Drumcode favourite Bart Skils kickstarts the new year with his sixth EP for the label Bark Skils opens new year's season with his 6th hard hitting EP released on Drumcode

Since his debut on Drumcode in 2012, Bart Skils has been one of the label’s most regular contributors, with the Dutchman’s brand of functional, hook-driven techno a go-to weapon for Adam Beyer; from his stellar ‘Shadowprint’ EP in 2014, to last year’s classy remix of Moby’s ‘Go’. One of The Netherland’s hardest working ambassadors for techno, he is the organiser of the beloved Voltt Love Summer Festival that’s has been a favourite of Beyer’s for many years. 

His latest work for Drumcode, ‘Bells of the Revolution’ continues his impeccable reputation for quality with everything he does, with four cuts all with their own distinct storyline. The title track is characterised by dark driving grooves and bubbling acid line that slowly evolves into a lush melodic riff. ‘Ocean Drive’ nose-dives into deeper techno territory, while maintaining a sense of exquisite tension throughout. ‘Vocalized’ follows, a stomping acid techno cut that slides into the deep courtesy of skilfully programmed vox and elegant licks of melody. The EP concludes with ‘Retrodade’, a track that’s been one of the biggest in Beyer’s sets in 2017 and features the famous vocal from Rozalla’s ‘Everybody’s Free’. The sample was used with kind permission from the iconic ‘90s singer.

Bart Skils - Vocalized - Drumcode - DC184

Releasing twice before on both our SUM II & III compilations, Reform grace us with their first solo outing with four sensational cuts on their ‘Former’ EP.
By utilizing just the essential elements in massive fashion the duo have crafted their sound to decimate dance floors with an acute detail to tension building. From the nightmarish euphoria of the title track “Former” to the pulsing low end fire and twisted chant in “The Damage” to the attitude fueled sonics of ‘Atlantide’ to the sly vocal cuts and rapid fire hats of “English Lesson”, the common theme throughout Refom’s first EP is absolute dance floor destruction. And we couldn’t be hyped more to have them on board.

@reformofficialmusic
@secondstateaudio

Beatport

Reform - Atlantide (Original Mix)

Stream on Spotify: http://bit.ly/TRSMT126sp

The Spaniard sensation is back with a two-track monster EP. Side A features 'Magnum' a tough hard hitting bass heavy track that will just pound your dance floor to no end! Side B features 'Stranger Music' a more groovy techno tune that's just full of energy thru out the entire track. A must EP to have in your playlist.

Buy on Beatport

Oscar L - Strange Music (Original Mix) [Transmit Recordings]

#RDM008 - Shlomi Aber: ‘Zohar’ EP

RELEASE DATE: 29.11.2019
LABEL: Redimension Music

TRACKLIST:
A1. Zohar - Shlomi Aber
A2. Tora - Shlomi Aber
B1. Woodhill Grove - Shlomi Aber
B2. Going Distance - Shlomi Aber

►Available across all major streaming platforms worldwide & stores via https://lnk.to/REDIMENSION008

Zohar EP

Zohar

Shlomi Aber - Zohar

Remainings III (Paul Ritch Remix)
Adam Beyer - Remainings III (Remixes)
Drumcode, 2009 

Remainings III (Paul Ritch Remix) - Adam Beyer

Paul Ritch’s productions and performances, characterised by his powerful and harmonic techno with a touch of pure emotive soul, represent his true signature sound – the one that has projected him to global recognition.

In 2007, Paul Ritch took the techno scene by storm both on stage and as a producer. Ever since, Paul has been defined by his passionate musical rhetoric, projected in releases for labels like Drumcode, SCI+TEC, Saved, Cocoon Recordings, Soma Records and Bpitch Control, among many others, and remixes to classic tracks such as Ondu, Positive Education,Tropical Melons, Remainings III, Magic K, The Test and I’m Burning Inside. References that have led him to be included among Resident Advisor’s all-time Top 100 charted artists.

In 2008, Paul brought to life his own imprint, Quartz Rec, conceived as a platform of artistic expression for showcasing cutting-edge techno sounds and a broad vision of electronic music. With its first release, “Split EP Part 1” (Paul Ritch, 2008), the label held a top 2 position on Beatport ́s Techno chart. And following hot on the heels of its fifth birthday, Quartz Rec has already published original tracks and remixes from Okain, Paco Osuna, Nic Fanciulli, Thomas Muller, Barem, Carlo Lio, Dubfire, 2000 and One, Onno, Cuartero and Anton Pieete.

Ritch’s musical delirium and his creativity on stage are two of his unique trademarks and these have been witnessed in his live performances on four continents including clubs such as Amnesia, Space and Pacha in Ibiza, Fabric and Egg Club in London, Womb and Circus in Tokyo, Berghain and Watergate in Berlin, Goa in Rome and Madrid, Rex Club in Paris, among many others.

He has also performed at festivals including Time Warp (Holland and Germany), Monegros (Spain), Awakenings, Voltt Open Air and ADE (Holland), SW4 (UK), Neo Pop Festival (Portugal), Hyte Park Festival (NYC), Amore Festival (Italy), BPM (Mexico) and WMC (Miami).
2014 was a year in which Paul continued to excel and reinvent himself with his very own musical mindset, and without a doubt, 2015 will be transcendental for Ritch as he looks to keep growing and achieve even greater goals.

Remainings III (Paul Ritch Remix) - Adam Beyer

PaulRitch