Cas Haley first gained national recognition in 2007 on NBC's America's Got Talent, where he performed a stunning acoustic reggae cover of The Police's 'Walking On the Moon'. His performance quickly went viral and helped him secure a well-deserved second place on the show.

Since then, Cas has been on a musical journey that has taken him around the world, blending Southern soul roots with reggae-inspired rhythms in seven original albums. His latest project, "BOOTS ROCK REGGAE, VOL. 1," is a unique collection of America's favorite country and rock songs, reimagined with Cas's signature style. By bridging his country roots with his love for reggae music, Cas is creating something truly special and unforgettable. Join him on this exciting new musical adventure and experience the magic of his music for yourself.

No Sleep Records is an independent record label based in Huntington Beach, CA and home to some of underground music's best emerging talent. Formed in 2006 by Chris Hansen, No Sleep began as a project to bring back originality and uniqueness to a seemingly watered-down scene, and has quickly risen to become one of the most respected labels in the industry.

Years after its inception, No Sleep continues to push the boundaries of music with a diverse lineup of innovative acts that don't necessarily fit any single genre, but instead are out to cut their own path. From La Dispute and Touche Amore to Balance and Composure and Into It. Over It., the label has become one of the scene's most coveted labels for bands to call home.

Paundy is a seven piece instrumental band inspired by Film/TV music, with influences ranging from Jazz to Punk. Our approach to creating music is simple, if it feels good, we play it regardless of style. It all started with Paul and Andy, hence the name Paundy. In the mid 90's we started making strange 4 track cassette recordings for our own amusement. We never thought anyone would hear them so we felt uninhibited to be as experimental as possible. After a few years we were playing live shows as a duo for art openings and silent films. We would sit around a table full of percussion and toys while trading off instruments (much like a one man band with two people). Our friend Tony was using our music in his films (Benkyo Productions) and was turning into a devoted Paundy fan. Tony is a musician as well and he became the third band member. Our other friend Chad, also a multi-instrumentalist, offered to help with our live shows. With the addition of Tony and Chad, who were also contributing original songs, Paundy became much more versatile live because we could all switch between instruments. Justine started playing violin with us in 2000, and working with strings gave us a whole new dimension. Justine also plays keyboard and percussion when we play live. We had always wanted horns in our music and we finally found that in our good friend Drew, who plays on trumpet, trombone, harmonica, and whatever else happens to be sitting next to him on the Paundy table. In 2013, Leif Utne joined the band, rounding out our horn section on flute and tenor sax. Over the years, and almost by accident, we have become a full band and our shows have grown to be quite elaborate with film, costumes, special musical guests, and many devoted fans. We took this Paundy thing to Europe in February 2010 with Before Cars, (Chad Channing's solo project with many of the same members as Paundy http://myspace.com/beforecars) for a tour through Poland, Germany, and the Netherlands. It was a great time! We made a lot of new friends and expanded the Paundy family.

Epitaph Records is an independent music label founded in Los Angeles by Bad Religion guitarist Brett Gurewitz. Early releases from a variety of punk heavyweights spawned what became known as the 90s punk explosion. 

Along the way Epitaph proudly launched its sister label ANTI-, representing unique and distinguished acts. From the beginning Epitaph’s mission has been to serve the musicians on its diverse and creative roster - an artist-first model, radical twenty years ago, and much imitated today. 

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