Off Palica (@palicasounds) 'Two Edges' EP, out June 3rd via Audio Bambino (@audiobambino).

HERE BUY: https://palica.bandcamp.com/album/two-edges

Life is full of miracles. Deductive reasoning. Double glazing. Metallurgy. The bladder. The fact that regular citizens are consistently capable of self-organising on escalators without fatal pile-ups or chain-reaction falls. The gallbladder. Palica - 'Running Engine', off the forthcoming 'Two Edges' EP out soon via Audio Bambino. Intelligent design is real, God is great.

Palica - Running Engine [MK PREMIERE]

nightfall on plemont

Europa - 'Alpanya' (TAR004)

Digital: https://solidlove.bandcamp.com/album/alpanya

Production by @euro.pa.in.flames

Den Haag Drummer

RIFT Two

Silica-19

Renslink - !85 EP
Label: Infinite Machine
CAT#: IM103
Format: Digital
Release: May 26th, 2023
Mastered by Fausto Mercier
Artwork by Luis Tomita

UK producer Renslink calls IM103 his first effort focused on the dancefloor, but it belies a lifetime steeped in it. This is prime material for the most advanced of DJs.

The first cut, Static, blends heavy, droning atmospheric sound design with the half-time template of dubstep, complete with jungle vocals. Before reaching the first half, however, it goes into a healthy techno gallop, making the track a perfect set opener if drama is your thing.

From that we go into the three-on-two mindbend of In My Mind, full of beautiful rhythmic trickery and rave culture nods in the sampled female vocals.

Cenotaph feels like a Pinch & Mumdance dub that they kept for themselves around the Control/Strobelight era, all rolling, persistent kick, dubbed-out dready vocals and dystopian hoover.

In Touching The Void we find a moment of drama and relative tenderness, as cinematic strings and choir soar over a busy rolling breakbeat. Occasionally, the proceedings are punctuated by a reese bass and bleeps fill that keep it fresh (an you on your toes).

Closer Silence is a mutant dembow wobbler with alien vocals by Nivalis, like dancehall for after the nuclear apocalypse, when we’ll have all the extra limbs we’ll need to dance to music like this.

!85 EP

PRE-ORDER

Renslink - Static (IM103)

SS-042 is UltraHD - Shades Of Rave / Singularity

You once spoke of a limitless place where nothing could escape, like an infinite cell, but then I stepped in...

Album art by lcl_stream
Music by UltraHD (@broosnica x @not-even-noticed)
Mastered by UltraHD
Text by Clevelan Cummings

UltraHD - Shades Of Rave

katie fash - flash
katie fash - poser
katie fash - high roller
sha gz - no love (katie fash™ remodel)
adrian lux - teenage crime (katie fash™ remodel)

"poser"

Shake the Ground

Taken from Queimada's debut album 'Eremocene', out September 8, 2019

digital: https://ginandplatonic.bandcamp.com/album/eremocene

Marco Colocci is an Italian producer and a sound engineer based in Berlin. Studying music theory and learning how to play the contrabass has initiated the growth of his interest in the techniques of field recording and sound design, as well as his overall passion for electronic music. After self-releasing music during his teens, and later producing for Taiwanese artist Sabiwa from Chinabot, he now presents a debut record under the moniker "Queimada", coming out on Gin&Platonic.

Built around a concept proposed by Harvard professor E.O. Wilson, Eremocene depicts a future state of miserable epoch into which human species is slowly but steadily accelerating. Characterized by the existential & material isolation that comes from having calamitously extinguishing other forms of life on Earth while intrepidly fulfilling our immediate needs, the future labeled as The Age of Loneliness sees our identity completely transformed.
On the record, Queimada explores precisely the conflict between the tempting ease and a pang of unconfessed guilt in an attempt to capture the ironical relationship they epitomize. The album represents an encounter between different techniques of granular synthesis and field recording. The encounter between the unstoppable and destructive, altogether resulting in a disruptive anthem of the intensifying burden of the postmodern times.

Produced by @queimada77
Mastered by Wim Dehaen
Artwork by Jiri Macku

Main Loop

Pavel Milyakov