From @beatrixweapons 's new EP "FINAL ASCENSION"

Stream & download: push.fm/fl/finalascension

Produced and mixed by @beatrixweapons
Artwork by IG: @_v.3lo
Mastering by @dj_ghepard

Stream & Download

Beatrix Weapons - Mount Of Storms

@radio80000 mix broadcasted 27/9/22
Archive mixcloud.com/Radio80K/from-madrid-by-loyalty-xix-270922

Radio 80000 Mix

last dolphin

Taken from SBKT055: TRANCE BAND - Entrancing
Release date: 3rd March 2023

'Shaolin Affliction'
Electric guitar - Felix-Florian Tödtloff
Drums – Will Ballantyne
Bass & vocals – KIM KHAN

In a global landscape that increasingly prioritizes individuality over collaborative expression, TRANCE is a distinctive project. Initiated by Chinese multidisciplinary artist Tianzhuo Chen, best known for his work with Asian Dope Boys, TRANCE is as artistically amorphous as its constantly evolving line-up, that fluctuates as it shimmers across borders and time-zones. In 2019, the project was demoed in Beijing as part of a solo exhibition from Chen, a 12-hour durational performance that examined the altered states of living and dying and pondered the sounds, sensations, bodies and spaces that notion might suggest. On hold for three years due to COVID-19 restrictions, TRANCE was eventually premiered in Hamburg at the Kampnagel Theatre last year where it was presented as a surreal three-day ceremony. This time around the Trance Band was made up of Berlin-based noisemaker and vocalist Dis Fig, Indonesia's Gabber Modus Operandi, musician and MC KIM KHAN, guitarist and engineer Felix-Florian Tödtloff, and Vancouver-based percussionist and producer CITY. Chen directed the show, channeling each artist's unique energy into an alliance that highlighted their independent skills while pushing towards ideas that simply couldn't have been realized discretely.

"Entrancing" is a live documentation of that incendiary Hamburg session, powered by the performative fireworks that came from having the project halted for two years before it was allowed to burst into life once more. Just as with previous iterations of TRANCE, the space was terraformed into an alien landscape that allowed the collective to enact a carnivalesque display that was tightly controlled but creatively boundless. Musical u-turns were accompanied by monumental stage overhauls that reshaped a muddy, fog-filled outdoor riverscape into an arena, or a sweaty nightclub. This theatrical impact can't be visualized as clearly on the record, but musical cues do just enough heavy lifting to provide a tantalizing contour. When the alluring electro-acoustic plucks and resonant sustained string tones of 'There's a Ghost in the Lantern' cascade into cinematic drone metal on 'Ylva's Theme', it's impossible not to be drawn into the TRANCE narrative. Sonic stage lights flicker with uncommon intensity as the nebulous group rewrite their collective personal stories into stirring, synergistic poetry.

"Something changes!" KIM KHAN calls out on 'Soft and Black', cutting through warbling synths and itchy beatbox percussion. The track builds quickly, reaching a sizzling crescendo of buzzsaw noise and acidic electronics. It's a stylistic sea change that channels the group's kinetic energy into a rock show, and CITY picks up the message on 'Trance Genesis', adding rapid-fire drums to a barrage of guitar skronk. 'Shaolin Affliction' glues Trance Band's jagged artistic edges to a vintage metal template, gradually dissolving into throaty post-hardcore, while 'My Fortress' brings the show to a powerful conclusion with Dis Fig assuming the role of grunge balladeer, bellowing into the void over cacophonous live instrumentation. Unbound by musical and artistic conventions, TRANCE peers out from the basement, the gallery and the playhouse to forge an expression that's all of this and something new entirely. It's refreshing, witty, exhilarating and most of all, completely unpredictable.

Entrancing

TRANCE BAND - Shaolin Affliction

Our special guest this month is Climate Collapse <3 

𝐼𝑡’𝑠__𝑙𝑖𝑘𝑒__𝑎__𝑝𝑟𝑒𝑠𝑒𝑛𝑐𝑒__𝑡𝑜__𝑘𝑒𝑒𝑝__𝑢__𝑐𝑜𝑚𝑝𝑎𝑛𝑦__𝑤ℎ𝑖𝑙𝑒__𝑦𝑜𝑢__𝑔𝑜__𝑎𝑏𝑜𝑢𝑡__𝑦𝑜𝑢𝑟__𝑑𝑎𝑦____★═━¸¸.✿¨¯`✿

✰𝙩𝙧𝙖𝙘𝙠𝙡𝙞𝙨𝙩 *ੈ
1-ʙʟᴏᴏᴅᴢ ʙᴏɪ, ᴄʟᴀɪʀᴇ ʀᴏᴜsᴀʏ, ᴍᴏʀᴇ ᴇᴀᴢᴇ - 梦游 - sʟᴇᴇᴘᴡᴀʟᴋɪɴɢ
2-ᴊᴏsʜ ᴍᴏʀɪɴ - ᴛʜɪs ɪs ᴛʜᴇ ʙᴇɢɪɴɴɪɴɢsᴡᴇᴇᴛ ᴅɪsᴘᴏsɪᴛɪᴏɴ
3-ғᴇᴇʟɪɴɢ ʙʟᴇᴡ - sᴡᴇᴇᴛ ᴅɪsᴘᴏsɪᴛɪᴏɴ
4-ɪɴғɪɴɪᴛᴇ ʙᴏᴅʏ - ᴀ ғᴏᴏʟ ᴘᴇʀsɪsᴛs
5-sᴄɪᴢᴢɪᴇ - ᴀǫᴜᴀᴛɪᴄ ᴀᴍʙɪᴀɴᴄᴇ
6-sᴇᴠᴇʀɪɴ ɢʟᴀɴᴄᴇ - sᴀʏᴀʟ
7-ᴇᴛᴇʀɴᴀ - ᴀ ᴡɪɴᴅᴏᴡ
8-ᴛʜᴇ ᴋɪᴅ ʟᴀʀᴏɪ, ᴊᴜsᴛɪɴ ʙɪᴇʙᴇʀ - sᴛᴀʏ (ᴏғғɪᴄɪᴀʟ ɪɴsᴛʀᴜᴍᴇɴᴛᴀʟ)
9-ᴅᴜsᴋᴜs - ʟᴇᴛ ɢᴏ
10-ᴅᴀɴᴢɪɴɢᴇʀ99, ᴅᴊ <3 - ʀᴇɢᴇɴ༺♡✧+++
11-ʟᴏᴜᴋᴇᴍᴀɴ - ᴛᴏᴇs ᴅᴏᴡɴ (sᴀᴜʀᴏɴ ғʟɪᴘ)
12-ᴀᴅᴀᴍ ғ - ᴛʜᴇ ᴛʀᴇᴇ ᴋɴᴏᴡs ᴇᴠᴇʀʏᴛʜɪɴɢ
13-ᴘʟᴀʏᴇʀ ᴅᴀᴠᴇ - ᴅᴜᴍʙ14-ʙʀᴀᴋᴇɴᴄᴇ - 5ɢ
15-ʜ.ᴇ.ʀ. - ᴅᴀᴍᴀɢᴇ16-ᴀʟᴇᴋsᴀɴᴅɪʀ - sᴀᴄʀᴏ
17-ᴡɪʟʟᴇᴍ ғᴇʟᴛᴢᴇʀ - ᴍᴏʀᴇ ᴛʜᴀɴ ᴇᴠᴇʀ
18-ᴄᴀɴᴠᴀ6 - sᴛɪʟʟ ᴄʀʏ ᴀᴛ ʜɪɢʜ sᴘᴇᴇᴅ
19-ᴜɴɪᴄᴏʀɴ ᴋɪᴅ - ᴘᴜʀᴇ sᴘᴀᴄᴇ
20-ɴᴏᴛɪᴏɴ - ғᴏᴜɴᴅ ʟᴏᴠᴇ
2ɪ-ʟᴀᴜʀᴀ ᴛʀᴀɴᴄᴇ - 4ᴡᴀʀᴅ ғʀᴏᴍ ʜᴇᴀʀᴛ
22-ʏᴀɴᴅᴇʀᴇ - ʜᴏᴡ ᴛʜᴇ sᴋʏ ᴡᴀs
23-ᴏᴘɪɴɪᴏɴ - ᴛʀᴀɴsᴄᴏɴᴛɪɴᴇɴᴛᴀʟ
24-ɪᴠáɴ ᴄᴏʀɴᴇᴊᴏ - ᴇsᴛá ᴅᴀñᴀᴅᴀ (sᴘᴇᴅ ᴜᴘ)

✿ Climate collapse https://www.instagram.com/climatecollapse/
✿ Ariane Kiks https://www.instagram.com/arianekiks/
✿ Evida https://www.instagram.com/evida___/
✿ Veil01 https://www.instagram.com/veil01.archives/

✰ Initially aired on @internetpublicradio | Artwork by #veil01 @evida_0

Veil01 seeks to mesh contemporary R&B, trance, and experimental releases, with classical ethereal compositions. This show represents the wider multidisciplinary project formed by @evida_ and @arianekiks.

VEIL01 W/CLIMATE COLLAPSE — 17.04.23 ✰

für diese welt

Slagwerk operates as a platform primarily focussing on contemporary experimental music and digital art. Besides organizing events, they present themselves as a music label. Their aesthetic ranges from metamodern internetculture to endeavours into spiritual ambiences contaminated with strikingly metallic club environments.

Slagwerk w/ Europa @ Kiosk Radio 21.07.2023

Ditto Linger Around Installation Mix

"Apartaron la última roca y estaba ahí,
un brillo cegador que les quemaba el Iris,
al que no podían dejar de mirar,
era como mirar al Sol".

ESPECTRO DORADO es un álbum y performance audiovisual de Marta Verde y José Venditti que profundiza en la experiencia mística del brillo dorado a través de la luz, la imagen y el sonido.

Una propuesta audiovisual que explora los matices del espectro; del oro molido al bruñido, del dorado crisolita al del latón, para indagar en la conexión humana con el metal precioso.

✨✨✨✨✨✨

A lo largo de la historia, el color dorado ha simbolizado la abundancia, la riqueza y el poder, siendo el oro uno de los metales más preciados y acuñado en monedas como valor patrón. Sin embargo, la fascinación áurea ha trascendido su relación simbólica con el poder y la riqueza.

Antes de su valor comercial, los pueblos de la América precolombina utilizaron el oro con fines espirituales y ceremoniales. Así, mientras que el "dorado sabio" representaba un espectro de colores que elevaba los espíritus a estadios superiores de consciencia, la alquimia europea creía que el oro era el más perfecto de los metales al contener una "esencia vital" única. La ansiada transmutación del plomo en oro era, para esta protociencia, una metáfora perfecta de la salida de las tinieblas del alma humana.

Dorados también se representan los halos de santidad, la manzana de la discordia que portaba Eris, los orbes solares de algunos dioses egipcios como Ra, o la piel de Chaitania en India.

Desde tiempos inmemoriales se han adornado los instrumentos musicales con oro. Apolo tocaba la cítara, Afrodita la flauta y Orfeo la lira, doradas todas ellas. Sus sonidos divinos obraban milagros. El uso de esta tonalidad perdura en nuestros días en los instrumentos de viento y percusión a través del latón.

verdevenditti.com  

Todo lo sonoro ha sido compuesto y producido por José Venditti. Todos los visuales han sido creados por Marta Verde. Diseño por José Venditti & Marta Verde. Fotografía por Álvaro Manof. Todo el álbum ha sido grabado, mezclado y masterizado entre Berklee College of Music Valencia y Coro Studios. Editado por Espacio Vacío, Empty 6 Pack y Coro.


last dolphin

Pavel Milyakov