As of 2025, The Bloody Beetroots remains a pioneering force in the world of electronic music, bridging the gap between electro, punk rock, and dance genres. 
Founded in late 2005 by Sir Bob Cornelius Rifo, an Italian musician and producer, the project has undergone various transformations over the years but has never wavered in its ability to captivate audiences globally.
From his breakout hit "Warp 1.9" with Steve Aoki to his critically acclaimed albums like “Romborama," “Hide," and “The Great Electronic Swindle,” The Bloody Beetroots have carved out a unique niche. 
The act gained international fame for its unique blend of electronic beats and live instruments, as well as his iconic TBB mask, which has become a symbol of his bold artistic vision.
His collaborations read like a who's-who of the music industry, spanning from Paul McCartney to Tommy Lee and Jet. 
He’s also shared the stage with big names like Snoop Dogg, Metallica, The Prodigy and Kanye West, exhibiting his genre-defying flexibility.
In recent years, The Bloody Beetroots has delved into new sonic territories while still remaining true to his roots. 
The addition of various multimedia elements into his shows has elevated his performances into full-fledged immersive experiences, earning Bob a dedicated following both in the festival circuit and in more intimate venues.
Still riding the wave of success, Sir Bob Cornelius Rifo continues to be a multi-faceted artist—DJing, producing, and even engaging in activism, particularly in environmental causes. 
Rifo shows no signs of slowing down; he's still in the race, perpetually hungry for content, knowledge, and the next opportunity to electrify audiences.
Through numerous albums, EPs, and global tours, The Bloody Beetroots remain an indomitable force in the music world, continually evolving while leaving an indelible mark on both fans and the industry at large.

DJ Dain (Andrew Bowers) is an internationally acclaimed, award-winning composer, producer and DJ specializing in Mashups, Summer Jams, and feel-good tracks unearthed from Dance Music's basement. He mixes sets that sound like 2manyDJs hijacked one of Dr. Dre's samplers that's being haunted by the ghost of Frank Zappa. He also produces Nedcore Hip-Hop under the guise of DJ Skull Kid. If you're looking for a performance DJ who brings the creative energy of a rock-star, he's your man.

Disclaimer: Some of the media files posted here have been created for my own experimentation and entertainment, not for profit. I do not claim to be the author or owner of the copyrights of the component tracks of the mashup, remixes, and sample-based Hip-Hop. If you like what you hear, please support the original artists.

 <a href="http://www.Thissongissick.com" rel="nofollow" target="_blank">Thissongissick.com</a> We like sick songs&#13;


BOOKINGS/REMIXES: bookings@multipliermusic.com
remix@multipliermusic.com

Multiplier is more than just a DJ. He’s a big personality with hands in all corners of the music industry. Some days he’ll be headlining shows or running his label, other days you might find him producing chart topping sample packs or making YouTube videos for his 90,000 subscribers.

He started producing in early 2011, and within a few years reached #8 on the overall Beatport chart, and hit a million views on YouTube. (currently at 12M+ views on YouTube)

Multiplier’s comedic approach and lack of pretence is a breath of fresh air. This approach has not only created deep, personal connections with his audience, but it’s also garnered support from platforms like Beatport, Loopmasters, DJTechTools, iZotope, and EDM.com.

He has received support from Grammy Award-winning Dave Pensado as well as influential DJs including: Dub Phizix, Electrixx, High Rankin, Heartbreak, Le Castle Vania, Calvertron, Crizzly, Keith Shocklee (Public Enemy), Nerd Rage, Dani Deahl, SaBBo, and Kev Willow.

Releases on:
High Chai Recordings [SaBBo remix, 'STFU' EP, and Waffle House EP]
Columns of Knowledge Recordings [Rage (Original Mix), Limits (Remix), Moderate Stimulation (Original Mix), Air (Remix)]
Mash It Up! Cologne [Construction Destruction (Original Mix)]
Straight Up! [Wow (Original Mix) and SaBBo remix]
Relentik Records [Fyah (Original Mix), Blueprint Method (Remix), Off The Wall (Original Mix), Get The Fuck (Remix), Fire EP, The Heavy (Original Mix)]
Bit Rowdy Records [Bass Invading EP]
Baked Music [Jelly Bean (Remix)]

Features:

Beatport
Trackitdown
Loopmasters
iZotope
TILTmag
Kick Kick Snare
moombahton.NET
HOF IS BETTER
Dank Radio
eagle3 Radio
Radio Plus
Pole 2 Pole
WRIU Radio
GU2 Radio
Avenge the Virgins
MoombahPlus
Wipeout Dubstep
Dani Deahl
AllThingsMoombahton
Moombahtime
ManOnTheMoombah
110bpm
Electrobangers
Moombahthong

The future is open wide: Join us at homebase, bassnectar.net
or take a deeper dive on The Other Side for unreleased music, mixes, and more: unlocktheotherside.com

Miami Nights 1984 is Michael Glover from Victoria, BC, Canada. His obsession with the 1980s has led to the founding of Rosso Corsa Records and a revival of synthesizer music. With Rosso Corsa he is championing many artists such as Mitch Murder, Lazerhawk, Jordan F and Lost years to make 1980s-inspired music with modern fidelity.

Being among the pioneers of this revival, Mike’s first project Actrazer initially defined the Rosso Corsa sound together with output from label co-founder Lazerhawk. They coined their music Outrun, a genre of soundtrack music with epic leads and arpeggiated synths. At the same time, Kavinsky, the Outrunners and the Valerie Collective were all contributing to this new sound.

Since 2010 Michael Glover has been ecstatic about the success of his second project known as Miami Nights 1984 (MN84). Characterized by smooth synthesizers and nostalgic solos, this new sound accentuates the carefree feel of the 1980s.

The Miami Nights sound garnered support on an international scale with the official remix of ‘Somebody I Used To Know.’ by Gotye. It infuses 1980s charm with Gotye’s powerful voices and moody lyrics. Rollings Stone says it’s an “eighties-inspired synth-pop remix, inspired by [mike's] love of old John Hughes films” while VH1 says “It’s a synth-led 80s redux, and it’s pretty rad”

When asked about influences, Mike says he obviously takes from the 80s: “The music, movies, shows, cars and girls are all running through my imagination when I write a piece of music. I’m not happy with a piece of music unless I can imagine it as the soundtrack to a film or show. Ever since I was a child I enjoyed synth-based music like Tangerine Dream, Jean Michael Jarre and Ray Lynch.” His name coincides with the original run of the Miami Vice TV show on September 28, 1984.

In creating his sound he uses “a variation of analogue synths and virtual instruments in Abelton Live. I’ve been using more virtual instruments for convenience and ability to leave a project without worrying about getting the same sound again.” Many of the parts are first recorded from live instrumentation and tweaked afterward in Ableton.

Building on the successes of Rosso Corsa Records and an official Gotye remix, Mike released the second Miami Nights 1984 full length album Tubulence. Spanning 12 tracks, Turbulence builds upon the synth-pop charms and synthesizer solos from Miami’s first album with more character: orchestra stabs, percussive rushes, slow motion bends and epic interludes distinguish the album. So does the album’s more intense moments which promote the Outrun electro sound we have championed for many years.


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