Lively & reflective 3rd movement of the Piano Quintet (2003).
Bartlomiej Kominek - piano, 'Camerata' String Quartet.
Live recording: 'Warsaw Autumn 2004', Warsaw, Concert Hall of The F. Chopin Academy of Music, 16th of September 2004.
1st Award, Tadeusz Baird State Competition in Poland, 2004.

Pawel Strzelecki: 3. Finale [Piano Quintet (2003)].

Polish Composer (M.A., 2002, "F. Chopin" Academy of Music in Warsaw,  Prof. Zbigniew Baginski's class), music theorist (M.A., 2000, "F. Chopin" Academy of Music in Warsaw, under Prof. Maria Piotrowska), musicologist (Ph.D., 2005, University of Warsaw, under Prof. Zbigniew Skowron), researcher, lecturer.
So far he has written 128 pieces: 12 symphonies (2017-2024), 3 symphonic poems (2001-2011), 4 concertos with orchestra (organ, piano, two pianos, flute, 2002-2025), 22 string quartets (2001-2025), 17 sonatas for different solo instruments with piano (violin, cello, oboe, trombone, etc.), chamber music as Piano Trio (1998), Piano Quartet (2021), Piano Quintet (2003), String Trio (2021), numerous songs for voice and piano, sacred works, e.g. Mass for soloists, choir, organ and orchestra (2002, rev. 2024), and electronic music.  
The stylistic and technical parameters describes the text below:
https://pawelstrzelecki.wixsite.com/music
The author of the crucial, first and original book (used as academic manual and present in many libraries) on "New Romanticism" in Polish music after 1975, containing interview of the author with Krzysztof Penderecki (2022, English Language Edition).
https://www.peterlang.com/document/1282565?fbclid=IwAR1Pm40flHnsqH07OsvXdXwV1ZwLeVLOmfrxkqe3wxL5rsJioluBL-2FQ9M#document-details-anchor
Polish edition (2006):
https://mi.pl/pl/p/Pawel-Strzelecki-Nowy-romantyzm-w-tworczosci-kompozytorow-polskich-po-roku-1975/59

The book was quoted in: Andrea Bohlman: "Musical Solidarities. Political Action and Music in Late Twentieth-Century Poland". Oxford University Press, 2020, pp. 208, 266. The link to the quotation (p. 208):
https://books.google.pl/books?id=uNnBDwAAQBAJ&pg=PA208&dq=bohlman+nowy+romantyzm&hl=en&sa=X&ved=2ahUKEwjoyL-x-Lf4AhXOk4sKHUWMChUQ6AF6BAgEEAI#v=onepage&q=bohlman%20nowy%20romantyzm&f=false

Rockambo is a bassist from Mount Pleasant, Washington, DC.

Since the pandemic, he's been writing compositions using MIDI instrumentation (and struggling with latency issues on slow computers). He takes equal parts inspiration from Palladium-era Latin jazz (https://www.facebook.com/groups/LFCE893/), vintage 70s jazz-funk (https://www.youtube.com/channel/UCv8l4QR862COAotwH_cw9wQ), 00s electronica (https://somafm.com/spacestation/), contemporary lo-fi (https://open.spotify.com/album/2j4Mjok0KmnQ2ENfWIpUKf?si=MuUDlZW9TAuziw5LLmFjvg), and some ethnic music from the countries where he's lived (https://blog.scuolaleonardo.com/2023/04/25/bella-ciao-one-of-the-most-famous-italian-songs-in-the-world-from-the-resistance-to-money-heist/).

Since he can't find his way around a sequencer, he breaks away from repetitive beat loop patterns and seeks to create more organic pieces. Having said that, he only knows how to use a few DAW platforms which are all primarily loop-based ... it's complicated.

All recordings are original compositions recorded using SoundTrap, (http://www.soundtrap.com), and Audacity (https://www.audacityteam.org). More recently, he's been mastering tracks in Ableton Live Lite (https://www.ableton.com/en/products/live-lite/) and learning how to use MPC Beats (https://www.akaipro.com/mpc-beats) ... he bought some MIDI controllers ... There are no pre-recorded loops. If you are getting into composition, you should grab this (https://www.asio4all.org/).

MIDI is currently being played through an Alesis Vortex Wireless 2 keytar and with a regular ASDF keyboard and a mouse. Rad.

The mixes are low, so turn them up!

Jim Greif says his biggest influence is the Doogie Houser theme song by Mike Post (https://youtu.be/zE4M3hPut7E). 

Rockambo is fluent in neurodiversity and his music is neurodivergent-friendly.

All the appropriate influences are noted where possible. Contact him before using or distributing this material.

Some music-related books worth checking out:
"Analog Days: The Invention and Impact of the Moog Synthesizer" by Frank Trocco, https://www.goodreads.com/book/show/37535.Analog_Days
"How Music Works" by David Byrne, https://www.goodreads.com/book/show/13235689-how-music-works
"Just Kids" by Patti Smith, https://www.goodreads.com/book/show/341879.Just_Kids
"This Is Your Brain on Music: The Science of a Human Obsession"
by Daniel J. Levitin, https://www.goodreads.com/book/show/141565.This_Is_Your_Brain_on_Music
"Under the Big Black Sun: A Personal History of L.A. Punk"
by John Doe, Tom DeSavia
https://www.goodreads.com/book/show/25898106-under-the-big-black-sun

I am human, with loops and a DAW - lets play!
🍀 Digby

Daniel Cabanzo (Colombie, né en 1979) est un artiste pluridisciplinaire qui s’intéresse aux différentes formes d’expression d’art, il étudie la musique à l'Université du Valle à Cali - Colombie, puis la composition en France depuis 2006. Il est titulaire d’un master de Musique appliquée aux arts visuels à l'Université de Lyon 2 et d’un master d’Acousmatique et arts sonores à l'université de Marne-la-Vallé et le GRM (Groupe de recherches musicales- INA). En 2013, Il a étudie à la Haute École Musique de Genève en Suisse avec Michael Jarrell, Luis Naon et Eric Daubresse professeurs qui l’ont influencé vers les nouvelles technologies musicales. Il est lauréat du prix de composition de Cergy-Pontoise et du prix Roux et Tronchet de l’Académie des Beaux- Arts en France, aussi lauréat d’une bourse de la SACEM pour étudier dans le Cursus I à l’IRCAM en 2014. Il participe à l’académie Manifeste organisé par l’IRCAM dans le cadre de l’atelier In Vivo Electro 2015, il a collaboré avec Le Fresnoy - Studio National des arts contemporaines pour l’édition de Panorama 2016 et réalise le visuel en temps réel de l’évènement « Piano Remix » en collaboration avec le Conservatoire de région Lille et le design sonore de l'oeuvre Artefact 01 de Mathilde Lavenne. Lauréat du prix Ibermusicas 2018 avec l’institution DME à Portugal. Actuellement il réalise son PhD en musicologie à l’Université Paris-Sorbonne et l’IRCAM (directeur de recherche Mikhail Malt). Il a été joué par plusieurs ensembles comme le Court-Circuit, Ensemble du Bout du Monde, Gardiens de la paix, Awkas, Barcelona Modern Project entre autres.

#Fingerstyle #guitarist and #composer, based in #Parets, Barcelona, Spain.

Remember to seek #beauty.

Artwork by perevilardebo.estudio _ www.perevilardebo.com

Composer since 2008, I used to write music in about a hundred projects so far, classically trained professional musician, composition is for me a great source of joy, it is fascinating to be included in projects which require a beautiful collective energy, I hope that my music deposited here will allow me to share with you the enthusiasm that I put in creating them.
Komponist seit 2008, ich habe bisher in etwa hundert Projekten Musik geschrieben, klassisch ausgebildeter Berufsmusiker, Komposition ist für mich eine große Quelle der Freude, es ist faszinierend, in Projekte einbezogen zu werden, die eine schöne kollektive Energie erfordern, das hoffe ich meine hier hinterlegte Musik wird es mir ermöglichen, mit Ihnen die Begeisterung zu teilen, die ich in ihre Erstellung gesteckt habe.

Pawel Strzelecki: 3. Finale [Piano Quintet (2003)].

Pawel Strzelecki, Ph.D.