The whole band (Odin) had rented a house near Ochsenfurt (Gaukoenigshofen) where we had a nice practice room. One late evening I was fooling around with a very small and simple gadget called "Stylophone", that I had taken apart so that I could put my fingers on the various parts on the circuitboard, thus altering the tone. Wearing headphones, but also using the reverb of the Hammond organ as an effect, I did not realise that the speaker of the organ was also on. Thus my "creative output" of several takes to a 4-track reel-to reel blasted out into the village until the early morning, as I had gotten quite carried away with the possibilities of the sounds.
The next day our landlord called on me and told me: "Das kann teuer werden..." 
Pic by Shutterstock

This Could Become Expensive

Sonatina in C Minor (2024)

Cast of Characters:
John_Anthony-- @john-anthony-871225464 --guitar, mandolin
The Mysterious Decibel-- @themysteriousdecibel – vocals
K2 and the Three [and the Four]--@k2andthe3, @k2-kara -–Ken–drums and high harmony in the end vocals, mastering
TexMex Shaman–@texmex-shaman –Stephen– production and mix
Entheogenic Psychonaught (Josh Clary)–@josh-clary-1 –-four string fretless bass, melody and third harmony on the end vocals

This song actually began more than a year ago, when Ken and I were just sniffing each other out. We'd been working on Zeppelin's Night Flight, for those of you who remember that long ago, and I was having trouble with latency in my recording. Out of frustration, I recorded a really rough version of this, to which Ken put really amazingly perfect drums. Shortly after, I got my recording issues settled and we continued on with Night Flight, shelving this half baked creature for more than a year. But it wasn't forgotten. 
  In the meantime, I'd been following John Anthony on both YouTube (https://youtube.com/@johnanthony5720?si=-ooQcUUQaemrk-NH) and on the Cloud. If you were ever curious about how Jimmy Page's fingers looked in the studio, do yourself a favor and check him out on there, too. Since he can play literally every Zep song note for note, I figured I'd ask him if he would replace my pitiful by comparison guitar part with his own. He not only did that in numerous sections, as Page would've, but played the mandolin for it, too. Now, we had a song that was almost ready, but of course we needed someone to fill Plant's part. So, of course we asked The Mysterious Decibel if he'd do the honors, which he came through with in grand fashion. 
  Now that the song was done, we needed it to be mixed, too. So, we tapped our resident mixing expert, Stephen to do that for us. It was a surprisingly difficult mix to get everyone to agree on. And there were philosophical questions that arose during the mixing process, too. We're very lucky, though, that Stephen is not only an expert producer, but a great teammate as well, with the patience of your favorite high school teacher. 
  You can even watch a video of us all adding our parts on John's page right here. https://www.youtube.com/watch?v=1mdeT8ySZow&ab_channel=LowTechniqueCovers
  Our hope is that we honored the almighty Led Zeppelin with this one. We hope you all enjoy our reverent tribute to one of our collective favorites as much as we enjoyed putting it together.

Hey Hey What Can I Do by Led Zeppelin (Eclectic Collective with John Anthony)

https://www.youtube.com/watch?v=9ruBHuh-mw8

Quintessential Embrace

Dark Mode

There's something metronomic about the planet, Nod. 

The slide guitar was played on a telecaster whilst the heavier riffs came from a Duesenberg Paloma put through a modern amp.

The first movement of the String Quartet No. 20 "No End" (2024).

Pawel Strzelecki: 1. Opening [String Quartet No. 20 "No End" (2024)].

Snow Flowers (2020) Anthology CD2 Track 04

The only symbol or Emoji I used before becoming active on social media was the heart and happy face.  I have since expanded my knowledge at least 500%! However, I would rather write or say what I'm feeling, and I don't like the guessing game when texting with others.  BUT, I do have a favorite Emoji, Sparkles!  I love the overarching meaning of celebration, excitement, joy, happiness, love of life, and gratitude.  I also love pairing sparkles with the heart (my second favorite Emoji) to mean a deeper feeling of admiration and love.  When I started to create this piece, the tones and melody sparkled with shimmering magic.  The style of Impressionism is just that! I hope you love the sparkle too!

Jennifer
Music Dreams
September 1, 2024

Sparkles

A jingle is a short song or tune used in advertising and other commercial uses. Jingles are a form of
sonic branding. A jingle contains one or more hooks and meanings that explicitly promote the
advertised product or service, usually through the use of one or more advertising slogans.
Advertisers use jingles in radio and television commercials; they may also be used in nonadvertising
contexts to establish or maintain a brand image.

for glory

Buy by Apple Music

Con Las Mejores Intenciones

theme composed in 2015.

Last remix of March 2020.

Music Studio 2

native synthesizers and kv331.

When we go to other worlds (L.V.)

Polish Composer (M.A., 2002, "F. Chopin" Academy of Music in Warsaw,  Prof. Zbigniew Baginski's class), music theorist (M.A., 2000, "F. Chopin" Academy of Music in Warsaw, under Prof. Maria Piotrowska), musicologist (Ph.D., 2005, University of Warsaw, under Prof. Zbigniew Skowron), researcher, lecturer.
So far he has written 128 pieces: 12 symphonies (2017-2024), 3 symphonic poems (2001-2011), 4 concertos with orchestra (organ, piano, two pianos, flute, 2002-2025), 22 string quartets (2001-2025), 17 sonatas for different solo instruments with piano (violin, cello, oboe, trombone, etc.), chamber music as Piano Trio (1998), Piano Quartet (2021), Piano Quintet (2003), String Trio (2021), numerous songs for voice and piano, sacred works, e.g. Mass for soloists, choir, organ and orchestra (2002, rev. 2024), and electronic music.  
The stylistic and technical parameters describes the text below:
https://pawelstrzelecki.wixsite.com/music
The author of the crucial, first and original book (used as academic manual and present in many libraries) on "New Romanticism" in Polish music after 1975, containing interview of the author with Krzysztof Penderecki (2022, English Language Edition).
https://www.peterlang.com/document/1282565?fbclid=IwAR1Pm40flHnsqH07OsvXdXwV1ZwLeVLOmfrxkqe3wxL5rsJioluBL-2FQ9M#document-details-anchor
Polish edition (2006):
https://mi.pl/pl/p/Pawel-Strzelecki-Nowy-romantyzm-w-tworczosci-kompozytorow-polskich-po-roku-1975/59

The book was quoted in: Andrea Bohlman: "Musical Solidarities. Political Action and Music in Late Twentieth-Century Poland". Oxford University Press, 2020, pp. 208, 266. The link to the quotation (p. 208):
https://books.google.pl/books?id=uNnBDwAAQBAJ&pg=PA208&dq=bohlman+nowy+romantyzm&hl=en&sa=X&ved=2ahUKEwjoyL-x-Lf4AhXOk4sKHUWMChUQ6AF6BAgEEAI#v=onepage&q=bohlman%20nowy%20romantyzm&f=false

Pawel Strzelecki: 1. Opening [String Quartet No. 20 "No End" (2024)].

Pawel Strzelecki, Ph.D.