Name: Pawel Strzelecki: 1. Introduction [Symphony for String Orchestra (2025)]. by Pawel Strzelecki, Ph.D.
Duration: 4 min 51 s
Description: The opening movement of the Symphony for String Orchestra (2025).

I love the optimism here, and your sense of form

Vocals by Mariam Zohra D : Myrh
Music, mix and art by The Magnetic Dog Sisters.
Original song written by Hayes & Porter, and recorded by Ruby Johnson for Stax, 1958.
Produced by Myrh & The Magnetic Dog Sisters, 2025.

Myrh & TMDS

Run Your Hurt Away | Myrh & TMDS

A River Running Righteously

Fingers In The Folklore

This is the third part of the fourteenth piece in a series of Concrete Music pieces. The sounds come from pots and wooden bricks. The music is generative. The source-code can be found at github.com/danielstahl/concrete-music-14.

Dots and Strokes Part 3

this possum may be same one as in recent videos seen chasing a particular cat multiple times, it seems to live in the same tree as the one in the photo (taken by me in 2019)

2 metronomes, a brandy snifter with coffee in it and kidbass malldad on a rainy spring morning

The opening movement of the Symphony for String Orchestra (2025).

Pawel Strzelecki: 1. Introduction [Symphony for String Orchestra (2025)].

A Well-Tempered Bubble
Original Music and Poem by Jennifer L. Jones

I created a bubble 
A bubble to protect me 
… to help me sleep
… that’s unbreakable
… to carry me far away
… well-tempered
… that breathes
… filled with hope 
… there for me 
A Bubble 
… to catch me when I burst…

A Well-Tempered Bubble

The finale is a high-energy collision of worlds. We start with the driving strings and distinct textures of Vivaldi, building momentum until the piece transforms into the jazz-inflected harmonies and rhythms of Gershwin. It features big orchestration and technical piano work, bringing the concerto to a fitting, exuberant close. Read more about the story behind this music in my memoir, "The Keeper," at michaeljcriss.com.

Vivaldi and Gershwin

Version choirs Epic music is the idea of a song (usually instrumental or cinematic in nature) that
brings home a very clear feeling . It may be inspirational or even spiritual. Perhaps it is meant to get
our hearts racing with adrenaline. In any case, epic songs take us out of our surroundings. Music
ignites our imagination and this adds a very powerful layer to the way people experience visual
content.

Madame

Concerto for Strings No. 2 op. 47 - 4. Allegretto

This recording is an overdubbing of my guitar on the work "Taking It Back feat. IPG" of "Paploviante".
https://soundcloud.com/paploviante-and-friends/taking-it-back-feat-ipg1

When I first heard this work on the "IPG1" page, I still didn't understand how wonderful it was. I realized that when I heard "Lillithe" make it into a work. I once again admired the musical talent of "Lillithe". I thought there was no room for me to get in there. But that wasn't the end of the story. This is because "Paploviante", a partner of "Lillithe", finished it in another work. The work was also a wonderful finish. As I listened to it many times, one day I suddenly began to wonder, "I think this is blues." I chose a blues three-code that matches the work of "Paploviante". I checked whether the scale derived from it fits the Vocal of "IPG1". It matched exactly. The three chords are introduced below, so if you are practicing playing the guitar, please play the guitar with our recording.Please take this opportunity to check the relationship between the blues chord progression and the blue note scale.

Three Codes
A7 D7 E7

Vocals and Verses: IPG1 - Ian Greaves
https://soundcloud.com/ipg1/taking-it-back-vocals-95-bpm
PAPLOVIANTE and FRIENDS --- Taking It Back feat. IPG1 
https://soundcloud.com/paploviante-and-friends/taking-it-back-feat-ipg1

Lillithe --- Taking It Back feat. IPG1
https://soundcloud.com/lillithe/taking-it-back-feat-ipg1
Various"Taking It Back"
https://soundcloud.com/ipg1/sets/taking-it-back

Taking It Back - IPG1 , Paploviante And JUNZO

Polish Composer (M.A., 2002, "F. Chopin" Academy of Music in Warsaw,  Prof. Zbigniew Baginski's class), music theorist (M.A., 2000, "F. Chopin" Academy of Music in Warsaw, under Prof. Maria Piotrowska), musicologist (Ph.D., 2005, University of Warsaw, under Prof. Zbigniew Skowron), researcher, lecturer.
So far he has written 128 pieces: 12 symphonies (2017-2024), 3 symphonic poems (2001-2011), 4 concertos with orchestra (organ, piano, two pianos, flute, 2002-2025), 22 string quartets (2001-2025), 17 sonatas for different solo instruments with piano (violin, cello, oboe, trombone, etc.), chamber music as Piano Trio (1998), Piano Quartet (2021), Piano Quintet (2003), String Trio (2021), numerous songs for voice and piano, sacred works, e.g. Mass for soloists, choir, organ and orchestra (2002, rev. 2024), and electronic music.  
The stylistic and technical parameters describes the text below:
https://pawelstrzelecki.wixsite.com/music
The author of the crucial, first and original book (used as academic manual and present in many libraries) on "New Romanticism" in Polish music after 1975, containing interview of the author with Krzysztof Penderecki (2022, English Language Edition).
https://www.peterlang.com/document/1282565?fbclid=IwAR1Pm40flHnsqH07OsvXdXwV1ZwLeVLOmfrxkqe3wxL5rsJioluBL-2FQ9M#document-details-anchor
Polish edition (2006):
https://mi.pl/pl/p/Pawel-Strzelecki-Nowy-romantyzm-w-tworczosci-kompozytorow-polskich-po-roku-1975/59

The book was quoted in: Andrea Bohlman: "Musical Solidarities. Political Action and Music in Late Twentieth-Century Poland". Oxford University Press, 2020, pp. 208, 266. The link to the quotation (p. 208):
https://books.google.pl/books?id=uNnBDwAAQBAJ&pg=PA208&dq=bohlman+nowy+romantyzm&hl=en&sa=X&ved=2ahUKEwjoyL-x-Lf4AhXOk4sKHUWMChUQ6AF6BAgEEAI#v=onepage&q=bohlman%20nowy%20romantyzm&f=false

Pawel Strzelecki: 1. Introduction [Symphony for String Orchestra (2025)].

Pawel Strzelecki, Ph.D.

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