The second movement of the String Quartet No. 1 (2001).
String Quartet 'Ars Longa', live recording, Warsaw, F. Chopin Academy of Music, Concert Hall, 2001.

Pawel Strzelecki: 2. Scherzo [String Quartet No. 1 (2001)].

D-Gratifying Night

Video Link: https://www.youtube.com/watch?v=X11vAypstLA

Inner Earth Railway (Remix)

Inner Earth Railway (Remix) & Video Link

What you can do with 16 bars of piano MIDI notes :-)

Fragile

'strike two'

scotty: acoustic pearl export, epiphone casino, fender squire 3/4 bass. Just blowing off some steam, y'all. 

strike two

I used a phrase from a comment I received from Stars Mighty Fine as the title.
First, I see a chaotic array of tones, and then I try to create some kind of structure from that chaos. I think the process of composing is simply trying to control the song and sound with all my might.

We Control with All My Might (357)

They bend beneath the grammar of shapes,
their spines spelling out the circle’s weight,
the triangle’s sharp silence,
the unfinished mouth of the arc.
On the striped earth they move like broken metronomes,
measuring a rhythm only the sky remembers.
It is less a dance than a translation
flesh carrying the burden of thought
bodies turned into symbols,
symbols turned into prayer.

Jonesy

Years ago, my brothers and I had spent several weeks getting my dad's house ready to sell after he had passed. I was in the realtor's office ready to sign the paper work when the prospective buyers asked why I wasn't buying the house I grew up in.  I said (not thinking) "Too many ghosts".  The realtor immediately jumped in and said, "he means memories" to which I smiled confirming the needed clarification:)  It does beg the question however, how many "ghosts" haunt our lives; bad decisions, fractured relationships, things we did or failed to do.  I have found hope and forgiveness in the Christian faith, others have found healing in the passing of time, others still carry a heavy burden of what could have been or should have been.  Peter explores the theme in poignant verse to Seagull's quixotic soundtrack.  I am honored to  contribute a few colors to the tapestry;)
Acoustic guitars left & right; David Dunham; @david-dunhamuser589535203
Superb Poetry/Lyrics, Narration; Peter the Poet; soundcloud.com/user-264930040/tracks
Master of the music, lead guitar solo, mix & production;  Seagull @farout-music-studio
Wonderful voice: Clara Sorace
Track art: Bing images
Ghost of a Sense:

Yes, I know you.
I can feel your presence.
I can touch you, smell you.
I see you not by sight of eye
And yet I ken that you are I
That vespered wraith that writhes within
To test my faith, try my sin
Push the bounds to cause offence
A moral, soul thing, ghost of a sense recalls myself, so well defined
Entrenched, walls behind, built so sound of dust that crowned the pity, falling soft amiss,
Deep inside the tears I cry as here I find my self-abyss.

Whispers bringing shadows, filled of secrets therein held,
Memories, morose, piece me still, to wear in time, my wasted face.
And now reside, cast aside, to forge and ever meld,
Of haunting, ringing echoes, that will alone their chime erased.

Ah! But you won't twist me, nor bind me fast, to the sandy doctrines of the misty past,
With its beards and staffs and crinkled testaments.
My future's sprinkled here present with your crass irrelevance and matters not that sat right there,
The blackest chasm in my simpling world so spare,
Where space and time have overspilled the leaking psyche of a crippled mind,
That barely copes, unfulfilled, a crooked, limpid moral health of broken shrines
That hopes to find ....
.......some worthwhile inner self.

Ghost of a Sence (Seagull, Peter, David)

lyrics

Can't be so sure
Anymore
Can't be so sure
Anymore
I know what you're thinking
I used to think the same
I'm seeing things that I've never seen
I'm hearing things 
that I wish I'd never heard
I think
I think
But I need the truth
I need the truth
I need the truth
Can't be so sure
Anymore
Can't be so sure
Anymore

can't be so sure

Twist

Cast of Characters:
Mistermark-- @user-432503709 -- Mark –- VST Middle Eastern instruments (Duf Drum, Daire drum, Darbuka, Riq, Qanun, Zurna horn, Ney flute, strings), female vocal sample, 'ululation' (high pitch yodel), and composition
Entheogenic Psychonaught (Josh Clary)– @josh-clary-1 –Josh – Custom fretless 5-string bass 
The Beautiful Dark -- @thebeautifuldark -- Carl — vocals and lyrics
J.J. Terrell– @j-j-terrell – saz, shakuhachi, and synth
K2 and the Three [and the Four]--@k2andthe3, @k2-kara –Ken — cymbals and Chinese percussion
Llanpsych - Fluffer for the keyboardist and key grip
TexMex Shaman– @texmex-shaman –Stephen — traditional gourd-body sitar and mastering.

  Josh had the idea for doing a traditional Palestinian song, as he is an avid fan of their music. He wanted to raise awareness of this music and everyone in the band was immediately on board with this idea, and set about to make it happen. 
  Mark, who is an expert percussionist, learned a basic traditional Palestinian drum pattern, in a very authentic fashion. He laid it down, along with an Arabic sounding modal melody line portrayed by the quanun, which is a kind of zither. Josh found this pattern fascinating, and added his five string fretless bass to the it shortly after. Carl jumped in very shortly thereafter, and came up with some really amazing vocal melodies, as well as wonderfully prescient lyrics. He even learned more than several phrases in Arabic, which he sang in there, too. We were all very impressed by this, of course.
  JJ was next up, adding his magical, melodic, and exotic saz, shakuhachi, and synth to the mix. Ken threw in next, adding his perfectly timed brass and Chinese percussion to the mix, too. Last, but certainly not least, Stephen recorded his subtle, exotic, traditional sitar to the piece. 
  Once we had it all recorded, we turned it over to Mark for a mix, as the whole thing is really his baby. Stephen mastered it, though, as he is our resident professional producer.
  Our hope is that this song inspires you to dig into Palestinian music, and through that, you recognize the magic and the humanity of millions of Palestinian people who are suffering unimaginably right now. We hope you enjoy listening to this as much as we enjoyed creating it.

From Carl...
Music is our key to permanant peace on planet Earth in my view. If written thoughfully, it is our unimposing tool where we can share our different cultures like EC have done here to celebrate with our Palestinian friends stylistically the light of their music. I don't speak Arabic so I hope I don't offend anyone but I learned the Arabic as best as I could phonetically. It's done with the best of intentions . The eight Arabic lines are famous proverbs and show us how similarly all of our truths evolve from our hearts and souls

Peace and Love to everyone


Original lyrics by The Beautiful Dark:

Sisters and brothers
Daughters and Sons
We would give you food
But the road is blocked to sun
Proud Palestine
Brave brethren
Our hearts are with you
Our souls are weeping

Inhumane blockade of bread
Pains collective minds 
We want gone this dread
Let's find our kind
Please be strong
As we right this wrong
Hope prays that day will not be long

We pine with your God
To find a normal truth
Where your kids can grow and learn good youth
Sisters and Brothers
Daughters and Sons
We are with you Palestine
Sending love through song

The eye sees but the arm is short ( العين ترى والذراع قصيرة )

We are in the same boat ( نحن في نفس القارب )

Winds do not blow as the ships wish ( لا تهب الرياح كما تشاء السفن )

Being alone is better then being with someone bad (أن تكون وحيدا أفضل من أن تكون مع شخص سيء )

What is hidden is more then what has happened ( ما هو مخفي أكثر مما حدث )

Every problem has a solution ( لكل مشكلة حل )

Good intentions count for as much as good actions ( النوايا الحسنة لها نفس أهمية الأفعال الحسنة )

All is well that ends well ( كل شيء على ما يرام إذا انتهى بشكل جيد )

Oh My Darlin' Palestine (Eclectic Collective)

Polish Composer (M.A., 2002, "F. Chopin" Academy of Music in Warsaw,  Prof. Zbigniew Baginski's class), music theorist (M.A., 2000, "F. Chopin" Academy of Music in Warsaw, under Prof. Maria Piotrowska), musicologist (Ph.D., 2005, University of Warsaw, under Prof. Zbigniew Skowron), researcher, lecturer.
So far he has written 128 pieces: 12 symphonies (2017-2024), 3 symphonic poems (2001-2011), 4 concertos with orchestra (organ, piano, two pianos, flute, 2002-2025), 22 string quartets (2001-2025), 17 sonatas for different solo instruments with piano (violin, cello, oboe, trombone, etc.), chamber music as Piano Trio (1998), Piano Quartet (2021), Piano Quintet (2003), String Trio (2021), numerous songs for voice and piano, sacred works, e.g. Mass for soloists, choir, organ and orchestra (2002, rev. 2024), and electronic music.  
The stylistic and technical parameters describes the text below:
https://pawelstrzelecki.wixsite.com/music
The author of the crucial, first and original book (used as academic manual and present in many libraries) on "New Romanticism" in Polish music after 1975, containing interview of the author with Krzysztof Penderecki (2022, English Language Edition).
https://www.peterlang.com/document/1282565?fbclid=IwAR1Pm40flHnsqH07OsvXdXwV1ZwLeVLOmfrxkqe3wxL5rsJioluBL-2FQ9M#document-details-anchor
Polish edition (2006):
https://mi.pl/pl/p/Pawel-Strzelecki-Nowy-romantyzm-w-tworczosci-kompozytorow-polskich-po-roku-1975/59

The book was quoted in: Andrea Bohlman: "Musical Solidarities. Political Action and Music in Late Twentieth-Century Poland". Oxford University Press, 2020, pp. 208, 266. The link to the quotation (p. 208):
https://books.google.pl/books?id=uNnBDwAAQBAJ&pg=PA208&dq=bohlman+nowy+romantyzm&hl=en&sa=X&ved=2ahUKEwjoyL-x-Lf4AhXOk4sKHUWMChUQ6AF6BAgEEAI#v=onepage&q=bohlman%20nowy%20romantyzm&f=false

Pawel Strzelecki: 2. Scherzo [String Quartet No. 1 (2001)].

Pawel Strzelecki, Ph.D.