Don’t blame me for the poor quality, especially vocals because I make music using my phone.

Hey! Mercy

Track name: Paths of Fate
Composers: Torben Fugger
Interprets: Torben Fugger
Producer: FRESHTRACKS MUSIC LTD.
Release year: 2024
Duration: 3:13
ISRC code: CZ-D52-24-03170
Track: SPRT131#70 Paths of Fate
Label: Sprint
Album code: SPRT131
Album name: Driven By Emotions - Cinematic Orchestral Score
Track number: 70
Publisher: FRESHTRACKS MUSIC LTD.
HB code: SPRT131_70

Veröffentlicht von:
Sprint Music ISRC Code: CZ-D52-24-03119
Erscheinungsdatum :
15 January 2024

Driven By Emotions - Cinematic Orchestral Score

Paths of Fate

Paths Of Fate

Vortex chaotique, les idées s’entrechoquent, les repères se dérobent, les lignes se floutent. 

Le centre de l’instabilité, un paradoxe en mouvement, Où l’ordre et le chaos se mêlent, se confondent, Peut-être est-ce là que se cache la beauté, Dans cette fragilité qui nous pousse à chercher l’éternité.

Le centre de l’instabilité

A light piece for guitar

Guitar: Amalio Burguet Model 1A - Spruce

A Serenade

Music by https://soundcloud.com/user-336485320
Vocals/lyrics purpleclaire 

Finished with my woman …

Beat me with a big stick 
Trying all your usual tricks 
That ain’t gonna cut it no no 
That ain’t gonna cut it no more
Frozen in your headlights 
Helpless in your dead lights 
Once upon a time 
I was cursed by love
Blow me up with a bomb bomb bomb
Shoulder for my tears 
Get to know me inside out
Then attack me with my fears

Once upon a time 
I was cursed by love 

So I went down to the river
The witch told me the cure
I must spit when I say your name
Throw your picture into the flames 
Cross myself 1 2 3 times
Salt the earth where you stood beside me 
Then I cut - cut you out 
Once upon a time I was cursed by love

You thought you could fool me
Thought you controlled me
Thought you could take me 
Thought you could keep me
Underestimated me
Once upon a time 
I was cursed by love 
Now it’s you in my head lights 
And it’s you in my dead lights 
Finished with my woman 
Once upon a time 
I was cursed by love

Dead lights - MrDjBigHouse x 💜purple😈claire💜

68 - No one mattered more than you

68 - No One Mattered More Than You

The Land of Frowns

I told the man he'd have to go
You are not welcome here you know
You do not speak as others do
Our people are afraid of you

So would you help a man when he's really down
and lost within this land of frowns

Land of Frowns

So I wrapped myself in things I'd found
and laid myself out on the ground
and the devil comes in many ways
he came to me that day

Far away I was a young man

Oh, my home, I had to go

I'm a stranger in this foreign town
Stranger in this land of frowns
Oh, land of frowns

So I told the man he'd have to go
You are not welcome here you know

Land of frowns......

The Land Of Frowns

Thank you for listening. 
I think I've created a playful yet calming song.
I would be happy if you would rate it.

Musings

The second movement of the String Quartet No. 20 "Until the End" (2024).

Pawel Strzelecki: 2. Slow [String Quartet No. 20 "No End" (2024)].

Blues No.3

01 - SA - Woodwind Evolutions - A Simple Start
02 - Sonuscore - Elysion - Felt Piano
03 - Sonuscore -  The Orchestra Complete - Flute Staccato - Clarinet Staccato - Violin 1 Staccato - Cello Staccato - Horn Staccato

Felt Piano Orchestra

Polish Composer (M.A., 2002, "F. Chopin" Academy of Music in Warsaw,  Prof. Zbigniew Baginski's class), music theorist (M.A., 2000, "F. Chopin" Academy of Music in Warsaw, under Prof. Maria Piotrowska), musicologist (Ph.D., 2005, University of Warsaw, under Prof. Zbigniew Skowron), researcher, lecturer.
So far he has written 127 pieces: 12 symphonies (2017-2024), 3 symphonic poems (2001-2011), 4 concertos with orchestra (organ, piano, two pianos, flute, 2002-2025), 22 string quartets (2001-2025), 17 sonatas for different solo instruments with piano (violin, cello, oboe, trombone, etc.), chamber music as Piano Trio (1998), Piano Quartet (2021), Piano Quintet (2003), String Trio (2021), numerous songs for voice and piano, sacred works, e.g. Mass for soloists, choir, organ and orchestra (2002, rev. 2024), and electronic music.  
The stylistic and technical parameters describes the text below:
https://pawelstrzelecki.wixsite.com/music
The author of the crucial, first and original book (used as academic manual and present in many libraries) on "New Romanticism" in Polish music after 1975, containing interview of the author with Krzysztof Penderecki (2022, English Language Edition).
https://www.peterlang.com/document/1282565?fbclid=IwAR1Pm40flHnsqH07OsvXdXwV1ZwLeVLOmfrxkqe3wxL5rsJioluBL-2FQ9M#document-details-anchor
Polish edition (2006):
https://mi.pl/pl/p/Pawel-Strzelecki-Nowy-romantyzm-w-tworczosci-kompozytorow-polskich-po-roku-1975/59

The book was quoted in: Andrea Bohlman: "Musical Solidarities. Political Action and Music in Late Twentieth-Century Poland". Oxford University Press, 2020, pp. 208, 266. The link to the quotation (p. 208):
https://books.google.pl/books?id=uNnBDwAAQBAJ&pg=PA208&dq=bohlman+nowy+romantyzm&hl=en&sa=X&ved=2ahUKEwjoyL-x-Lf4AhXOk4sKHUWMChUQ6AF6BAgEEAI#v=onepage&q=bohlman%20nowy%20romantyzm&f=false

Pawel Strzelecki: 2. Slow [String Quartet No. 20 "No End" (2024)].

Pawel Strzelecki, Ph.D.