The second movement of the String Quartet No. 2 (2012) composed under supervision of Kevin Volans and Kevin O'Connel in Dublin, July 2010.
"ConTempo" String Quartet, Dublin.

Pawel Strzelecki: 2. Scherzo (Mazurka) [String Quartet No. 2 (2012)] (live rec., Dublin 2010).

Music supporter for underrated talented artists
I am not weird, I am just neurodivergent person...

Music and things that might sound like music by Mat Ward. Noise Art/A  Piano and Bass Duet with Dani Kirby/A 50 plus member Art Ensemble called Then She Reaches The Gun/Deep Research Into Luigi Russolo and his Intonarumori .. thats just the stuff I post regularly : ) Thanks to everyone thats ever stopped by. Music is The Best!

Guitarist, multi-genre composer, keyboard & bass player (mostly self-taught). Music librarian and philosopher (I am retired now).
Music is new dimension of life.
“That is an artist as I love artists, modest in his needs: he really wants only two things, his bread and his art - panem et Circen.”
― Friedrich Nietzsche, Twilight of the Idols

Polish Composer (M.A., 2002, "F. Chopin" Academy of Music in Warsaw,  Prof. Zbigniew Baginski's class), music theorist (M.A., 2000, "F. Chopin" Academy of Music in Warsaw, under Prof. Maria Piotrowska), musicologist (Ph.D., 2005, University of Warsaw, under Prof. Zbigniew Skowron), researcher, lecturer.
So far he has written 128 pieces: 12 symphonies (2017-2024), 3 symphonic poems (2001-2011), 4 concertos with orchestra (organ, piano, two pianos, flute, 2002-2025), 22 string quartets (2001-2025), 17 sonatas for different solo instruments with piano (violin, cello, oboe, trombone, etc.), chamber music as Piano Trio (1998), Piano Quartet (2021), Piano Quintet (2003), String Trio (2021), numerous songs for voice and piano, sacred works, e.g. Mass for soloists, choir, organ and orchestra (2002, rev. 2024), and electronic music.  
The stylistic and technical parameters describes the text below:
https://pawelstrzelecki.wixsite.com/music
The author of the crucial, first and original book (used as academic manual and present in many libraries) on "New Romanticism" in Polish music after 1975, containing interview of the author with Krzysztof Penderecki (2022, English Language Edition).
https://www.peterlang.com/document/1282565?fbclid=IwAR1Pm40flHnsqH07OsvXdXwV1ZwLeVLOmfrxkqe3wxL5rsJioluBL-2FQ9M#document-details-anchor
Polish edition (2006):
https://mi.pl/pl/p/Pawel-Strzelecki-Nowy-romantyzm-w-tworczosci-kompozytorow-polskich-po-roku-1975/59

The book was quoted in: Andrea Bohlman: "Musical Solidarities. Political Action and Music in Late Twentieth-Century Poland". Oxford University Press, 2020, pp. 208, 266. The link to the quotation (p. 208):
https://books.google.pl/books?id=uNnBDwAAQBAJ&pg=PA208&dq=bohlman+nowy+romantyzm&hl=en&sa=X&ved=2ahUKEwjoyL-x-Lf4AhXOk4sKHUWMChUQ6AF6BAgEEAI#v=onepage&q=bohlman%20nowy%20romantyzm&f=false

Rockambo is a bassist from Mount Pleasant, Washington, DC.

Since the pandemic, he's been writing compositions using MIDI instrumentation (and struggling with latency issues on slow computers). He takes equal parts inspiration from Palladium-era Latin jazz (https://www.facebook.com/groups/LFCE893/), vintage 70s jazz-funk (https://www.youtube.com/channel/UCv8l4QR862COAotwH_cw9wQ), 00s electronica (https://somafm.com/spacestation/), contemporary lo-fi (https://open.spotify.com/album/2j4Mjok0KmnQ2ENfWIpUKf?si=MuUDlZW9TAuziw5LLmFjvg), and some ethnic music from the countries where he's lived (https://blog.scuolaleonardo.com/2023/04/25/bella-ciao-one-of-the-most-famous-italian-songs-in-the-world-from-the-resistance-to-money-heist/).

Since he can't find his way around a sequencer, he breaks away from repetitive beat loop patterns and seeks to create more organic pieces. Having said that, he only knows how to use a few DAW platforms which are all primarily loop-based ... it's complicated.

All recordings are original compositions recorded using SoundTrap, (http://www.soundtrap.com), and Audacity (https://www.audacityteam.org). More recently, he's been mastering tracks in Ableton Live Lite (https://www.ableton.com/en/products/live-lite/) and learning how to use MPC Beats (https://www.akaipro.com/mpc-beats) ... he bought some MIDI controllers ... There are no pre-recorded loops. If you are getting into composition, you should grab this (https://www.asio4all.org/).

MIDI is currently being played through an Alesis Vortex Wireless 2 keytar and with a regular ASDF keyboard and a mouse. Rad.

The mixes are low, so turn them up!

Jim Greif says his biggest influence is the Doogie Houser theme song by Mike Post (https://youtu.be/zE4M3hPut7E). 

Rockambo is fluent in neurodiversity and his music is neurodivergent-friendly.

All the appropriate influences are noted where possible. Contact him before using or distributing this material.

Some music-related books worth checking out:
"Analog Days: The Invention and Impact of the Moog Synthesizer" by Frank Trocco, https://www.goodreads.com/book/show/37535.Analog_Days
"How Music Works" by David Byrne, https://www.goodreads.com/book/show/13235689-how-music-works
"Just Kids" by Patti Smith, https://www.goodreads.com/book/show/341879.Just_Kids
"This Is Your Brain on Music: The Science of a Human Obsession"
by Daniel J. Levitin, https://www.goodreads.com/book/show/141565.This_Is_Your_Brain_on_Music
"Under the Big Black Sun: A Personal History of L.A. Punk"
by John Doe, Tom DeSavia
https://www.goodreads.com/book/show/25898106-under-the-big-black-sun

Hello, welcome to my page.

I've been making music since 1972. At the time, with Pedro Castro, we created the alternative rock band Petrus Castrus. 

The music I'm placing here is mostly from the home recordings of my ongoing projects and ideas. I created a few playlists (Inéditos) according to language:
Portuguese: https://soundcloud.com/jfcpetruscastrus/sets/ineditos
English: https://soundcloud.com/jfcpetruscastrus/sets/ineditos-en 
Spanish: https://soundcloud.com/jfcpetruscastrus/sets/ineditos-sp
French: https://soundcloud.com/jfcpetruscastrus/sets/ineditos-fr
Italian: https://soundcloud.com/jfcpetruscastrus/sets/ineditos-it

I also placed the concept album "Três Jardins" in a playlist. There are two long tracks (Mediterrâneo and Isaías) for full concept albums, and corresponding playlists that gather some of their individual tracks. A playlist called Synergies gathers the collaboration projects with other musicians in the fantastic SoundCloud community

Petrus Castrus edited records can be found on Spotify and Soundcloud. See the Facebook Petrus Castrus page for more details, including comments about the recordings uploaded here. 

We are both amateur musicians, i.e. music lovers. As for me, I'm just an electrical engineer with a master in AI that really loves creating music and use it to share ideas. That is why all tracks include lyrics or texts.

By the way I'm not interested in third-party offers to boost the number of plays. I like it as it is, and I've always declined such offers. Thanks anyway. 

I don't repost much, just some tracks that I find outstanding and with very few plays, so I can help them to get better known. I believe that repost parsimony also makes life easier for those who follow me.

Enjoy!

*** UPDATE May 2025. Good news. The SC contractual terms have now been corrected, and our music will no longer be used for AI training. NOTE April 2025: It just came to my attention that, unless we do a separate contract, all our uploaded music in SC can be freely used for AI training. This is written down in the legal section, under the licensing paragraphs. What can (should) we do to change that? *** 

*** Note Dec 2024: Alas, AI generated content that is not disclosed as such is now being posted at an alarming rate, sometimes multiple tracks in a single day from fake artists that even write down fake introductions, saying how much they love music that comes from the heart. Please avoid reposting these deceptions, it only adds to the confusion.  And it encourages the algorithms to give them preference. ***

*** NOTE June 2024: Generative AI is becoming amazingly powerful. Nothing against it. Just to avoid the confusion and embarrassment of finding ourselves praising and encouraging mindless algorithms, I believe it would be nice for us to always disclose its usage in our tracks. What do you think?  ***

Ionut Mirel Udrea (Member Of APRA/AMCOS) is a music composer, piano player and music producer based in Sydney - Australia. 
Ionut Mirel Udrea composes emotive piano-based instrumental music.

Progressive Metal Guitarist, Drummer, Bassist, and Keyboardist.

I teach in US higher education (in a STEM field) & am a hobbyist composer writing in a few different styles. I recommend headphones. All of my music is released under a Creative Commons Attribution/Noncommercial license.

My bandcamp page is getting out of date again, but some older albums there can be downloaded for free or for a name-your-own price donation.

If anyone wants to try performing any of this stuff on real instruments please send a message and I can provide scores. Not sure how playable some of it is for human musicians though.

Unsolicited messages asking me to listen to your latest song will lead to you being blocked unless if I know you well and we've interacted a lot.

Hope you enjoy and thanks for visiting!

The soul that will always be misunderstood.

Our world is full of unfairness and I hate it, because I am noone... I am mental ill for others... and I cant change it...

I am only honest to people, but they don't wanna hear truth because it is pain.

Noone is perfect you need accept it.

DnB/remixes profile: https://soundcloud.com/patros15-vol-2
Drone/Impro profile: https://soundcloud.com/patros15-vol-3

Pawel Strzelecki: 2. Scherzo (Mazurka) [String Quartet No. 2 (2012)] (live rec., Dublin 2010).

Pawel Strzelecki, Ph.D.