"Holy Suicide", from the new CD coming soon. Check us out on The Swamp Records USA!!!

Holy Suicide (from the "Harmonic Tapestries" CD, The Swamp Records, 2024).

I received the great honor and I am extremely grateful that the great soprano Mrs. Gabriele Weinfurter - Zwink recorded the solo of my Ave-Maria and that MyOpus (Gerhard Richter) mixed it so beautifully with the choir.

Ave Maria, gratia plena;
Dominus tecum;
benedicta tu in mulieribus,
et benedictus fructus ventris tui, Jesus.
Sancta Maria, Mater Dei,
ora pro nobis peccatoribus
nunc et in hora mortis nostrae. Amen.

Hail Mary, full of grace.
The Lord is with thee.
Blessed art thou amongst women,
and blessed is the fruit of thy womb, Jesus.
Holy Mary, Mother of God,
pray for us sinners,
now and at the hour of our death.
Amen.

Ave - Maria

Ave - Maria      (featuring Gabriele Weinfurter Zwink)

The concept of this ambient music inspired by the mystical pillars of the Mayan calendar draws from both ancient cultural elements and modern experimental soundscapes. This type of music often aims to evoke the spiritual and cosmic aspects of Mayan cosmology, particularly the Tzolk'in, which is a sacred cycle in the Mayan calendar system.

Enjoy!

神秘の柱 ーMystical Column Sound space experimental ambient

Nighttime In Maspalomas

Wanted to write a piece where I musically captured four people at the same time :-))))))
Thank you for listening :-))))))))))))))))))))))))))

If you want to see the score, go here:
https://www.youtube.com/watch?v=pxBqVKxHjoA

For Kate, Iain, Miles and Bea

The House on Beachwood Lane

The slow movement of the Concerto for Accordio and Orchestra (2025).

Pawel Strzelecki: 2. "Waves of Silence" [Concerto for Accordion and Orchestra (2025)].

Pre-Post Theatre 2

4-minutes copy

Movement

Azimuth
Valhjim

Shimmering bells turn slowly in the firmament, their tones panning left and right like twin orbits of sound. Distant church bells toll as an electric guitar opens the path to a quieter realm, where smooth woodwinds and soft string textures linger in serene skies.

A violin motif plays above it all and descends in near-chromatic motion, its path echoed by faint afterglow textures before the guitar and saxophone engage in gentle dialogue.

Three solitary metallic notes usher the passage to light: a bright, bell-like riff answered by two choirs singing slightly out of phase, their descent giving way to a sustained duet by a waving choir in blue textures. Above them, a female voice drifts in quiet harmony, while the violin returns to trace its final motif — seeking, at last, its true azimuth among the stars.

**********************
Valhjim: guitar, synthesizers, samplers.

Azimuth

Polish Composer (M.A., 2002, "F. Chopin" Academy of Music in Warsaw,  Prof. Zbigniew Baginski's class), music theorist (M.A., 2000, "F. Chopin" Academy of Music in Warsaw, under Prof. Maria Piotrowska), musicologist (Ph.D., 2005, University of Warsaw, under Prof. Zbigniew Skowron), researcher, lecturer.
So far he has written 128 pieces: 12 symphonies (2017-2024), 3 symphonic poems (2001-2011), 4 concertos with orchestra (organ, piano, two pianos, flute, 2002-2025), 22 string quartets (2001-2025), 17 sonatas for different solo instruments with piano (violin, cello, oboe, trombone, etc.), chamber music as Piano Trio (1998), Piano Quartet (2021), Piano Quintet (2003), String Trio (2021), numerous songs for voice and piano, sacred works, e.g. Mass for soloists, choir, organ and orchestra (2002, rev. 2024), and electronic music.  
The stylistic and technical parameters describes the text below:
https://pawelstrzelecki.wixsite.com/music
The author of the crucial, first and original book (used as academic manual and present in many libraries) on "New Romanticism" in Polish music after 1975, containing interview of the author with Krzysztof Penderecki (2022, English Language Edition).
https://www.peterlang.com/document/1282565?fbclid=IwAR1Pm40flHnsqH07OsvXdXwV1ZwLeVLOmfrxkqe3wxL5rsJioluBL-2FQ9M#document-details-anchor
Polish edition (2006):
https://mi.pl/pl/p/Pawel-Strzelecki-Nowy-romantyzm-w-tworczosci-kompozytorow-polskich-po-roku-1975/59

The book was quoted in: Andrea Bohlman: "Musical Solidarities. Political Action and Music in Late Twentieth-Century Poland". Oxford University Press, 2020, pp. 208, 266. The link to the quotation (p. 208):
https://books.google.pl/books?id=uNnBDwAAQBAJ&pg=PA208&dq=bohlman+nowy+romantyzm&hl=en&sa=X&ved=2ahUKEwjoyL-x-Lf4AhXOk4sKHUWMChUQ6AF6BAgEEAI#v=onepage&q=bohlman%20nowy%20romantyzm&f=false

Pawel Strzelecki: 2. "Waves of Silence" [Concerto for Accordion and Orchestra (2025)].

Pawel Strzelecki, Ph.D.