What Lies Below opens with a foreboding feeling of darkness with moments of hope and romance.  If you are interested in the string score, please contact me!  I hope you enjoy it and this newly mastered track by SC Mastering.  
Jennifer L. Jones
Music Dreams Productions
contact@musicdreamspro.com

What Lies Below

made with my voice, koala sampler, zoom h1, and NCH editing

fistfight squirrel negotiates a dispute involving birds and squirrels

The third movement of the Symphony for String Orchestra (2025).

Pawel Strzelecki: 3. Adagio [Symphony for String Orchestra (2025)].

Áchim György - y play orgona

We are Sound

Frequency found
Faced cosmical resonance
Heal of all hound
Or leaf levitation dance
The strings of our world
Found beside tuned tree
Sound peaceful now light
As these moments bare free

Proof of this place
Shone by knowledge of night
Harmony confirmed morn
Luminous liquid life
Horizon, have hope
We play as one
Good universe answers
With vision to stun

We are us
We are found
We feel love
Unity bound
In light we trust
We are but hound
We are love
We are sound

Cool conscious crux
Clued consequential
Fed this song
To tame essential
Prudential thought
Where value is life
Creed competition
'Seed crucified

This way of walk
We hold suffered hands
As born, Blank slate
Clean conscious glands
All karmic crime
Your experienced self
From no previous life
Is punishment dealt

We are just
We are found
We give love
Future bound
In light of moment
We are but hound
As ever love
We are sound

Resonance tuned
Eased Earthly rock
Healed hound heart boon
Being timed
Tick Tock
We trade a market
Coined with spirit and soul
We tame the starkest selves whom sold

Being of water
Liquid life
Harmonise today
Transmute our strife
As we laugh and caress our tree
Find tantric tuned
Cosmic frequency

We are Sound (Poem)

ANARS ! Oh quoi ?

TEMPONADE

If you were shipwrecked on a deserted island and could only have one song to listen to during your stay (however long that is...) what would it be? What if you didn't have a choice?

Test carried out with damaged radio that could only receive faint broadcast of George Michael's Careless Whisper.  

- Make sure you are absolutely, without a doubt, stranded on a deserted island following a sea monster attack on your ship. Imaginary scenario or otherwise.
- Make extra sure you bring some form of music player and recording equipment.
- Complete steps of the scratch garden ritual 
begin music player to initiate Rythmic Motion influence.
- Direct radio waves focused towards the thin veil to the Inverted Lands and record results.

The following recording of test 4 is as follows:

Clay Model By: Iris Udell (Mothership)


Shipwrecked (Test: 4)

The Last Citadel

Whispers at the Gate

The fifth track from the album Retrospective

City Of Neons

Support on Bandcamp: cosmochild.bandcamp.com/album/eternity

ETERNITY

Support on Bandcamp

Polish Composer (M.A., 2002, "F. Chopin" Academy of Music in Warsaw,  Prof. Zbigniew Baginski's class), music theorist (M.A., 2000, "F. Chopin" Academy of Music in Warsaw, under Prof. Maria Piotrowska), musicologist (Ph.D., 2005, University of Warsaw, under Prof. Zbigniew Skowron), researcher, lecturer.
So far he has written 128 pieces: 12 symphonies (2017-2024), 3 symphonic poems (2001-2011), 4 concertos with orchestra (organ, piano, two pianos, flute, 2002-2025), 22 string quartets (2001-2025), 17 sonatas for different solo instruments with piano (violin, cello, oboe, trombone, etc.), chamber music as Piano Trio (1998), Piano Quartet (2021), Piano Quintet (2003), String Trio (2021), numerous songs for voice and piano, sacred works, e.g. Mass for soloists, choir, organ and orchestra (2002, rev. 2024), and electronic music.  
The stylistic and technical parameters describes the text below:
https://pawelstrzelecki.wixsite.com/music
The author of the crucial, first and original book (used as academic manual and present in many libraries) on "New Romanticism" in Polish music after 1975, containing interview of the author with Krzysztof Penderecki (2022, English Language Edition).
https://www.peterlang.com/document/1282565?fbclid=IwAR1Pm40flHnsqH07OsvXdXwV1ZwLeVLOmfrxkqe3wxL5rsJioluBL-2FQ9M#document-details-anchor
Polish edition (2006):
https://mi.pl/pl/p/Pawel-Strzelecki-Nowy-romantyzm-w-tworczosci-kompozytorow-polskich-po-roku-1975/59

The book was quoted in: Andrea Bohlman: "Musical Solidarities. Political Action and Music in Late Twentieth-Century Poland". Oxford University Press, 2020, pp. 208, 266. The link to the quotation (p. 208):
https://books.google.pl/books?id=uNnBDwAAQBAJ&pg=PA208&dq=bohlman+nowy+romantyzm&hl=en&sa=X&ved=2ahUKEwjoyL-x-Lf4AhXOk4sKHUWMChUQ6AF6BAgEEAI#v=onepage&q=bohlman%20nowy%20romantyzm&f=false

Pawel Strzelecki: 3. Adagio [Symphony for String Orchestra (2025)].

Pawel Strzelecki, Ph.D.