Aria comprit alors que le véritable trésor n’était pas de trouver le bonheur eternel, mais sa quête. Elle avait appris à aimer les rêves, les énigmes et les mystères. Elle avait découvert que chaque instant était précieux, que chaque pas la rapprochait de l’ange et de la vérité.

Songe d'un Ange

Cumulus V

Questo brano stuzzica la mia fantasia, mi fa volare su in alto nel cielo azzurro come fosse un oceano, cavalcando  le bianche e spumeggianti nuvole su un grande veliero in compagnia... e perchè no, di Peter Pan. Che la fantasia non vi abbandoni mai. 
Buon ascolto a tutti voi, amici miei.

 This song tickles my imagination, it makes me fly high in the blue sky as if it were an ocean, riding the white and foaming clouds on a large sailing ship in company... and why not, of Peter Pan. Let the imagination never abandon you. 
Good listening to all of you, my friends.

VIAGGIO SULLE NUVOLE

https://soundcloud.com/vanovano/sets/the-cosmic-voyages-of-captain?si=bcf7b56c40804863a4e87f4989a7f227&utm_source=clipboard&utm_medium=text&utm_campaign=social_sharing
The final chapter of Captain Vano's life ended in poignant darkness, far from the honors he truly deserved. His burial took place in secret, within a small mausoleum hidden in an abandoned mine on a dusty planet, a place forgotten by the rest of the universe. Those who had loved him, those who had shared his trials, were there. Professor Arkinor, the scientist who had traversed the black hole alongside him, cast a heavy gaze of sorrow upon the humble grave. Graigue, the former pirate warlord whom Vano had rescued from the clutches of chaos, stood tall, as if still wearing an invisible armor in honor of his fallen friend.

Not far away, the former leader of human power, a man who had once embodied humanity’s supreme authority before rebelling against it, remained silent, torn between respect and guilt. The Different Brothers, those extraterrestrial musicians who had accompanied so many moments of his life with their timeless melodies, were also present. That day, they played a blues of infinite sorrow, a piece of music that seemed to stretch time itself, as if suspending the very moment of mourning. Torni, the renowned humanist theorist, had made the journey, simply dressed, but his gaze bore the full weight of a man deeply aware of Captain Vano’s greatness and the irreparable loss he represented.

A handful of others were there as well, men and women who had become outcasts, bound together by their loyalty to the man who, until the very end, had defended ideals they still shared. They were few, but their presence spoke volumes about the greatness of a man whom humanity, in its ingratitude, had chosen to reject.

No monumental stone, no official speech marked this farewell. Just a simple stone, engraved with modest yet powerful words: "Forgotten hero, eternal defender of worlds."

And as the final notes of the Different Brothers’ blues faded into the wind, a strange silence fell over the mausoleum. That silence seemed to hold all the pain and gratitude of those gathered, as if they bore together the weight of Vano’s sacrifice.

Thus, the final echo of the man who had given so much faded away, buried in shadow but living on in their hearts and in the legends that would continue to travel across the stars.

The Tomb of Dust: The Burial of Captain Vano

The end  : The Tomb of Dust: The Burial of Captain Vano

soundcloud.com/vanovano/sets/the-cosmic-voyages-of-captain 

Two hundred and fifty years after the Great Chaos, the universe floated in a strange state of immortality. Aging had ceased, taking with it the usual temporal markers. While bodies remained frozen in time, souls still bore the scars of loss and conflict. In this reality, where even death seemed to have lost its power, Vano wandered, haunted by the tragedies of chaotic centuries.

One of these losses left a deep mark on him: Xar, a brilliant biologist and his longtime friend, had been killed during an attack led by Graigus the Mad, a warlord who was half-human, half-machine. Consumed by regret and anger, Vano found it difficult to free himself from this burden until one day, a mysterious call from the unknown resonated within him. Something—or someone—seemed to push him to act, to break free from his inertia.

Guided by this inexplicable urge, Vano volunteered to hunt down Graigus, an adversary no one dared to face. Graigus, gigantic and terrifying, was a being of metal and violence: four clawed arms capable of shredding anything they touched, a disproportionately large head with two yellow eyes glowing like spotlights, and two smaller shadowy eyes below. His mechanical facade hid a corrupted but persistent trace of humanity.

For months, Vano pursued Graigus across ravaged worlds, escaping ambushes and traps set by his enemy. This hunt confronted him with a troubling duality: an ardent desire for vengeance for Xar and Graigus's countless victims, and a strange fascination with the honor that occasionally flickered in the warlord's actions.

Their final confrontation took place on Exilion-9, a desert planet frozen in oppressive silence. Amid the ruins of an ancient temple, Vano and Graigus faced each other in a duel worthy of another era. Graigus's metallic arms unfolded slowly, while his piercing eyes fixed on Vano. The silence was shattered by a precise shot: Vano's laser struck Graigus's cybernetic shoulder, disarming the warlord without killing him.

Graigus, on his knees, slowly folded his arms in a gesture that seemed to betray resignation. His yellow eyes locked on Vano—not with hatred, but with an intensity that seemed to defy fate itself. Vano, his heart heavy, lowered his weapon. The anger had dissipated.

"You killed Xar… and so many others. I wanted to hate you, to destroy you. But your death won't bring anyone back. In this world where time is frozen, perhaps there's still a chance for you… a chance to do something right."

Graigus remained silent, then slowly extended a robotic hand toward Vano. Not out of weakness, but as a gesture of acceptance. After a moment's hesitation, Vano shook it.

This improbable moment sealed an unexpected alliance. Graigus, once known as "the Mad," became a loyal ally. Together, they began defending humanity against even greater threats. That day, Vano became not only "Captain Vano," but also a symbol of hope, redemption, and faith in humanity's ability to overcome its own darkness.

Thus began the legend of a man, lost and adrift, who found his path by choosing hope where many would have chosen vengeance.

The Birth of Captain Vano

Part 3 : The Birth of Captain Vano

A little doll's world- What a world it could be.

Doll’s World

K-Hey, Detective!

The last movement of the Sonata for Alto Flute and Piano (2025).

Pawel Strzelecki: 3. Finale [Sonata for Alto Flute and Piano (2025)].

Happy Spin: 5. Fun Run

Music Licenes

Save the Last Dance (ID 2195)

30.2 Piano Free Ab Improvisation 20250513-2

Polish composer (M.A., 2002, "F. Chopin" Acedemy of Music in Warsaw, Prof. Zbigniew Baginski's class), music theorist (M.A., 2000, "F. Chopin" Acedemy of Music in Warsaw, under Prof. Maria Piotrowska), musicologist (Ph.D., 2005, University of Warsaw, under Prof. Zbigniew Skowron), researcher, lecturer.
So far he has written 126 pieces: 12 symphonies (2017-2024), 3 symphonic poemes (2001-2011), 4 concertos with orchestra (organ, piano, two pianos, flute, 2002-2024), 21 string quartets (2001-2025), 17 sonatas for different solo instruments with piano (violin, cello, oboe, trombone, etc.), chamber music as Piano Trio (1998), Piano Quartet (2021), Piano Quintet (2003), String Trio (2021), numerous songs for voice and piano, sacred works, e.g. Mass for soloists, choir, organ and orchestra (2002, rev. 2024), and electronic music.  
The stylistic and technical parameters describes the text below:
https://pawelstrzelecki.wixsite.com/music
The author of the crucial, first and original book (used as academic manual and present in many libraries) on "New Romanticism" in Polish music after 1975, containing interview of the author with Krzysztof Penderecki (2022, English Language Edition).
https://www.peterlang.com/document/1282565?fbclid=IwAR1Pm40flHnsqH07OsvXdXwV1ZwLeVLOmfrxkqe3wxL5rsJioluBL-2FQ9M#document-details-anchor
Polish edition (2006):
https://mi.pl/pl/p/Pawel-Strzelecki-Nowy-romantyzm-w-tworczosci-kompozytorow-polskich-po-roku-1975/59

The book was quoted in: Andrea Bohlman: "Musical Solidarities. Political Action and Music in Late Twentieth-Century Poland". Oxford University Press, 2020, pp. 208, 266. The link to the quotation (p. 208):
https://books.google.pl/books?id=uNnBDwAAQBAJ&pg=PA208&dq=bohlman+nowy+romantyzm&hl=en&sa=X&ved=2ahUKEwjoyL-x-Lf4AhXOk4sKHUWMChUQ6AF6BAgEEAI#v=onepage&q=bohlman%20nowy%20romantyzm&f=false

Pawel Strzelecki: 3. Finale [Sonata for Alto Flute and Piano (2025)].

Pawel Strzelecki, Ph.D.