Rizzla - Airlock (SHALT Edit)

Exploited Body - When My Darkness Came To Light

Following releases on Posh Isolation and Northern Electronics, Exploited Body returns to his label Changeless to present his ambitious debut album 'When My Darkness Came To Light'.  
  
'When My Darkness Came To Light' is a subdued yet unrelentingly volatile record that examines the inescapable parallels of his depression and life as a black person. On his first solo release since 2019's 'Touching Without Feeling', his signature blistering distortion is contrasted with delicate melodies and heart-wrenching compositions that are at once deceivingly captivating and staggeringly harsh.  
  
’When My Darkness Came To Light’ will be released 9th April via Changeless.  
  
The album is written, produced, mixed and mastered by Noah Kin and features artwork by the visionary LA-based mixed-media artist Jesse Draxler and photography by Changeless affiliated Helsinki-based photographer Helen Korpak.

@exploitedbody

When My Darkness Came To Light

Exploited Body - We Will Never Be Safe In This World

Track Premiere: Diagnostic @janrobbe & @aetherealarthropod - PSXLM(Psalms To The Forgotten)
Read more: https://paynomindtous.it/diagnostic-aea-relic/ 
Artwork by FRAMEofMIND http://frameofmind.be/
***
Diagnostic and Æthereal Arthropod are two of the main players in the contemporary industrial, experimental, and noise scene in Europe, the former being one of the projects of the Belgian sound/graphic designer Jan Robbe (UndaCova, Atomhead, Erratic), and the latter being the moniker of the Spanish musician Nestor Peixoto Aballe, who responsible is for some of the harshest outings in the post-club community such as the releases on Genot Centre, Quantum Natives, and many more.

Their artistic relationship dates back to at least 2016 when Nestor's Hydra's Amaranthine Invigoration two-tracker saw the light on Entity Records, an mp3/ogg netlabel co-founded by Robbe together with Nico De Gols that was born on the ashes of the previous incarnation Tinnitus (reportedly dead in 2003 because of a server problem). Three years later, in May 2019, the two musicians spent a few days together at Robbe's place in Deinze, Belgium that ended up in several minutes of collaborative material which has since then been shaped up in their first record together, called RELIC and out on Friday, May 7th (#BANDCAMPFRIDAY!) on the artists' Bandcamp pages.

Mastered by GianMaria Dell'Aera at Dadub Studio, RELIC collects the results of multiple sessions of modular improvs and vocal fx recording that have been manipulated over the course of the next two years in the shape of a chimeric, alien flow of sound, all wrapped up into 5 track with ominous titles such as Eternal Return of the Derelict Species, The Detrimental Axis of Brutalism, etc. The record lives out of the overlap between Robbe's of radical, harsh industrial music and Nestor's beastly, grinding vocal tracks. As reported by the authors themselves, the work has been shaped around the envisioning of a long-lost, advanced extraterrestrial civilization destroyed by the magnitude of an extinction-level event, and the effects of said terror on the inner functioning of the few survivors' psyches.

Diagnostic and Æthereal Arthropod indulge in the evocation of obscure back-to-primitiveness rituals by means of guttural vocals, and oscillating infra-bass tides while simultaneously infiltrating into the mangy remainings of the inhabitants' sense of being via piercing, blade-sharp noise bursts. Today, we're glad to present you a 5-minutes excerpt out of the EP, namely the third piece called PSXLM (Psalms to the Forgotten), which represents the no-return point inside the alien ceremony that will take you to decaying landscapes of distorted fear.

Diagnostic & Æthereal Arthropod - PSXLM(Psalms To The Forgotten)[PAYNOMINDTOUS Premiere]

RONCE - AQUATICS
(DAWN013)
100 limited copies
12inch
@itsronce
Produced by Zoë Villerd
Mastered at Studio Martyrs
Photo by Ronce
Design by Hajj
Dawn 2021

Ronce - The Devil Sleeps In My Stomach

Remix by @oblinof from @dj_ghepard & @lamb-kebab-blt's remix album "DREAM EATERS REBIRTH"

In the spirit of the previous release all the revenues for the first month after the release date will be donated in support of the following charities:

Berlin Center For LGBTI Refugees
schwulenberatungberlin.de/queer-refugees-en/

Transgender Legal Defense & Education Fund
transgenderlegal.org

Trans Women of Color Collective
www.twocc.us

Mastered by @dj_ghepard
Artwork by DON ELEKTRO

Stream & Download

DJ GHEPARD x Lamb Kebab - GENGAR (Oblinof Remix)

FROM CLAM012 | EMULATION OF US

https://clam-pressure.bandcamp.com/album/clam012-emulation-of-us

out 11/03/2022

@sineraw

SINERAW - VERY ANGRY TYPING

B2 track by @isak-hansen-213823504, taken of his closing album in his trilogy "Chapter Three, Tears of the Phoenix".
Order: https://strangetherapy.bandcamp.com/album/chapter-three-tears-of-the-phoenix

Continuing his very personal brand of modern noise music, this chapter contains total annihilation, fragmented and broken imperfect glimpses of violated structures. Brutal vocals muse on post-modern social and human drama - reaching droning undertones and convoluted distortions in an experimental yet coherent path full of corrosive but engrossing elements of despair.
___________________________

Format: 12" vinyl, cassette and digital
Release date: 15/05/2022
Mastering: Peter Peter

B2 Iron Sight - A Kiss So Wet [ST016]

Hyperlink continues its exploration of sounds and emotions with a new chapter of its digital mini compilations. link002 therefore invites you to a dark and deadly sad - but beautiful - trip through the musical interpretation of 6 producers.

Welcome to the Asphodel Meadows, where ordinary souls are sent to live after death.

♥ @atrueterrorcorporation

A True Terror Corporation - Eruption

Noumenal Eggs

Hosting of an Inorganic Demon

Blightcaster - s/t
Cat. Nr: DN023
Format: DL
Release Date: October 21, 2022
Buy / stream: dansenoire.ffm.to/blightcaster

An anonymous duo split up by border control between Melbourne and London, with an axe to proverbially grind. Blightcaster takes its name from Magic: The Gathering but its affinity with the fantasy trading card game stops there. Or that’s at least if you think fantasy can’t also be a nightmare. The mostly recorded, rarely live noise, gorenoise, power electronics, hardstyle (etc.) band began in the dank privacy of a southeast London basement in 2016, before being cut short by an expired visa and a return to Australia for one of its members.

A handful of years and a global pandemic later, the two had the opportunity to finish their work remotely, sending files between countries and ruminating on the rotten core of a world that has only gotten rottener. Tracks like “Hymns from the Slaughterhouse”, “Disgraced Species” and “Devastator Slug” wheeze, croak and crackle with swells of extreme distortion. “Mind Unleashed” and “Weaponised Banter” offer a pounding though heavily degraded gabber in a barely melodic turn that you would never detect in the goregrind comparison of a band like Last Day of Humanity or Agents of Abhorrence’s contemporary grindcore.

Recorded using whatever they had with limited skills, Blightcaster is the no-fi product of sessions with a broken laptop, cracked software, a cheap synth and buggy contact mic. And while the duo’s own nihilism denies having a message, you might make one out in the blood-curdling shrieks and crunching beats of “Miserable, Mediocre, Nothing”. If ‘inspired' is the wrong word to use, Blightcaster are at least informed by the likes of labels like Self Abuse, Blood 'n' Guts, Head Fuck and Shit Wank Records. There are samples from survival horror games like Manhunt and Eternal Darkness: Sanity's Requiem, but also from the meme zeitgeist; such as the 'Small, Angry Man Yells at Trumpet Player' youtube video. This is the sound of life in the crumbling hell-realm of reality, where ruin and plague meet magic.

Mastering by Rashad Becker
Design by Niels Wehrspann
Artwork image by @clochefolle
Blightcaster logo by @rotten_realm

Blightcaster

buy / stream

Blightcaster - Weaponised Banter

@dm_sounds @user-905473062
The 27th release of katharsis is the album “Alien Implants” by the Siberian artist and composer Dmitri Mazurov. Throughout the 9 tracks and 77 minutes of the album, the listener is submerged into a haunting maze of mystifying experimental electro-acoustic sound portraying distant conspiracies of another time and place. This almost paradoxical juxtaposition of classical instruments with elements from contemporary electronic music is quite novel to katharsis, but fits perfectly with our vision of showcasing the multifaceted emotional and expressive properties of music.

The album starts harshly off with a flow of rocks, stones and underwater gurgling on the intro track “Burevo”, before a flooding of more delicate but yet restless sounds on “Mimicry” performed by Kymatic Ensemble, who are also featured on the evocative title track “Alien Implants”. This expressive focus is vivid throughout the whole album, but especially on tracks like “Hauntology” performed with novel techniques on the accordion played by Roman Malyaykin, or on the archetypical crying of a guitar played with a comb on the track “Weeping”. The whole thing is concluded by an alienesque communication on the track “Morphing”, which is premiered with the announcement of the pre-order.

Alien Implants

Burevo

Dmitri Mazurov - Burevo

Trust Me (raw version)

“Eco Grime” Artists Blend Natural Sounds & Electronics to Depict a Polluted World: https://daily.bandcamp.com/2018/11/13/eco-grime-music-history

@tropical-interface
@herbarium_eco
@gem-tree
@shyqa000

Eco Club Afterlife

Bandcamp Daily

To read the feature on Bandcamp Daily about our genre "Eco Grime" 🌿

Taken from SBKT034: Nahash - Flowers of the Revolution

‘Flowers of the Revolution’ is the new album from Nahash. 7 original tracks, including a collaboration with Osheyack, plus remixes from Elvin Brandhi featuring Kanja from Duma, Gabber Modus Operandi and DJ Plead

‘The album was written while researching and reading about the role that the US played in installing dictators in central and south America. The harsh and industrial sounds I used as a way to talk about what happens when the harsh reality of neo-liberalism takes over a country that could do very well without it.

I was reading and watching documentaries about Haiti and Cuba and trying to imagine what those countries would be without any western influence.

The ‘’flowers of the revolution’’ are the flowers that never grew, the fields that were burnt down, the plants that were trampled by boots.’ – Nahash

Flowers of the Revolution

Nahash - The Horns feat. Osheyack (Elvin Brandhi Remix feat. Kanja)

New @parkingstone compilation: BLIST
01. piano princess - all the time
02. Meuko! Meuko! - none (live recording)
03. Deli Girls - SILENCE
04. Nkisi - phantasia
05. IDKLANG - Self-Optimize Pt. I The Mirror
06. INSIN - Kali Phos
07. Khadije - Ms. Thinking
08. Lizzitsky - Gum Massacre (C-Gen Mix)
09. Osheyack - Obfuscate ft. Jordan Tierney
10. Gabber Modus Operandi - Banci
11. Tati au Miel - Clairvoyance
12. Summer Satana - Mutation needs violence
13. ENDGAME - DRAINED
14. Van Boom & Oldyungmayn - 20965
15. whiterose - h'X
16. HDMIRROR - RE-ENTRY
17. Gabber Eleganza - Bonjour Travelers
Cover: Joe Pascale
Mastering: Lorenzo Targhetta

Deli Girls - SILENCE

MADE BY COLLECTIVE ORDER
ASCETIC HOUSE
2020

Der Kindestod "OYFM"

🔸 Turin-based music webzine, event series, netlabel, mix series 
🔸 https://paynomindtous.bandcamp.com/
🔸 https://paynomindtous.it

PAYNOMINDTOUS is a music webzine, event series, mix series, and netlabel. We aim to trigger change within the Italian music scene. We support border music styles and explore unsafe sound territories. We want to grow a community of people united in mutual support and unconditional, careless passion.

Diagnostic & Æthereal Arthropod - PSXLM(Psalms To The Forgotten)[PAYNOMINDTOUS Premiere]

PAYNOMINDTOUS

Recent comments

SAYF

𝔐𝔄𝔗ℭℌ𝔄

Related tracks