Nice! Beautiful, mesmerizing, hypnotic, dreamlike. I also find the instrument Stick fascinating.

a bit Irish folk Mark Knopfler "Cal" style.. very elegant

very nice airy feeling here . Love it :-)

@natalie_rosaa: Thanks Nat :-)  Making music constantly, but I've decide to also make videos with my new pieces and that slows down the process of sharing in public a bit.

Improvisation on piano and tenor sax. I started recording the Piano improvisation. Then I recorded an additional take with my Tenor Sax. All done "in The Zone" utilizing the Hans Zimmer Piano and a 1936 Conn 10m with a Theo Wanne Shiva III 8.

2021 Batch Of Media Music

April

Esprit Sauvage

Inner Sounds

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Alto Traverse Flute improvisation as a live-looping session with Mobius. Mobius is an extremely configurable software that lets you do to live sound (read: you playing instruments) what French and American people have been doing since the sixties (as in Musique Conréte, Tape Music) using tape, scissors and glue. It's lovely to be able to instantly compose and catch whatever comes to mind and the instant tape-scissors-glue vibe of Mobius letting you mangle your acoustic sound input like nothing else.
--
For this piece I recorded the improvisation in Mobius, then exported all loops I had snatched into BitWig where I mixed what you are hearing.

Latest Improvisations

Ever-Changing Landscape

Ever-changing Landscape

Inspector 33's Rabbit Fur Hat

Riccardo Muti leads a wide-ranging program featuring music from Rossini’s witty comic opera Il viaggio a Reims and Wagner’s Overture to Tannhäuser. Also on the program are two virtuosic concertos—one baroque and one contemporary—featuring CSO Piccolo Jennifer Gunn, and Beethoven’s cheerful Second Symphony.

CSO Program Notes: Muti conducts Beethoven &  Wagner

Order 'Beautiful You' at: ghostly.com/products/beautiful-you
Or at the retailer of your choice: Ghostly.lnk.to/khotin-beautiful-you

Beautiful You

Khotin - Somehow More Sad

Khotin - Looping Good

This album’s subtitle Abstract Experimental Yet Catchy does well catch the music and concept. Fourteen solo pieces for sax, flute, fretless guitar, and guttural voice noise. Interactive electronics played by feet while the physical instrument is played by hand and mouth. 
Voilà – instant free form electronic Da-Da!

Oooh...

Running Librarians

Plus Le Temps

Solo piece played on Stick Guitar SG-12 through a Fractal Audio AxeFx2 using two expression pedals to simultaneously play two delay effects (one for each fretboard, manipulating the two parameters feedback and volume) and a crystal effect (just on/off control). 

This piece is on my album Stick Street. Unfortunately the CD has sold out,  but the album is still available as digital download.

For more album info, please follow the Buy link!

Stick Street

Feather

Media composer, performing musician, and Live  Looping artist. 

I compose and produce recordings for media post-production, typically to be used in television, film, games, and work together with a number of production music libraries that handle the licensing. This SoundCloud account mirrors the last three hours of my growing production music catalog. 

A rather new outlet for me is to play solo concerts with the Chapman Stick instrument (profile photo) at churches here in Sweden. 

I'm also a dedicated Live Looping enthusiast. Live Looping is the act of instantly sampling and remixing oneself while playing acoustic/electric instruments. It's like performing live electronics without any prerecorded parts, or like Musique Concrète performed in real-time (rather than cutting and splicing audio tape or editing samples). My point is to create the music as I go - improvising sound as well as music and remix treatments in a process of instant composing. My dream for Live Looping is to bridge the gap between composer, conductor, musician, DJ, and remix artist. 

Besides patching live electronics I also play fretless Harp Guitar, normal Guitar,  Chapman Stick, Alto and Soprano Flutes, Tenor Sax, Soprano Sax, EWI, fretless electric Bass, Lapsteel Guitar, and Electric Cello. I tend to consider the whole shebang my personal "meta-instrument".  Mechanical instruments and electronic processing techniques all blur into one fat and messy palette that I use to paint music on the time canvas.

Feather

Per Boysen

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