John Lemke - Solo Releases

See the full list here: http://igloomag.com/features/top-releases-of-2013

Well over 150 releases have been selected by various igloomag.com contributors highlighting some of the finest in an expansive array of electronic music featuring ambient, dub, bass, glitch, industrial, IDM, electro, synth and various other sonic contortions.

Top releases of 2013

john lemke

john lemke 2

easy listening

[p*dis] distribution sampler for June 2013

p*dis sampler 2013.06

ambient

from 'People Do' [CD|LP|DIGITAL]
available on all formats at www.denovali.com/johnlemke

Denovali Records is proud to announce the release of John Lemke's debut album in July 2013. As an appetizer we offer the 'Walizka' EP as a digital only release, it contains only tracks not available on the album. We also offer the song 'Traveller', which is also not contained on the album, and a remix by Emperor Echo as a free download.

PEOPLE DO [CD|LP|DIGITAL]

John Lemke is a Glasgow based composer & sound designer, originally from Berlin. Working across a great variety of media he explores music and all things sonic through collaborations, live performance, film sound design and especially his work as a documentary composer for the BBC and Channel 4.

Motivated by fusing elements of his more emotive film composition approach with rhythm and space, John creates a distinctive sound blend on his debut solo album, where percussive, prepared piano collides with abstracted guitar landscapes & disembodied vocal textures to form a danceable, electro-acoustic whole. 

Inside the creaking hollows of an attic treasure begins the uncompromising journey of People Do. Eager to devise a more dance oriented sound on his first full length release with Denovali, and contrasting his more ambient, often orchestral film work, John first found inspiration in the idiosyncratic sound world of his grandmother's piano. With a shimmering past in the silent film era of 1920's Berlin, its very fabric was full of anecdotes. But sampling every string and surface, preparing it with kitchen utensils, let alone playing the instrument itself was only the starting point of the intricately woven narrative of People Do.

With a process including techniques of musique concrète, sound design concepts such as worldising (playing back and re-recording sound through a room) and the use of homemade field recordings from all around Europe, the album is filled with depth and a true sense of voyage. This is also reflected in the various locations the record was conceived and recorded in, ranging from Berlin to Bristol, Helsinki to rural Spain and Glasgow, with guest contributions on viola from Kim Moore (Ex-Zoey Van Goey) and Felipe Sumina (saxophone), only for it to be mastered at Durton Studio by Nils Frahm.

John's dedication to ignoring genre boundaries makes for an album impossible yet needless to categorise, echoing its wide ranging influences, but ultimately existing entirely on its own terms.

For fans of Four Tet, Boards Of Canada, The Notwist, Hauschka, Pole, Aphex Twin, Lali Puna

People Do

John Lemke - Illuminations

from 'Thawlines' [CD|LP|DIGITAL]
Denovali Records · den372
available on all formats at https://denovali.com/johnlemke

Unfamiliar landscapes, dampened by snow and fog, frozen waterways, ghostly forests: in equal parts unsettling and rich with possibility - such is the world of ‘Thawlines’, the third solo album by John Lemke. Carved out at a glacial pace over six years, it distills the memories of a deeply impactful journey to Finland in 2011 into John’s most personal album to date.

During a time of inner turmoil, John’s first encounter with the harsh Finnish winter while visiting an old friend in Helsinki, served as the backdrop and catalyst for pivotal change. Inspired to write an album based on the experience some years later, a second trip with a residency near the Arctic Circle followed. Gathering field recordings and reflecting the original voyage, John experimented with first sketches in the solitude of the icy woodlands, before beginning to flesh out tracks in his Glasgow studio.

The practice of turning memories of places, situations and atmospheres into music, slowly evolved into a complex mosaic of textures and tones, sparking near endless permutations of each piece. About the process John says, ‘I always liked the idea of time as my main collaborator. Or put differently, collaborating with slightly different versions of myself over time. Most of the pieces on ‘Thawlines’ were crafted over a number of years, with long gaps in between recording, letting the ideas ferment somewhat in the meantime, or at least my notion of where they could go. The process let me look at each track from a multitude of angles and come at it with contrasting frames of mind, before understanding what the pieces truly needed to be. It was just a very natural way to work and let ideas grow. In many ways the album turned out as a celebration of the art of getting lost.’

The increasingly slow progression, partly due to John’s many soundtrack commitments, meant that more and more current experiences started seeping into the work as well. As John explains, ‘A lot of life has been digested in this record. From losses of loved ones to becoming a parent and everything in between.’ From a production point of view, John kept feeling drawn to sounds that evoked a certain childhood nostalgia in him such as the mellotron, unruly synths, reverb drenched vocals and era specific recordings of cello, drums and guitars.

Abandoning the rather electronic feel of People Do (2013) and Nomad Frequencies (2015) for a more band oriented sound, John enlisted the help of some of his favourite musicians in the form of Pete Harvey (Modern Studies) on cello, Clive Deamer (Portishead, Radiohead, Robert Plant) on drums and harpist Urška Preis (rouge-ah) to realise his vision. As John says, ‘The music somehow needed to run through the hands of others, which gave a sense of catharsis after such a drawn out, solitary process. It was exactly what was needed to bring the journey full circle’.

As a long odyssey comes to its conclusion, the yield can finally begin a life of its own.

Thawlines

Apparition

John Lemke - Apparition

Check out
http://componentrecordings.bandcamp.com/album/pattern-behavior 
if you like this.

Pattern Behavior - December

from 'Walizka' [CD|LP|DIGITAL]
Denovali Records · den201
available on all formats at [http://denovali.com/johnlemke]

Working across a variety of media John Lemke explores all things sonic through live performance, sound design and his work as a documentary film composer. The Walizka EP is his latest solo release on Denovali Records.

Three items in a suitcase, a clarinet, a looper and a microphone - is how it all started.

A free improvisation with friend & collaborator Lukasz Bernacki (on clarinet) sparked John’s desire to bring his compositional and production approach back down to the most basic elements. Creating simple, yet distinctive rhythms only through tapping contact microphones run into noisy guitar amps became the base for the EP’s three tracks, consequently inspiring its live, lo-fi feel. Written and recorded between John’s native Berlin and his adopted home of Glasgow, Walizka (Polish for ‘suitcase’) somehow absorbs the defining atmospheres of both cities in its core.

Previously released digitally as a teaser for John’s debut album, the Walizka EP actually presents newer material, progressing the electro-acoustic nature of ‘People Do’ towards more dub drenched territories. Refining John’s blend of prepared piano and field recordings with hand crafted beats and swampy bass lines, this deeply moody and danceable release bends genres with refreshing ease.

The EP is furthermore enhanced by a second half of remixes by fellow Denovali artists Piano Interrupted, SaffronKeira and Petrels and the ever elusive Everyday Dust. Far from conventional remixes, these pieces fall more in the category of re-imaginations, complementing the EP’s first, more rhythm anchored half with a coherent ambient counterpart.

Written, performed, recorded & produced by John Lemke in 2013
Mastered by Alex Gámez at Störung Studio
Artwork by Lukasz Bernacki

Walizka

John Lemke -  Kompass (SaffronKeira Remix)

from 'Walizka' [CD|LP|DIGITAL]
Denovali Records · den201
available on all formats at [http://denovali.com/johnlemke]

Working across a variety of media John Lemke explores all things sonic through live performance, sound design and his work as a documentary film composer. The Walizka EP is his latest solo release on Denovali Records.

Three items in a suitcase, a clarinet, a looper and a microphone - is how it all started. 

A free improvisation with friend & collaborator Łukasz Bernacki (on clarinet) sparked John’s desire to bring his compositional and production approach back down to the most basic elements. Creating simple, yet distinctive rhythms only through tapping contact microphones run into noisy guitar amps became the base for the EP’s three tracks, consequently inspiring its live, lo-fi feel. Written and recorded between John’s native Berlin and his adopted home of Glasgow, Walizka (Polish for ‘suitcase’) somehow absorbs the defining atmospheres of both cities in its core.

Previously released digitally as a teaser for John’s debut album, the Walizka EP actually presents newer material, progressing the electro-acoustic nature of ‘People Do’ towards more dub drenched territories. Refining John’s blend of prepared piano and field recordings with hand crafted beats and swampy bass lines, this deeply moody and danceable release bends genres with refreshing ease.

The EP is furthermore enhanced by a second half of remixes by fellow Denovali artists Piano Interrupted, SaffronKeira and Petrels and the ever elusive Everyday Dust. Far from conventional remixes, these pieces fall more in the category of re-imaginations, complementing the EP’s first, more rhythm anchored half with a coherent ambient counterpart.

Written, performed, recorded & produced by John Lemke in 2013
Mastered by Alex Gámez at Störung Studio
Artwork by Łukasz Bernacki

John Lemke - Walizka (Piano Interrupted Remix)

الحان و توزيع : MAZ
مكس و ماستر : Latino & MAZ

Music Composed & Produced By : MAZ
Mix & Master : Lation & MAZ

من برنامج " قواعد العشق للمحبين " رمضان 2014
From Ramadan Program " Qawa'd El Eshq Lel Moheben "

All rights reserved to Seven Pictures & E-Producers


12 - Instrumental - زدني بفرطِ الحبِّ فيكَ تحيُّراً

Smooth ambient jazz jam

from 'The Unified Field Reconstructed' [CD|LP|DIGITAL]
Denovali Records ·  den226
available on all formats at [http://denovali.com/pianointerrupted]

Piano Interrupted, the anglo / french duo formed by Tom Hodge and Franz Kirmann is a musical entity in continuous reinvention, their music constantly evolving and transforming from concert to concert, record to record. Studio compositions are deconstructed for live shows, becoming brand new pieces, which in turn serve as a basis for future new compositions, like a never-ending “mise en abyme”
It was just a question of time then before the pair turned to other producers to ask them to rework their music. Concentrating exclusively on material from their last LP “The Unified Field”, Piano Interrupted invited a handful of artists and producers from Denovali Records' roster including Hidden Orchestra, Floex, Origamibiro, John Lemke, Saffronkeira and Second Moon Of Winter to reinvent some of their compositions. Oscillating between dub, techno, abstract hip hop, ambient and post-classical, each interpretation offers a completely fresh approach to the work, sometimes barely recognisable, and sheds new light on the infinite directions that Piano Interrupted's intricate compositions can be taken.
“The Unified Field Reconstructed” is a reminder of the possibilities and a promise of more exquisite exploration in the duo's 3rd album, scheduled for later this year, based on recordings taking place in Senegal (where Franz spent his childhood) in February 2015.


The Unified Field Reconstructed

Piano Interrupted - Darkly Shining (John Lemke Rework)

from 'Nomad Frequencies' [CD|2xLP|DIGITAL]
Denovali Records · den237
available in September on all formats at [http://denovali.com/johnlemke]

An ardent moulder of sound, John Lemke began carving out a very unique music blend on his debut album 'People Do' (2013) and its follow up EP 'Walizka' (2014). Informed by his work as a sound designer & composer for documentary films and his natural inclination towards fusing rhythm with rich textures and emotive melodies, he set out on a musical path that had been long in the making and is ever evolving.

The quest for unusual, inspiring sound sources has always been at the heart of John's process, however the genesis of his second album 'Nomad Frequencies' was rooted in much more inadvertent circumstances. In the summer of 2014, forced to indefinitely evacuate his Glasgow flat and studio due to structural damage from one hour to the next, with nothing more than a laptop and a bag of clothes, John embarked on a six month odyssey of soul searching, couch surfing and spending an extended period of time in his old hometown of Berlin for the first time in years - it was to be an odyssey that would help ferment and distill the ideas of his second album on which work had just begun. 

A year of particular global turmoil and upheaval, combined with John's personal, albeit very minor, 'displacement', caused a lot of questioning, frustration and anger, which somehow found its way onto the new material: a more confrontational, at times aggressive sound, paired on the other hand with a yearning for harmony, balance and space. Other influences came less from the world of music, but rather in visual form, through the densely textural art of Anselm Kiefer and the political, yet poetic musings of film maker Adam Curtis.

Intent on refining his sound toward a more minimal, bolder style, John set out to limit his sonic palate to a handful of carefully chosen elements. At the centre of this new direction remains the muted piano already introduced on his debut, but in a much more purified and raw form. This organic base is adorned by the warm fuzzing and wavering of analogue synthesisers, tape echoes, meditative tuning forks, field recordings from John's 'exile' period and percussion based on his rigid approach to sampling, which started developing on 'Walizka'. The guiding principle of his orthodox style of recording and sampling is to only use home-made sounds by utilising his own field recordings, applying contact microphones or hydrophones to objects and instruments, running them through different kinds of speakers and re-recording the sounds to arrive at a 'lived in' quality, often misunderstood as plainly 'lo-fi'. Touches of viola and woodwinds parts (Kim Moore of WOLF and Andrew Baker respectively) provide melody fragments and subtle details throughout the journey.

With John's healthy disregard for genre boundaries, the array of influences on 'Nomad Frequencies' is vast, but never over-powering. From the meditative tuning fork that starts proceedings on 'Of Elsewhere', the dub echoes to the hints of minimalism, free jazz explosions to the Lynchian atmospherics, all elements serve nothing more than the album's narrative journey between friction and harmony, best appreciated in its entirety. A rhythmic backbone collides with rich ambience and melody, often infectious and jarring at the same time, forging a soulful whole which most likely only reveals its true self after multiple spins.

Nomad Frequencies

John Lemke - The Unwinding

from 'Nomad Frequencies' [CD|2xLP|DIGITAL]
Denovali Records · den237
available on all formats at [http://denovali.com/johnlemke]

An ardent moulder of sound, John Lemke began carving out a very unique music blend on his debut album 'People Do' (2013) and its follow up EP 'Walizka' (2014). Informed by his work as a sound designer & composer for documentary films and his natural inclination towards fusing rhythm with rich textures and emotive melodies, he set out on a musical path that had been long in the making and is ever evolving.

The quest for unusual, inspiring sound sources has always been at the heart of John's process, however the genesis of his second album 'Nomad Frequencies' was rooted in much more inadvertent circumstances. In the summer of 2014, forced to indefinitely evacuate his Glasgow flat and studio due to structural damage from one hour to the next, with nothing more than a laptop and a bag of clothes, John embarked on a six month odyssey of soul searching, couch surfing and spending an extended period of time in his old hometown of Berlin for the first time in years - it was to be an odyssey that would help ferment and distill the ideas of his second album on which work had just begun. 

A year of particular global turmoil and upheaval, combined with John's personal, albeit very minor, 'displacement', caused a lot of questioning, frustration and anger, which somehow found its way onto the new material: a more confrontational, at times aggressive sound, paired on the other hand with a yearning for harmony, balance and space. Other influences came less from the world of music, but rather in visual form, through the densely textural art of Anselm Kiefer and the political, yet poetic musings of film maker Adam Curtis.

Intent on refining his sound toward a more minimal, bolder style, John set out to limit his sonic palate to a handful of carefully chosen elements. At the centre of this new direction remains the muted piano already introduced on his debut, but in a much more purified and raw form. This organic base is adorned by the warm fuzzing and wavering of analogue synthesisers, tape echoes, meditative tuning forks, field recordings from John's 'exile' period and percussion based on his rigid approach to sampling, which started developing on 'Walizka'. The guiding principle of his orthodox style of recording and sampling is to only use home-made sounds by utilising his own field recordings, applying contact microphones or hydrophones to objects and instruments, running them through different kinds of speakers and re-recording the sounds to arrive at a 'lived in' quality, often misunderstood as plainly 'lo-fi'. Touches of viola and woodwinds parts (Kim Moore of WOLF and Andrew Baker respectively) provide melody fragments and subtle details throughout the journey.

With John's healthy disregard for genre boundaries, the array of influences on 'Nomad Frequencies' is vast, but never over-powering. From the meditative tuning fork that starts proceedings on 'Of Elsewhere', the dub echoes to the hints of minimalism, free jazz explosions to the Lynchian atmospherics, all elements serve nothing more than the album's narrative journey between friction and harmony, best appreciated in its entirety. A rhythmic backbone collides with rich ambience and melody, often infectious and jarring at the same time, forging a soulful whole which most likely only reveals its true self after multiple spins.

John Lemke - Vessel

ruzsbo - composer  / Ambient / Jazz / Experimental / Electronica /
- http://www.facebook.com/ruzsbo
- http://www.reverbnation.com/ruzsbo
- http://www.youtube.com/ruzsbo
- http://myspace.com/ruzsbo
- http://ruzsbo.com


ruzsbo - mood music [mix]

Contact Note

I bought Maschine 1.7 in October 2011 as a studio upgrade and haven't looked back. The reviews and testimonials aren't made up. This changes the way you make music! All tracks in this set are composed, produced, mixed, and mastered in Maschine. Enjoy...(more to come).

Brian for President - Ambient Jazz

Quentin Tarantino's DJANGO UNCHAINED official motion picture soundtrack - Ft. Rick Ross,John Legend,Anthony Hamilton & Elayna Boynton and more.

OFFICIAL SITE: Http://www.unchainedsoundtrack.com
Available on Amazon: http://www.smarturl.it/DjangoUnchainedAMZ
Twitter: @unchainedmovie
Facebook:http://www.facebook.com/unchainedmovie?fref=ts


Freedom (Anthony Hamilton & Elayna Boynton)

Талос - реактор 4 Preview

Taken from A Fatherless Child EP: Dedicated to Kenneth Knight

A fatherless child

Unknown Tone are pleased to share an early preview of the title track
for "Being Empty" by Maps and Diagrams (Tim Diagram). "Being Empty" is
Maps and Diagrams first full length album for Unknown Tone and will be
out in an edition of 100 limited edition CDs // Summer 2013 //
www.unknowntonerecords.com

Maps and Diagrams - Being Empty

Led by heavy wobbly basslines and pulsing synth pads, Atiq & EnK‘s debut album ‘Fear of the Unknown‘ exhibits a dark yet airy approach to beat-driven electronic music, injecting each song with an unmistakable groove and flow. Striking atmospheric breakdowns facilitate transitions among the infectious beat movements, while subtle glitches and echoing snares accentuate the overall flow of each song. Sometimes brooding, sometimes wondrous, ‘Fear of the Unknown‘ manages to hold the listener’s attention throughout with a steady and cohesive tapestry of expansive beatwork, contorted melodies, and enveloping atmospheres that all seem effortless and natural to these talented new Dutch sound designers. A remarkable and impressive debut, ‘Fear of the Unknown‘ burrows deep into the subconscious and ascends into an unknown inner universe. Are you afraid of the unknown, or will you embrace it?

2 Atiq & EnK - Moonlit Tea Party

Miloš spielt Suite española, Op.47, No.5 Asturias von Isaac Albéniz live beim Club of Classics in Berlin.

Miloš Karadaglić - Suite española, Op.47, No.5 Asturias (Live beim Club of Classics in Berlin)

Descending

'Walizka EP' - John Lemke

01 Walizka
02 Kompass
03 Drift

Written, performed, recorded & produced by John Lemke (2013)
Artwork by Lukasz Bernacki
Mastered by Nils Frahm at Durton Studio, Berlin

Denovali Records 2013

03 Drift

Intext - book - Concrete Poetry (shrine.jp)

Intext - book - Strange Onomatopoeia (shrine.jp)

Frank Bretschneider - Super.Trigger - Flicker.Funk (Raster-Noton)

Frank Bretschneider - Super.Trigger - Machine.Gun (Raster-Noton)

John Lemke - People Do - When We Could (Denovali)

K. Locke - The Abstract View - Personal Issues (Booty Tune)

FEAT STUART (THE DRUMMER ) ON GUITAR,WITH BADBOY AND KIRK

UNKNOWN TESTIMONY - JRF TRiO - AC.GUITAR,BASS ,PIANO INSTRUMENTAL=AMBIENT JAZZ,feat.Stu Johnson

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John Lemke - People Do - When We Could (Denovali)

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