Name: Ocoeur - Light as a feather - Resonance (n5MD) by pdis_inpartmaint in Cool Stuff
Duration: 6 min 13 s
Description: [p*dis] distribution sampler for June 2013

Cool Stuff

Jellyfish

Natal Zaks is the 22 year old hypertalented Danish wunderkind behind a multitude of monikers and projects that can each be easily classified as state-of-the-art music. Whether he’s composing and singing for the sweet-sounding techno twosome Averos or he’s busy developing the soft, immersive acoustics of his other dyad, Madelin, Natal is deeply preoccupied with sound design and the emotional impact his cutting-edge musical apparatus will have on any listener.

Yet his Aebeloe handle is the only one that truly does justice to his ample taste-range and personality. A modern prodigy in the very classical sense, Aebeloe transpires raw talent layered upon years of exploration, schooling and constant curiosity.

His “Manon” EP should become an instant classic, given the new, elaborate yet super-relatable techno/house meets celestial electronica sound it showcases. This second EP, released under Natal’s most intriguing and charming alias, Aebeloe, is here to put his name out and up there with all the biggest modern musicians, because that’s exactly where he belongs.

Tracklist:
A1. Manon
A2. Patience
B1. Forma
B2. Guide

Aebeloe - Patience

B-True - Nostalgia

KRAKE is an annual Berlin based festival for challenging electronic music. Krake means „octo- pus“ and the festival is organised in a comparable way: reaching out to selected locations during one week presenting the best in electronic music whatever style it is. The festival is not huge, not expensive, does not have big sponsoring deals or four different colour are passes. It’s just a good and so far successful try to bring back the focus on artists who dare to step off the beaten tracks. 
KRAKE 002 contains mostly exclusive tracks of artists who played at the Krake festival in 2013. The A-side starts with a dark ambient drone by DÄMMERN, followed by a pop-fueled two-step hit by PHON.O. Next in line is Irishman EOMAC with a warm and deep IDM track already char- ted by none less than Thom Yorke of Radiohead, followed by „Resolution“, a little melancholic stepper by BILL YOUNGMAN. 
The B-side is being opened with a techno track by grandmaster MONOLAKE in his most typical dubby percussive style. For the next track FRANK BRETSCHNEIDER reduces the sounds to the max again to deliver a percussive track as minimalistic as can be. Legendary techno producer CRISTIAN VOGEL, known for his constant search for new values, closes the compilation with an avantgarde piece of noise and drones. 
Outstanding, we‘d say!
credits
releases 05 May 2014

BUY: 
here: https://phon-o.bandcamp.com/track/tell-me


http://www.facebook.com/phon.official
http://www.phon-o.com
http://krake-festival.de/

PHON.O – Tell Me – Krake#002 (OUT MAY 5th 2014)

'Saravá Exu' [CD|LP|DIGITAL]
Denovali Records · den223
available on all formats at [http://denovali.com/ricardodonoso]

Ricardo Donoso is a composer, percussionist and electronic musician from Rio de Janeiro, Brazil who currently resides in Boston.  After having studied composition at Berklee College of Music and New England Conservatory he has participated in a slew of projects over the years, most notably playing drums for avant-death metal unit Ehnahre and being one half of the ever morphing electronic duo Perispirit. Ricardo's musical vocabulary draws as much from contemporary composition, drone, to techno and noise.

In contrast with the continual pursuit of achievement, that today's culture teaches us, the theme of Descent, found in many myths in the shape of the hero going underground to pass a period of solitude, is no longer represented. A cultural space existed in most traditional societies for such a period in a person's life and it was seen as necessary in order for the initiate to re-connect with their past and concomitantly with his collective unconscious, or humanity’s primordial existence. 

"Sarava Exu" was written throughout such a period - one of deliberate isolation and expressed and channeled through the sacred esoteric rituals of the Brazilian cult of Quimbanda. The musical suite moves through the Seven Lines & Kingdoms of Quimbanda incorporating traditional Candomblé rhythms, Brazilian percussion, noise as well as classical string instruments, all elements from Donoso's past, re-examined & re-interpreted. "Sarava Exu" is a symphonic poem of a Quimbanda ritual and the musical accompaniment of Descent into one's own personal hell.

Certainly Donoso's most ambitious and challenging undertaking to date, but those who spend the time with it and uncover the layers underneath will be rewarded. The lines are now blurred between the compositional strategies of Donoso's solo work, the Scuba Death project and the techniques used when writing for groups like Perispirit & Ehnahre. Musically, the album takes its inspiration from movie trailer music; music that usually develops so fully and extremely in two minutes or less and has as its sole focus to trigger an emotional response with the viewer. Although each of the seven pieces are inextricably linked, one also gets the sense of a ongoing push & pull, with no resolution. A constant drive of trying to get somewhere, but never really arriving - dynamic crescendos come and go, developing and falling apart again and bringing us back to where we started, the music, constantly evolving and yet going nowhere simultaneously, creating a true sense of timelessness. 

If "Assimilating The Shadow" was the theory, "Sarava Exu" is the practice - a postscript addendum thats not an aimless or destructive fall into the abyss, but a meaningful restoration. "The way towards wisdom suggested by Exu is one of hellfire and brimstone, one of ruthless honesty and bravery, where the most vicious of all enemies is your self"

Sarava_ Exu

Ricardo Donoso - Vesperum

Here's a new alias of mine. The track is included on the Music For Machines compilation by John Beltran on Delsin Records. And will be forthcoming on my 2016 album for A Strangely Isolated Place Records.

http://www.astrangelyisolatedplace.com/artists/

http://www.delsinrecords.com/release/4598/john-beltran-presents/music-for-machines

http://www.beatport.com/release/john-beltran-presents-music-for-machines/1407802

https://www.facebook.com/merrinkarrasmusic

Buy on Delsin Webshop

Merrin Karras - The Veldt

It's not often that a music producer has such a convincing approach and perspective on sound. Inofaith searches carefully for his own sound, and takes on the experiment with his debut 12'' ‘Dawn Is Late’ released on the Dutch Shipwrec label. 

This EP features the tracks ‘Dawn Is Late’: a very orchestral, deep piece with a very welcome 2-Step kind of beat. It follows up with ‘Girls Go To Bed Early’: which illuminates a more synthetic depth of the release. The subtle resonance on the synths brings the track alive. The other side of the record starts with the enchanting, yet uplifting ‘Twelve Hours’. You realise you are getting caught in the music when the feminine voice kicks in and lets you drift in circular patterns. The final track is called ‘Nocturne’: calm as the title may seem, it's the most energetic and glowing track of the EP. Inspired by the atmosphere of dusk on a spring evening, it closes the EP with some cinematic movements.  

Inofaith - Dawn is Late EP (Teaser Ship08)

experimental3

GG Promises Volumes 1 - 15 Released 9-1-2025 Director & Conductor & Principal Benjamin Hill Producer, Benjamin Hill, coproducer IBen Morton Mastering Benjamin Hill, Mixing, Benjamin Hill, Recording Engineer Benjamin Hill, assistant engineer IBen Morton All songs written by Benjamin Hill and IBen Morton Composers IBen Morton and Benjamin Hill Benjamin and Benjamin, Programming, Percussion, Keyboards, Synthesizers, Bells, various Vocals, IBen Morton and Benjamin Hill Label, IBen Morton Music, IBen Morton and Company, IBen Morton Company Music, IMCM

Golden Lighting Youth

ARBOU-Echo Park Nights [DARK NATURE CONCEPT]

Progression 2

from 'Oneirogen - Convivium'
Denovali Records · den261
available on all formats at [http://denovali.com/oneirogen]

"Convivium" is Mario Diaz de Leon's third album under his ONEIROGEN alias, and follows the "Plenitude" EP, released in 2015. It was developed over a period of two and a half years, primarily through live performance in the metal and noise underground of NYC. Like its predecessor, the album's core instrumentation is an array of hypnotic synthesizer riffs, pummeling percussion, distorted vocals, and surging noise. With "Convivum", Diaz de Leon has crafted a powerful and singular work of heavy electronic music.

A charged sense of anticipation permeates the music, sustaining tension and mystery through spans of repetition and moments of rupture. The songs build towards hedonistic climaxes, which yield to sparse, expansive passages in which every sonic detail is vividly heard. Inspired in part by Bataille's "Erotism", which connects the "rupture of boundaries" common to sex, mystical ecstasy and ritual sacrifice, as well as the work of psychologist Stanislov Grof on the impacts of birth trauma on the human psyche, "Convivium" is an incantatory journey through primal and dark creative forces.

The artistic output of Mario Diaz de Leon spans a wide range. In addition to his work as Oneirogen, he is highly active as a composer of modern classical music (with a 2016 commission from the LA Philharmonic and releases on Tzadik and Denovali), and is the frontman of Luminous Vault, his recently formed death metal band. Envisioning all of his activity as part of a spiritual practice, he considers Oneirogen to be the most personal side of his work.

"It's just me producing everything, and of course I perform it alone as well." he explains. "Each album is a kind of personal trial or rite of passage. As someone who also works in the classical tradition, I think of them as my symphonies. Its a project where i'm open to all my influences, and i'm entering into mystery and the unknown, battling to carve essences out of formlessness." 

Convivium

Oneirogen - Rupture

Object Is A Navigator

Object is a Navigator

Fedbymachines - Pressure

[p*dis] distribution sampler for June 2013

Ocoeur - Light as a feather - Resonance (n5MD)

Independent label and distributor in Tokyo, Japan specializing in indie / underground music from Indie Rock / Electronica / Alternative, Ambient / Drone / Experimental,   Jazz / Crossover / Avant-grade, Techno / House / Disco, Beat / Downtempo / Dubstep.

We are here to seek new talent and inspire your music life. You can put your music in our dropBox or make contact with us via soundcloud. Any music and style is welcome and appreciated.

All music on this account is fully authorized by labels and artists. However, if you find contents infringing your copyright and the information is incorrect, please give us a notice. We'll act on your requests immediately. 



Ocoeur - Light as a feather - Resonance (n5MD)

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