[p*dis] distribution sampler for February 2012.

p*dis sampler 2012.02

Electronica / Dj Electronica / Downtempo

Experimental 1

Experimental 2

Cabaret Voltaire - Nag Nag Nag (Tiga Remix)

Boards Of Canada - ROYGBIV (covered by Lone)

Out now on my Bandcamp. Pay what you want. Any money generated by the track will go directly to Mind mental health charity. Buy here: https://bit.ly/3mwuFWS

I’d just got a new synth and thought I’d test it out by trying to recreate that wonderful baseline. It quickly got out of hand and by the end of the night I’d covered the entire thing.

Amazingly We’ve had the track officially OK’d by the band themselves which is lovely. I hope I did it some justice. 

Thank you to everyone who has supported my music in 2021. Wishing you all love and inner peace X

Artwork by Oliver Furze

Boards Of Canada - ROYGBIV (covered by Lone)

I DO NOT OWN THE RIGHTS TO THIS SONG!! New York avant-garde folk

Arthur Russell - Answers Me

The Archives

Big Business/I Zimbra

Houses In Motion

Der Plan Berlin, 05.11.1980
Quality: good (8/10)
Linage: Tape from trade-wavelab-flac


1 Intro
2 Am Tag als der Reagan kam
3 Wenn der Sonne ist verblueht
4 Ich bin ein Komputer
5 Hans und Gabi
6 Renate
7 Sie hat mich verlassen
8 Leb doch
9 Zurueck in die Atmosphaere
10 Da vorne steht ne Ampel
11 Meine Freunde
12 Die Welt ist schlecht (fade out)

No official material included!

 

Der Plan - Da vorne steht ne Ampel (Live in Berlin 1980)

NY post-punk beats meet Hackney cold industrial.

Throbbing Gristle United VS ESG Moody (Contextualisation Avant-Avant)

Shadazz / Radiation

Radiation (Live 80)

intext - fount  - De Aetna (shrine.jp)

intext - fount  - Roundhand (shrine.jp)

Olafur Arnalds - Another Happy Day - Autumn Day (erased tapes)

Olafur Arnalds - Another Happy Day - The Land Of Nod (erased tapes)

Greg Haines - Digressions - 183 Times (preservatin)

Pyrolator - Inland - It Always Rains In Wuppertal - It Always Rains In Wuppertal (Bureau B)

If you read the name DAF you probably expect forceful synth bass sounds, snappy rhythms, Gabi Delgado and leather – but that was all conspicuously absent when Deutsch-Amerikanische Freundschaft released their debut album in 1979. Later to find global fame as a duo, DAF's 1979 line-up of Robert Görl, Wolfgang Spelmans, Kurt Dahlke (Pyrolator) and Michael Kemner created what was quite possibly the world's first noise-rock album. Radical, brutish, instrumental. Out May 11, 2012

Bild 1

When the band Einstürzende Neubauten was being founded in 1980 there were hardly any others that could have been compared to them.

Instead of playing conventional instruments, the band – out of shortage of money – used tools and other objects of daily use to create atonal industrial collages predicting a near downfall (“Kollaps”). 

They started with a destructive and nihilistic basic attitude that corresponded to the zeitgeist of post-punk in the early 80’s; however, the realization could not be any more radical than this: percussionist F.M. Einheit maltreating the stage with a power drill, mastermind and singer Blixa Bargeld playing the guitar with an electric shaver. If there existed any parallels, then to “musique concrete” at best.

But very soon, nearly unnoticed by their steadily growing community of fans, the picture refined: at an early stage, Blixa Bargeld rejected already comparisons to the British oil barrel beating epigones of Test Department or SPK and during an interview I had with him in 1985, he wondered why the parallels to a group like Ton Steine Scherben could be neglected carelessly.

Indeed, the Neubauten managed to escape pure industrial clichés very fast by their individuality, sophistication and above all, their lyrical substance. Even without blaring metal, on albums like Die Zeichnungen des Patienten O.T. and 5 auf der nach oben offenen Richterskala the Neubauten were able to produce gloomy, filgrane and spheric soundscapes (“Armenia”, “Kein Bestandteil sein”).

Blixa Bargeld’s fascination for the ancient German language became unmistakeably clear in their 1989 album Haus der Lüge which is the nucleus of this Rockpalast concert – to be experienced amongst others in the tune “Ein Stuhl in der Hölle”, lyrics that Bargeld had found in a book with old kitchen songs.

The band Einstürzende Neubauten consciously applies language in a different way than other bands at that time. The German language was being expanded by going back to its origins. In 1989 Blixa Bargeld put it like this: “I love the German language but sometimes it is too narrow for me. Sometimes it is necessary to bend words in a new way, and sometimes it is necessary to go back to words that are not so much burdened with other meaning. You cannot work with a word like ‘love’; that is the best example. It is a doormat, full of thousands of associations and those even vary from one person to the next.”

Thus, little by little they created their own cosmos that finds its perfect expression in metaphorical songs like “Haus der Lüge” or “Feurio”. Nevertheless, these pieces are only one part of a process neither do they carry a message nor are they arbitrary. Blixa Bargeld: “To me, creativity means to lose control. When I am losing control something comes out. For example, I have not written ‘Das letzte Biest am Himmel’. It evolved I do not decode my lyrics, not for me, not for the audience. When I decode them and disenchant, I will rob the lyrics of any charm.”

The Rockpalast concert at the Philipshalle in Düsseldorf combines in a unique and compact way all the songs that were relevant and had shaped the band’s style (according to the criteria formulated by Bargeld) to this date. The interaction of the line-up which at that time featured Blixa Bargeld, Alexander Hacke, N.U. Unruh, F.M. Einheit and Mark Chung has hardly been captured as perfect and so to the point as in this film document.

Ecki Stieg, September 2012

Zeichnungen Des Patienten O.T.

Electronic Block Rocking Beats Pulsating Rythmic

Cabaret Voltaire - Silent Command (NLR RE-EDIT)

snakefinger cover
snakey beef?
long live 90s industrial

Bring Back Reality (feat. Lil Beefy Boy, Dr. Hitting)

品番：MBIP-5514
アーティスト：Palais Schaumburg (パレ・シャンブルク)
タイトル：Palais Schaumburg (パレ・シャンブルク)
発売日：10月 14日（日) 
フォーマット：国内流通盤 2CD
定価：2100円（税込）
レーベル：melting bot / Bureau B
ジャンル : Post Punk / Techno 
バーコード： 4532813645148

＜国内流通盤限定特典＞
■ 解説 / ライナーノーツ 
■ ボーナス特典・ダウンロード・コード

【Track List】

CD1 (Remaster)

01. Wir bauen eine neue Stadt 
02. Die Freude 
03. Gute Luft 
04. Ahoi, nicht traurig sein 
05. Grünes Winkelkanu 
06. Morgen wird der Wald gefegt 
07. Deutschland kommt gebräunt zurück 
08. Hat Leben noch Sinn? 
09. Eine Geschichte 
10. Madonna 

CD2 (Singles & Live in Holland)

01. Rote Lichter (Zick Zack ZZ 23, 1980)
02. Glücklich wie nie (Zick Zack ZZ 23, 1980)
03. Kinder, der Tod (Version) (Zick Zack ZZ 145, 1982)
04. Telefon (Zick Zack ZZ 33, 1981)
05. Kinder, der Tod (Zick Zack ZZ 33, 1981)
06. Aschenbecher (Zick Zack ZZ 145, 1982)
07. Gute Luft (live 24.1.1982) 
08. Hat Leben noch Sinn (live 24.1.1982) 
09. Herzmuskel  (live 24.1.1982) 
10. Morgen wird der Wald gefegt  (live 24.1.1982) 
11. Ahoi, nicht traurig sein  (live 24.1.1982)
12. Rote Lichter  (live 24.1.1982) 


歌うテクノ、踊るパンク、 ポップでアヴァン、 80年代初頭のカオスから生まれた最狂のインディ・アクト“ノイエ・ドイチェ・ヴェレ”の最重要バンド、Palais Schaumburgのデビュー作、歴史的名盤が2枚組で再発！！

テクノはもちろん、ニューウェイヴ・リヴァイバルから端を発したディスコ・パンク、チルウェイヴ、インディ・ダンスなど様々な文脈が入り組み“ポスト"化するテン年代のインディ・シーンのルーツとも言える“ポスト”パンクの名盤中の名盤！今だから感じたいオルタナティヴな不滅のパンク・スピリット！！

再結成特集 @ Yes Magazine
http://yesmagazines.net/?p=2247

ニューウェイヴ〜ポストパンク〜アンビエント〜テクノまでシーンをまたぎ
後世に絶大なる影響を与えるパンク・バンド Palais Schaumburg。先日ベルリン、
ケルン、そして東京で行われた、Holger Hiller, Thomas Fehlmann (現ORB, Sun Electric),  Timo Blunck、Ralf Hertwigのオリジナル・メンバー (後にHolger Hillerが脱退、Moritz Von OzwaldとWalther Thielschが加入) による再結成ライブは、古くからのファンだけでなく、〈DFA〉周辺のディスコ・パンク、チルウェイヴ、シンセ・ポップ、インディ・ダンスなどニューウェイヴのリバイバルから端を発し、ロックの枠を越えディケイドならではの“ポスト”の時代へと突入した現行インディとも共鳴し、若い世代からも大きな支持を得るなど、今尚そのオルタナティヴなパンク・スピリットは脈々と受け継がれていることを証明。そのオリジナル・メンバーによる、The Flying Lizardsの奇才 David Cunninghamを共同プロデューサーに迎えた81年作のデビュー・アルバム『Palais Schaumburg』がシングル曲と未発表となるオランダでのライブ音源が収録されたボーナス・ディスクを付け、近年ジャーマン音響の再発レーベルとして名高い〈Bureau B〉より２枚組で再発。 脱臼するしまりのないファンク・ビート、残響音の少ない乾いたダビーなサウンド・メイク、気の抜けたパンクなボーカル、 調子っぱずれのトランペット、ふざけた電子音、壊れたサンプリング・ループ、それまでの言葉のイメージに反するようなキワキワのセンスから織りなされるバンド・アンサンブル、史上最もインテリジェンスなパンク・バンドと言える、インディ〜クラブ〜音響ファンまで一家に一枚レベルの大名盤です！

Palais Schaumburg:
http://palaisschaumburg.com

______________________________________________

Promoted by melting bot
http://www.meltingbot.net

Manufactured & Distributed by Inpartmaint inc.
http://www.inpartmaint.com

Palais Schaumburg - Morgen wird der Wald gefegt *promo

Dark Entires Records is honored to re-issue the debut EP by FALL OF SAIGON. The band was born in 1981 when Florence Berthon (Vocals), Pascal Comelade (Organ, Synthesizer) and Thierry Den (Guitar, Vocals) met at a concert in Montpellier, France. They chose to the name the project FALL OF SAIGON after a song by UK post-punk act This Heat. They self-released their debut EP in 1983 citing Nico & The Velvet Underground, Suicide and James Joyce as influences.
At the time the band formed, Pascal Comelade was an accomplished musician with instrumental sketches composed for the trio. The 6 songs on the EP were recorded in two stages. "She Leaves Me All Alone" and "On The Beach At Fontana" were sung by Thierry and recorded at Pascal's home on a Revox 2-track in one shot. The four songs sung by Florence - "Visions", "Blue Eyes", "So Long" and "The Swimmer" - were recorded and mixed at the Montpellier Languedoc Video Animation Center by Jean Alain Sidi on two ReVox A77 reel to reels and a small mixer. On "Visions," "Blue Eyes" and "So Long," the group employed a drum machine that could only play four or five rhythms with a single slider to increase or decrease the tempo. The songs were minimal: verse, chorus, no bridge, no intro. Built on a simple spine, the songs create a feeling of space with just a voice and an organ or synthesizer melody. Full of class and inventiveness, FALL OF SAIGON are often compared to Young Marble Giants due to the fragile, ephemeral quality of the songs. 
All songs have been remastered for vinyl by George Horn at Fantasy Studios in Berkeley. The vinyl comes housed in a full color jacket using the original artwork from the EP and includes an insert with lyrics and photos. Through two years of existence, FALL OF SAIGON only released one EP and 30 years later their subtle sound is an essential guidepost in post-punk history.

She Leaves Me All Alone

Sounds of my (seated) DJ session in the dark. FREE tickets for the next session Pitchblack Mixtapes #4: Deep Relaxation at Number 10, London on 30.01.20 available now at bit.ly/pbpbtkts

Recorded at Pitchblack Mixtapes @ Number 10, London - 16/01/20

All of session 1 + some of session 2 stuck together.

Tracklist:
My Funny Valentine - Big Muff	
We Are The Music Makers - Aphex Twin			
Underground Root (Jamaican Mix)	- Lee Perry feat. Full Experience	
She's Lost Control - Joy Division	
Traffic	- Thom Yorke	
Tversogn - Sigur Ros			
M Train To Brooklyn - Loco Dice
What You Need - The Weeknd			
thousand eyes	- FKA Twigs	
Poetic Justice (Explicit Version) - Kendrick Lamar	
Limit To Your Love - James Blake		
Angel - Massive Attack	
Round The World Girls (Tes La Rok Mix)	- Uncle Sam	
Monday Massacre	- Mr. Oizo			
mary magdalene - FKA Twigs	
Mine (feat. Drake) - Beyonce				
Belfast - Orbital

Next session -FREE TKT

Pitchblack Mixtapes #3: Bass Meditation (Aphex Twin, Thom Yorke, Orbital, Sigur Ros, Kendrick)

Independent label and distributor in Tokyo, Japan specializing in indie / underground music from Indie Rock / Electronica / Alternative, Ambient / Drone / Experimental,   Jazz / Crossover / Avant-grade, Techno / House / Disco, Beat / Downtempo / Dubstep.

We are here to seek new talent and inspire your music life. You can put your music in our dropBox or make contact with us via soundcloud. Any music and style is welcome and appreciated.

All music on this account is fully authorized by labels and artists. However, if you find contents infringing your copyright and the information is incorrect, please give us a notice. We'll act on your requests immediately. 



Pyrolator - Inland - It Always Rains In Wuppertal - It Always Rains In Wuppertal (Bureau B)

pdis_inpartmaint