p*dis sampler 2019.09

FILANDANK

Wilderness Medicine

Empty Promises

With The Tides

Forthcoming 2019 album Gas Station Roses by Sis
Out 9/6/2019 on Native Cat Recordings
http://www.sisisaband.com
http://www.facebook.com/bandcalledsis
http://www.instagram.com/bandcalledsis
http://www.nativecatrecordings.com

Spotify: https://open.spotify.com/artist/64PJgAvLSx4nM57pFiCKx2?si=iqD5EHbNTUqWBu67phc6Yw

Night From Scratch by Sis

On Your Own is the second single taken from Boat to Row's forthcoming album 'Rivers That Flow in Circles'. Arriving as a breath of fresh air at the start of spring, 'On Your Own' takes the listener to sunnier climbs, invoking the laid back vibes of Laurel Canyon in its prime.

The song is an indication of the ambition the band have shown with their new album, following previous single 'Spanish Moss' in propelling the band's song writing and arrangement into new unexplored territories. Breezy guitars are underpinned by a meandering bass line, with the song winding its way through a crescendo of vocal harmonies and drawing to a close with a flurry of brass.

On Your Own features contributions from Birmingham's rising folk star Katherine Priddy on backing vocals, and local brass talent Alexander Polack and Claire Dawes, and arrives in advance of Boat To Row's second album 'Rivers That Flow In Circles' which is set for release on 24th May 2019.

'Rivers That Flow in Circles' follows the release of their 2015 debut album ‘I Found You Here’. Since then Boat to Row have garnered support from BBC 6 Music, Radio 2 and many local stations, as well as receiving glowing reviews from websites as diverse as DIY, The 405, Counteract, Folk Radio UK and Gold Flake Paint. They have toured extensively appearing with acts including Slow Club, Johnny Flynn, Willy Mason, Ryley Walker, Kate Rusby, Tom Williams, Sweet Baboo and graced stages at many of the country’s favourite festivals including Glastonbury, Cambridge Folk, Green Man, Truck, Wood, Moseley Folk, Y Not and No Direction Home.
 
"It's great to hear they're back in style" -
Tom Robinson, BBC 6 Music

"I love this band...glorious stuff" -
Janice Long, BBC Wales

On Your Own

From the album Heart Hunger
Out June 14 2019 on Native Cat Recordings

http://www.meernaa.com
http://www.nativecatrecordings.com

Ready to Break by Meernaa

from the album 'equivalents' available aug16

equivalents

loscil 'equivalent 7'

Giant Sand release 'Recounting The Ballads Of The Thin Line Men' 
Out Sept 20th 2019

Pre-order link: https://fire-records.lnk.to/GiantSandRecounting

Giant Sand EU 2019 live dates
09 Nov: Muziekgebouw, Eindhoven, Netherlands  
10 Nov: Burgerweeshuis, Deventer, Netherlands
11 Nov: Zonnehuis, Amsterdam, Netherlands
13 Nov: Nosta, Opwijk, Belgium
14 Nov: Kafe Antzokia, Bilbao, Spain
15 Nov: Cafe Berlin, Madrid, Spain
16 Nov: Loco Club, Valencia, Spain
17 Nov: La Nau, Barcelona, Spain
21 Nov: Under The Bridge, Fulham, London UK

It’s 33 and a third years since the seminal Giant Sand and its country cousin The Band Of… Blacky Ranchette entered the studio to lay down their second albums. Yes. Both bands had recorded their second albums each. Two sides of the multi-faceted hyper-productive Howe Gelb.

“I was turning 28,” he recalls, “and had been wanting to make and release albums since my early 20s, but only recently had figured out how. It was time to make up for lost time.”

Time was of the essence.

That thin line between then and now has seen journeymen Giant Sand release 27-ish albums, their latest, ‘Recounting The Ballad Of The Thin Line Men’ turning the clock back to 1986’s ‘Ballad Of A Thin Line Man’, picking over the bones and making a whole new soup. 

All these years on, the latest incarnation of Giant Sand: Howe Gelb (guitars, piano) Tommy Larkins (drums) and Thøger Lund (bass), have dusted off the old vinyl and re-imagined those heady days – they’ve polished these buried gems, reignited some truculent tirades and rekindled an ageless angst.

The revamp re-orders the tracks, drops a couple and adds ‘Reptillian’, a previously lost song hailing from their album’s 25th anniversary re-issue, a tune that opens proceedings and basks in all its crinkly glory. There’s also two takes of ‘Tantamount’.

The unique thing about Giant Sand’ is they make it all their own, they sound like no-one else. The songs remain the same, but somehow completely different.

Howe: “We were a fine storm.The greatest storm in terms of tumultuous velocity and pelting bluster. 
It proved unstoppable... 
for a minute”.

RECOUNTING THE BALLADS ( of thin line men) 

Giant Sand - A Hard Man To Get To Know (Recounting The Ballads Of Thin Line Men)

PYUR - Oratorio for the Underworld LP [SUB032]
Release date: October 10th, 2019

@pyur

Oratorio For The Underworld 

PYUR - Flowers And Silvers

Killer Classics

Confusion Then Death

All The Way In

REMO SEELAND - Hollow Body, LP

A1) Body Innovation (04:20)
A2) Hollow City (07:24) 
A3) Second Coming (04:29)
B1) Pulse Points Green (05:33)
B2) Whoosh Before Laya (08:19)
B3) Night Within (05:04)

Release date - Sept 13th 2019 
Catalogue nr. - HG1903
Format - Vinyl/digital

All music composed and played by Remo Seeland
Recorded in New York, Reykjavik and Zurich

Guests:
Steve Fors, trombone on “Second Coming”
Reinier van Houdt, e-bowed guitar on “Hollow City” and Rhodes organ on “Pulse Points Green”
Norman Westberg, guitars on “Body Innovation” and “Hollow City”

Digital mastering by Jeremy Cox
Vinyl mastering by Rob Viso
Mix and production by Roger Hofmann and Remo Seeland
Inlay Photo by Ralph Kuehne
Artwork and photo by Ruth Stofer

Promotion by Dense Promotion, ed@dense.de 
Distribution by Cargo Records and A-Musik
Released by Hallow Ground

///

Remo Seeland’s “Hollow Body” is a suspenseful exploration of the interaction between sound environments and individual perception. It was sparked by an intense physical experience the Swiss artist had during a residency in New York City. “The subway became a sort of ‘atonal symphony’ for me, provoking a full-body experience with the rattling of the overcrowded, airless trains,” the Hallow Ground founder explains. “However, while the old subway is not exactly beloved by everyone, it also represented for me the melancholic meta-level of the moloch above it.” The album, his first under his given name, makes this disparity audible over six tracks in which the visceral and the personal become at once abstract and universal. 

Based on field recordings from both urban and rural environments, “Hollow Body” aims to mirror another of Seeland’s psychosonic encounters. “In the highlands of Iceland, I noticed my pulse lowering and my breathing decelerating,” he says. “Just shortly after that, a single insect’s buzzing seemed so loud to me that I became even more aware of the silence surrounding me.” Silence, perception, order and the curious dialectics of the outside world and the inner workings of the human psyche are the central questions of “Hollow Body”.

Recorded in New York, Reykjavík and Zurich, “Hollow Body” draws extensively on field recordings and sees Seeland collaborating with Hallow Ground-affiliated artists Norman Westberg (Swans, guitar on “Body Innovation” and “Hollow City”) and Reinier van Houdt (Current 93, e-bowed guitar on “Hollow City” and Rhodes organ on “Pulse Points Green”), as well as the Swiss-based US-American musician Steve Fors (Deaf At Sea, trombone on “Second Coming”). The diversity of the source material is mirrored in the stylistic richness Seeland lays out with this LP. From the lush, bass-heavy drones of the opener “Body Innovation” to the downbeat-driven “Second Coming” and, finally, the haunting organ sounds of “Night Within”, “Hollow Body” forms a holistic entity that integrates idiosyncratic compositions into a coherent narrative.

“Hollow Body” was also conceptually inspired by Seeland’s research as a cultural scientist with a focus on Southeast Asian cultures, specifically the anomic tantric cults of India. It thus serves as a mediator between not only the individual experience of site-specific sounds and general ideas of sound production in and about space, but also between different compositional techniques ranging from drones to synthesized vocals and more primitive forms of ritualistic music. Its sonic abundancy is to be understood as a direct result of its underlying idea: at its most challenging, this record also makes the most coherent statements about the order of space, sound and their cryptic relationship with the human body.

Hollow Body

REMO SEELAND - Hollow City (feat. Reinier van Houdt and Norman Westberg) - HG1903

"Skin Game" is the first single from DIIV's forthcoming album, 'Deceiver', out October 4th, 2019.

Deceiver

DIIV // Skin Game

03. FBT 03

Premiering on @selftitledmag

http://www.self-titledmag.com/2019/07/22/petra-aunis-album-injazero-records/


Pétra is a new collaborative music project from Brian Allen Simon (aka Anenon) and Chantal Chadwick.

The duo’s debut album ‘Aunis’, released 20th September via Injazero Records, incorporates electronic and acoustic instrumentation which draws the listener into dream-like soundscapes and blends ambient sounds, modern composition, and abstract vibrations.

Primarily written, performed, produced, and recorded on the volcanic island of Nisyros, Greece in late 2018, Pétra means ‘stone, rock’, and the name of the project was inspired by a chance encounter with the photography of Daniel Boudinet as well as the geological formations of Nisyros. With additional work on the album completed in Loire, France and Mexico City, Mexico, the music is a site-specific reaction to all locales and was arranged in a free-form variety of methods with an improvisational energy being the driving force.

Compositions such as the reverberating ‘Aunis’ rely on ethereal sounds and deep repetition while the fluid ‘Landes’ is a weightless moment of sonic beauty and emotional depth.

Elsewhere, the reactionary ‘Fuzz’ and the meditative, hazy sound explorations of ‘Obsidian’ are hauntingly beautiful, while ‘Tavel’ is reminiscent of the melodic repetition of minimalist pioneers like Steve Reich. 

Los Angeles native Brian Allen Simon, aka Anenon, is a multi-instrumentalist and producer who has received critical acclaim for his work from the likes of Pitchfork, The Wire, The Guardian, and more. 

Since his 2012 debut ‘Inner Hue’, Simon has continually and consistently proven his status as an innovator by co-curating an ambient music series at The Museum of Contemporary art in Los Angeles, and releasing critically acclaimed records such as 2016’s ‘Petrol’ and 2018’s ‘Tongue’. An officially sanctioned remix for Ryuichi Sakamoto in 2018 has only cemented this status further.

Chantal Chadwick is a musician, dancer, and founder of Assortment, an agency that supports artists working in photography, motion, and sound with an independent publishing branch for fine art books. 

Prior to founding Assortment, she was co-owner of a small gallery in New York City focusing on emerging contemporary artists. She has been quietly making music under the name Bed for close to a decade, but Pétra will be her first release. She is currently working between Mexico City and Los Angeles.

Mastered by Rafael Anton Irisarri at Black Knoll Studio.
Cover by Em Kei at Oddd Studio.

Pétra - Aunis

Erased Tapes present 'Handfuls of Night' — the highly anticipated follow-up to Penguin Cafe’s much applauded 2017 album 'The Imperfect Sea' — inspired by the Antarctic, Arthur Jeffes’ journey following in Scott’s footsteps and our penguin friends that reside there.

Using gut-stringed violins, viola, cello, bass, percussion, upright and grand pianos, synthesiser, harmonium and more, Arthur Jeffes and his cohorts have crafted a vivid series of panoramic sonic landscapes, that are as rich in cerebral poignancy as they are in emotional depth.

Handfuls of Night began life after Greenpeace commissioned Jeffes to write four pieces of music corresponding to four breeds of penguins, to help raise awareness for the endangered Antarctic seas . A fundraising evening at EartH in Hackney followed, where Penguin Cafe premiered the four songs named after their feathered counterparts to a sold out audience; the rousing contemporary folk inflected ‘Chinstrap’, the mournful and minimalistic ‘Adelie’, stoic and rhythmic ‘The Life of an Emperor’ and the wistful, string-laden ‘Gentoo Origin’.

“This record started with a core of pieces I wrote specifically about penguins in the Antarctic for a project with Greenpeace in autumn 2018. There are four native Antarctic penguin species – each with their own individual characteristics and natures. I carried on from there to envisage a whole anthropomorphised world, where these penguins had narratives and adventures that we soundtracked”, says Jeffes. But both the album and Penguin Cafe as a project have origins that reach further back:

“In 2005 I was asked to join an expedition re-creating Scott’s last Antarctic trip in 1911 for the BBC, using the same Edwardian equipment. I’m no explorer but I was keen, especially as there’s a family link – Scott was married to my great grandmother before she married my great grandfather. 

Antarctica by this stage being a protected environment, we swapped to the Arctic circle where we spent 3 months on the Greenland ice sheet, first dog-sledding and then man-hauling just short of 1000 km at 10,000 feet, across ice fields and glaciers. 

I had lots of time to ponder my life back home. It was then that I decided to get my Master of Music degree and focus on composing music, and also then that I realised that even in the most remote silent places, music can still be a huge part of one’s internal world and imagination.  Whilst on the expedition. I spent days playing things back in my head and also writing new things, which I would then try and write down at the end of the day.”

Handfuls of Night’s tones, textures and melodies evoke otherworldly expanses, which at different junctures are either foreboding, awe inspiring or peaceful. There’s subtly morphing rhythmic repetition throughout, somewhere between minimalism, krautrock and the piano-cascades of label peer Lubomyr Melnyk. Jeffes creates a kinetic, circling motion, which drives the album forward in the form of a musical trip that mirrors the physical journey it was inspired by.

Penguin Cafe was founded by Arthur Jeffes in 2009, after bringing together a talented and disparate group of musicians including members of Suede and Gorillaz, to perform his father Simon Jeffes’ legacy of world-renowned Penguin Cafe Orchestra music, ten years after his untimely death in 1997. A full biography is available here.
Handfuls of Night is out this autumn amid a string of UK live dates, before taking the album on a worldwide tour in 2020 with more dates to be announced.

· pre-order 'Handfuls of Sound' on LP/CD/DL: https://idol.lnk.to/HandfulsofNight

Handfuls of Night

At the Top of the Hill, They Stood...

Buy LP/CD/DL

Penguin Cafe - At the Top of the Hill, They Stood...

Hater announce 'Four Tries Down/It's A Mess' 7" out 6th September
+ first US tour begins Sept 2019

Pre-order link:
https://fire-records.lnk.to/fourtriesdown

"“Four Tries Down” finds the band as dreamily bittersweet as ever" Gorilla Vs Bear
 
US tour dates
07 Sep: The Wayfarer, Costa Mesa, CA, US
08 Sep: The Echo, Los Angeles, CA, US
09 Sep: Rickshaw Stop, San Francisco, CA, US
11 Sep: Holocene, Portland, OR, US
12 Sep: Sunset Tavern, Seattle, WA, US
13 Sep: The Bartlett, Spokane, WA, US
14 Sep: Neurolux, Boise, ID, US
18 Sep: Kung Fu Necktie, Philadelphia, PA US
19 Sep: Berlin, New York, NY, US
20 Sep: Alphaville, Brooklyn, NY, US

Malmo’s much-praised quartet of Caroline Landahl, Måns Leonartsson, Adam Agace and Lukas Thomasson release two glorious new tracks hot on the heels of ‘Siesta’, their excellent second album of last year on Fire Records.
 
“Swoony Swedish indie-pop.” Record Collector
 
“Too noisy to be indie pop, too sweet to be post punk.” Clash
 
‘Four Tries Down’ and ‘It’s A Mess’ further hone the band’s dream pop adding extra allure through the musical interplay that coagulates behind Caroline Landahl’s ethereal vocal.
 
“Perpetually swaying between comforting and devastating” Gorilla Vs Bear reckoned of their debut album, ‘You Tried’ from 2016, and last year’s ‘Siesta’ was celebrated for being “nostalgic for ‘90s indie pop innocence” by MOJO.
 
As their reputation gathers global attention, Hater have continued to blossom making a compelling slice of angular pop music that’s dysfunctional, dreamy, tempting and teasing.
 
‘Four Tries Down’ presents an acute hand-tooled angular rasp, with its chiming guitar chopped out against a disengaged rhythm, topped with the dreamy ambience of Caroline Landahl’s whispered confessional that cuts through the mesmerising hum.
 
Set for release this Autumn the new 7" coincides with Hater’s first US tour.

Hater - Four Tries Down

Taken from album 'Heaven' released as LP and Digital

Heaven

Dino Spiluttini 'Touch Isolation' (EMEGO 266)

HTRK [HATE-ROCK-TRIO]

HTRK became in 2003. Early music spawned from basement sessions: omnipresent electronic drum sequences, ostinati basslines and twisted guitar loops based on repeated rhythms that make you move. Nigel Yang and Siam Scream found a beautiful muse in Jonnine D, who joined the band shortly after its inception. New alias the Hate Rock Trio: drone moored by Jonnine's listlessly simple vocal melodies.

Songs played at shows in Melbourne and Sydney were finally recorded in December 2004. A single live take captured on borrowed equipment in HTRK's cave, NOSTALGIA in its original form is the closest document of the band's uncompromising live shows (and a reverb-drenched middle-finger to 'production values'). Its abrasive sound manages to produce submission, carried by a hypnotic stability that always threatens collapse.

Scream's bass riffs are pure, slow rock and roll, Yang's guitar is insidious, the 808 is perpetual and often piercing. HTRK could provide the soundtrack to a Reifenstahl movie, a modern day marching band for immaterial cyber armies. Jonnine leads, striking floor tom with commands:
"Ha!"
"Dance!"
"Everybody let's go!"


At other times, NOSTALGIA's control effects irresistible groove, dance hits and dream-pop laments. When the songs end, un-foreshadowed, feeble silence marred by feedback leftovers and the dead static of the drum machine leaves the spectator in a rude state of torpor. HTRK's music feels like an indian gift of torture for a masochist, given then carelessly withdrawn. And it's an airy type of mercilessness, the worst kind.

HTRK - Ksext

Independent label and distributor in Tokyo, Japan specializing in indie / underground music from Indie Rock / Electronica / Alternative, Ambient / Drone / Experimental,   Jazz / Crossover / Avant-grade, Techno / House / Disco, Beat / Downtempo / Dubstep.

We are here to seek new talent and inspire your music life. You can put your music in our dropBox or make contact with us via soundcloud. Any music and style is welcome and appreciated.

All music on this account is fully authorized by labels and artists. However, if you find contents infringing your copyright and the information is incorrect, please give us a notice. We'll act on your requests immediately. 



p*dis sampler 2019.09

pdis_inpartmaint