718 Tech-House

SOFT TEKHOUSE 04

MIDE

Nachtschattengewächse!

Fine House

Releasedate: 19th July (Vinyl) / 26th July (Beatport) on "der turnbeutel"
Exit - The Remixes 01

Oliver Schories - Another Day (Heinrichs & Hirtenfellner Remix Snip)

Spotify: http://bit.ly/teedspotify

Facebook: https://www.facebook.com/totallyenormousextinctdinosaurs
Instagram: http://instagram.com/teedinosaurs
Twitter: http://twitter.com/teedinosaurs

Disclosure - F For You (Totally Enormous Extinct Dinosaurs remix)

DJ Set from Oliver Schories, recorded on 3rd September 2013.

Oliver Schories - My Autumn (Mixtape September 2013)

Get under the skin of this patch here http://leafcutterjohn.com/?p=1865


Algorithmic Max/MSP experiment based on the Price Of Gold 1957-2013

Taken from my new ep on Dumb Unit "Do ur math"

http://www.juno.co.uk/ppps/products/413817-01.htm?highlight=CESARE%20VS%20DISORDER

Cesare vs Disorder_My bag lost in Berlin

A rhythmic Max/MSP patch trough a really cheap ebay reverb that arrived this morning.

£40 trashy Ebay Delay Experiment

Orange

Title track from Leafcutter John's new album, Resurrection(Pathway009)

A panoramic sound world of drifting vocals over a densely-processed terrain of mud-caked percussion and guitar, Leafcutter John’s new solo album, Resurrection, is a characteristically unique blend of the electronic and the acoustic, the hi-tech, the human and the homemade.
Resurrection is the sixth Leafcutter John album and his first solo release since 2006’s The Forest and The Sea CD/LP(Staubgold). In the intervening nine years, John has toured from Vietnam to Venice, appeared live with Beck Hansen and Imogen Heap, and provided the score for Crow, a major theatre project by Handspring (creators of War Horse). 

During this time, John has also maintained his permanent role as the unpredictable, electronic antagonist in Polar Bear, the twice Mercury Music Prize-nominated, genre-defying jazz band.
This new record marks fifteen years of releases by Leafcutter John. Born John Burton in Wakefield (Yorkshire, England), his highly original musical voice was first spotted by Mike Paradinas, label boss of Planet Mu Records. Over the course of his first three albums (2000-2003), John established and developed his idiosyncratic London-based studio, and his skills as an inventor of unusual instruments and extraordinary music software.
Resurrection begins with the sound of a single bell, in homage to one of John’s major influences, Bernard Parmigiani’s De Natura Sonorum (1976). From there, the album unfolds over five cinematically varied tracks, “like floating above a world in constant flux,” in John’s own words. In fact, aerial photographs of the Japanese tsunami of 2011 were a direct inspiration for the record.
“I would create complete, fully-formed compositions,” says John, “then later, I’d come back to them, playing the part of
the destroyer, scraping and smearing away elements, weathering, piling up and re-ordering them, as if they’d been hit by a natural disaster.”
Not content with the usual tools available to the electronic musician, John has created innovative new systems and techniques for both live performance and production. This includes a light-controlled instrument that allows him manipulate his live sound through gesture, flickering candles, flashing torches and pyrotechnics. For the track “Gulps,” John coded special software to layer huge swathes of sound. Using a recursive system, he created 7.1 billion layers of a recording of the North Sea, one for each human alive on the planet at the time of writing.
Featuring a guest appearance by Shabaka Hutchings (Sons of Kemet), “Gulps” is a poignant demonstration of John’s
approach: Hutchings’ intimate clarinet is gradually engulfed by a (literal) ocean of sound. This is sculptural sound design
where technological innovation is always at the service of the emotional impact of the music: deeply human at its root, and
mind-expanding in its ambition.

Desire Path Recordings
www.desirepathrecordings.com | leafcutterjohn.com

Credits
Written and produced by Leafcutter John, with Varpu
Kronholm playing additional percussion on “I Know You
Can” and Shabaka Hutchings playing Clarinet on “Gulps.”
“Endless Wave” contains elements of “Forest Of Spades” by
Strings Of Consciousness, used with permission.
Mastered by James Plotkin
Photography by Max Baillie
Design by Chris Koelle, Leafcutter John, and Varpu Kronholm

Distributed by Revolver

Leafcutter John - Resurrection

Elements Chord Mode

Deeper EP

Raid Deep

'Backflash' – as the title of Kellerkind's new EP on Stil vor Talent rightly suggests – is a full-blown blast from the past that utilises 80s aesthetics in order to craft a wonderfully contemporary EP much in vain of the en vogue sound of 2011: slow, forceful goovers with basslines so big, they might just crush you. Nothing less was to be expected of the charismatic Swiss producer Marco Biagini who has already proven his wide-ranging understanding of house music with tracks like 'Länzer is a Dänzer' or 'Groovebox'. 
On the A-side, the title track works around a delicately crafted, vintage Miami synth lead: while it naturally provides 'Backflash' with a nostalgic touch, its mellow qualities are lifted by a dangerously obese bassline and devilishly catchy hook. Add Kellerkind's impressive ear for groove and vocal sampling, and you're on to an absolute winner. Moving on, Niko Schwind's remix of 'Backflash' subtly shifts the original’s elements around while extending on its vocal sample – a soulful voice urges the listener to 'get it right'. When the break introduces Schwind's trademark piano keys and shuffling rhythmic structures, it's clear that the SVT stalwart is once again on target here. 
Kellerkind continues to explore the vintage theme on the B-side with 'Disco Light', whose laser synths, mesmerising bleeps and chugging bass might just catapult you back to Paradise Garage in '78, were it not for the track's classicist house percussion. Finally, 'Down To' brings the fun back to the dancefloor as Kellerkind's own deep vocal hums serve to replace a traditional bassline. Underlined by yet another beguiling synth motif, ‘Down To’ concludes this stunningly retro-futuristic EP, which is both, sonically coherent and viciously enjoyable. A brilliant start to 2012!

Backflash

Very Excited for this new bangin' summer release...a proper anthem for your DJ set from hot spanish producer: David Herrero. He is back this summer with a powerful peak time cut that you really need for sure to shake ass of your people...A cool vocal cut and a straight groove will get of this weapon one of more interesting summer track in your playlist!!!! 

DO NOT MISS IT!!!!!!!! 

SUPPORTED By: Mark Knight, Danny Rampling, Nic Fanciulli, Chus & Ceballos, Harry Romero, Paco Osuna, Gene Farris, Riva Starr, Joseph Capriati, Marco Carola, Low Steppa, Stacey Pullen, Robert Owens, Leon, The Deepshakerz, Latmun, Brett Gould, Cristian Varela, Dj Boris, Luigi Madonna, Dario D'Attis, Vanilla Ace, De La Swing and more...

David Herrero - I Feel That Groove (Original mix)

BUY IT NOW:  http://www.beatport.com/track/shut-up-and-dance-feat-chris-the-voice-pleasurekraft-remix/3738539

Our retro-housey remix for Eric Sneo's "Shut Up & Dance" feat Chris The Voice -  OUT NOW on Umek's 1605 Music Therapy

www.pleasurekraft.com
www.facebook.com/pkmusic
www.twitter.com/pleasurekraft

Shut Up and Dance (Pleasurekraft Remix) OUT NOW

OUT NOW on REJECTED RECORDS

Get Your Copy on Beatport: http://www.beatport.com/release/mulder-natural-high/967667
Get Your Copy on Vinyl: http://www.juno.co.uk/products/466541-01.htm

----

Following off from Rejected’s successful summer they have hooked yet again some fresh new talent, Dutch DJ & Producer Mulder who steps up to take his place on the labels stellar stand of releases.

Hitting off with the A Side we have Rejected’s Head Honcho Voorn stamping his style on the muscular dance floor groover “Natural high”. Accompanying the punchy kick and groovy bass we have a driving melodic rhythmic lead, which will tear down a treat for any dance floor! With its underlying percussive ride and trademark groove it has all the ingredients for a 4x4 floor filler classic.

Meanwhile on side B of the EP we have “Varta”, with its rolling warm bass partnered with a canorous layout of percussion it’sguaranteed a jive. From start to finish this gem has a progressive edge that builds throughout, which makes it a versatile musical tool for any party, at any time! Ooooo yeah

FEEDBACK :      

Steve Bug - “That Joris Voorn Edit of Natural High is very nice… great for me!”

Marc Romboy - “Another high quality Rejected release!!! Varta definitely gets my support here!”

Riva Starr - “Quality release as you’d expect from Rejected, Joris is a boss when it comes to tight edits!”

Lauhaus - “Here we go with the next dope ep!! Both of these sound good for me, thanx!”

Thomas Schumacher - “Excellent stuff of course from Rejected. I am really feeling Varta. Will keep an eye on Mulder.”
 
ONNO - “Dope to see my buddy Mulder on Rejected! Loving the more steady Varta on this ep, will be played!”

Kabale und Liebe - “Nice tech house groovers here from Rejected. Will definitely play Joris’ edit.”

Laurent Garnier - “Yes yesss yessssssssss. The Joris edit is really good!!”

Mathias Kaden - “Now that is a supa-groovy edit from Mr Voorn...Looing forward to trying this out. Thanks!!!!!”

Matthias Tanzmann - “That is some super nice organ in Natural High!! Love it!”

Karotte - “Another great edit from Mr Voorn and a great original... all eyes on Mulder ☺!”

Anja Schneider - “Already soooo in love with Natural High! ☺”

Mulder - Natural High (Joris Voorn Edit) (REJ025)

Marco Carola LIVE From Music On Festival 2019   Amsterdam

my last EP on Tronic in 2012
support by Christian Smith, Marc Romboy, Mark Knight, Stephan Bodzin, Slam, 2000 and One, James Zabiela, Karotte, Kaiserdisco, Monika Kruse, Marko Nastic, Mihalis Safras, Pan-Pot, Beckers, Agoria, Dosem, Anderson Noise, Sian, The Advent, Anton Pieete, Gabe, Mladen Tomic, John Selway, Popof, Steve Ward, Wally Lopez, Gel Abril, Bart Skils and more, more and more...

coming out on November 25!

Wehbba - Common Ground - Tronic // lo-fi sc edit

Evil - Channel X

Dj Chus, Nuno Clam Feat. Velvet Voice - Between Us (Hollen Remix) - [Stereo Productions]

This is my New Remix for "Marian" the Project from my mate Marek Hemmann and his Singer Fabian Reichelt on our Label "Freude am Tanzen" .

Marian-Clouds-(Mathias Kaden´s Funky Clouds Remix)

Delano Smith - Inspiration (Reconstructed by Makam)

Channel X - Hey

Paco Osuna @ Monegros Festival 2012

Ibiza Tech House Mix – January 2020 WJNfEEzbtIk

MS MR - Hurricane (CHVRCHES remix)

Get it on iTunes

AKA AKA & Thalstroem - Andes (Snippet)

23 Vip

Shadow Child ft Tymer  - 23 Zinc VIP

"Salome" is not only the A1 track of the new Upon You single from Channel X, it`s also the title of a famous oriental Foxtrott composed in 1920 by Robert Stolz. There`s not much Foxtrott left from Channel X in the year 2011, therefore the modern artists are squinting into the orient to get the inspiration for the occidental club-madness. Riding on the "Orient Express" they let the well of inspiration pass by the A2 window for this proper vinyl. During their journey, the colleagues Audiojack rub on "Salome" their patented dance-paste, which momentarily waxes almost every well known dancefloor. And finally because travelling makes contemplative, Channel X is musing about the sense of being on the Beatport exclusive digital-bonus.

Written and produced by Mirko Haensel & Andre Staedter.

A2 Channel  X Orient Express

Deep House addict -> traveling to leeds, london, berlin, paris sometimes, ibiza once, vilnius, chicago, detroit...

Evil - Channel X

pear&apple