@brian-wright-1: Thanks! I wrote it all in a jazz composition sense, with solos left open, with chords. Performance-wise, some of it is programmed. The sax and trombone parts are mostly composed. For the solos, I had them improvise, recorded several takes of the players' solos, and then edited pieces and parts of the takes together. Everything else I do on my own.

2. Imagine How Is Touch The Sky

Thanks to Mark Hawkins for his fantastic guitar solo!

3. Conflagration (feat. Mark Hawkins)

8. Mea Culpa

Djim Bean

Part two of "Bouazizi," the opening track on my upcoming album 

SCORE: http://bennorton.com/bouazizi

Bouazizi, Pt. II

Winner of the 2015 BMI Student Composer Award

FAUVE, for chamber orchestra with rock band
composed by Joe Meland
performed by the Illinois Modern Ensemble and Feral States at the Krannert Center for the Performing Arts in Urbana, IL
Audio recorded and mixed by Bill Demkov


I wrote 'FAUVE' between August, 2014 and January, 2015. The piece, which is a pseudo-concerto for rock band, is in four movements and represents my love of Messiaen, Meshuggah, and everything in between. The title 'FAUVE' is both a homage to the band's original name and a comparison between the polystylism of the piece with the wildly contrasting colors characteristic of Fauvism. Between polyrhythmic grooves, improvisatory sections, and musical jokes, the piece is an attempt to achieve an original take on the fusion of contemporary classical music with rock/metal without taking itself too seriously.

FAUVE, for the Illinois Modern Ensemble with Feral States

La Part du Lion enregistré en mars 2015 par Daniel Dru au studio Alambic Records. http://habemustamtam.net

La Part Du Lion

IR Indigenous Resistance is a global resistance collective creating music that is crucial to the Indigenous movement.

A release like IR26 THIS LAND IS NOT FOR SALE/IVERE is only possible because in addition to the talented and generous musicians who contribute to the recordings there are folks behind the scenes often in the shadows who contribute so much and so often on short notice for the cause. Sound engineers like Alejandra Toro Salom (Colombia), designers like Dubdem (Brasil), Tapedave (USA), translators like Moondub (Uruguay), Manueladub (Colombia), Olovotu (Solomon Islands) & Jahteecha (Jamaica). IR participants are found in many countries some of which are often described as ‘third “ or "fourth" world many of IR's working locations are extremely deficient in technology. This creates a network and working environment that requires intense cooperation revolving around the relaying of materials, logistical help in file delivery and the usual pitching in to make sure essential things happen across "the digital divide." What is as normal as uploading a sound file through WeTransfer in say, Boston, can take hours where IR is traveling. That is, if the internet does not go down during the process.  


07 This Land Is Not For Sale [No 'Fraid For No Tear Gas Jamaican Mix]

00:00 : ID21172924647
02:15 : Skyrush
07:06 : Life is an Anagram for File
12:52 : [Choices]
17:24 : Something Terrible
19:06 : A time machine called hope
23:31 : Mothership Breakdown
27:20 : Virgin Chill Hustler
33:15 : Legendary

Disorder [FULL ALBUM]

Like a less pastoral Canterbury Scene record, Mash relentlessly perverts generic conventions- rocking like a mother and bewildering and overjoying in equal abundance.

Slow Priest Turns The Mummers On

Full Song Preview for the upcoming full-lenght album "Into the Void of Fear" by the band Octopus - 2012 All rights reserved. Special Guest Vocals: Pepe Lastarria (All Tomorrows). Lyrics: Ramon Pasternak (All Tomorrows)

Faceless Source

Progressive math metal meets jazz-infused avant-garde art music. ||| NOTE: Only some of Peculate's material is on SoundCloud. Download all of it for free at https://Peculate.Bandcamp.com.
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Bouazizi, Pt. II

PECULATE

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Andy G

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