Tommy Hpf nasce in provincia di Modena nel 1991 . La sua passione per la musica inizia sin da bambino cominciando a suonare chitarra e basso già all età di 9 anni.
Nel 2008 comincia la carriera da musicista e fonda la sua band "nu metal" come produttore e bassista, i [ Mussent ]. 
Nel 2012 inizia sotto il nome di [HammerShock] a produrre musica elettronica in particolare Frenchcore/Hardfloor/hardtek con la sua prima electribe analogica entrando nella scena underground di numerosi locali e t.a.z del nord Italia. 
Nel 2014 inizia il progetto [ Hardbeatz ] ridimensionando il suo stile in un genere da lui definito "hardtek elettronico".. Un compromesso tra l'electro e la tek.. I suoi live [trip in the bag] e [driving a spaceship] suonano presto su molti impianti del nord e centro Italia.. 
Dal 2015/2016 con la sua "coredark" conquista il pubblico italiano e nel 2017 la sua track "Terremoto" viene stampata in digitale dall etichetta bresciana [Tekno City Rec.]. Poco dopo, i suoi liveset vengono fatti passare per varie radio underground , e dal 2018 i progetti live vengono passati in digitale iniziando a produrre con ableton . Le tracce vengono prodotte ancora con le electribe, ma per poi essere campionate all interno dei canali ableton , con le sonorita analogiche, e la qualita del digitale .
Un insieme di kick distorti e synth acidi assolutamente unici, e un timbro Core old skull che non delude mai.

Perkusista. DJ. DIY sound majsterkowicz. Wróg publiczny numer jeden każdego sąsiedztwa. 

Organizator dzikich imprez wśród krzaków i knieji. Zaczynał od party na swoim ogrodzie. Zorganizował tam VIII edycji Biedateka, po czym bez oglądania się za ramię ruszył w rejwowy świat. Obecnie nie próżnuje, działa z załogą na rzecz sceny tekno & rave w Lubuskiem. Jeden z dwóch założycieli i konstruktor Awarii sound system. Jego pierwsze diy paczki to mini scoopy. DJ-ski fach wyniósł z klubu Obiekt. Przygodę za deckami zaczął tuż po imprezie "Planet core" w Toruńskim klubie Dwa Światy 27.01.18. Poczuł wtedy, że to jest to i objął kierunek. Odnajduje się w wielu gatunkach muzycznych, najbardziej w tych hipnotycznych lecz w duszy grają mu werble.

https://www.facebook.com/awariasound

https://www.instagram.com/tasman.23/profilecard/?igsh=MXhoZHI1bnM5NzJrbw==

Økapi is Filippo Paolini, an Italian turntablist and sample cutup artist. Filippo has recorded several solo albums, as well as recording in the duo Metaxu and with the trio Dogon. He has performed live for national Italian State radio broadcasts (RAI) with renowned avant-turntablist, Christian Marclay and collaborates with numerous international artists such as Mike Cooper, Peter Brotzmann, Mike Patton, Matt Gustafson, Zu, Damo Suzuki, Andy EX, Kawabata Makoto, Metamkine…
            ØKapi's album releases illustrate his unique and edgy use of turntables and computer beyond the hip-hop school of chopped up music, creating music that veers from orchestral to lounge with quirky experimental electronics that maintain a delicate and spacious sound throughout.

            His amazing skills at sample mixing are simply outstanding and during Okapi live sets he mixes: techno/broken beat/electro-/8-bit with melodies from Klezmer, polka, children's music, idiot pop and hawaiian classics to name but a few.....

Økapi shop/download:
http://slappress.bandcamp.com

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            The Økapi is a mammal which was only discovered in 1901 by an acousmatic engineer. It lives wild in the forest of the Itur Region in Upper Zaire. It was named the Okapia Johnstoni and it also commonly known as the "Daft Giraffe of the Forest". One of its strangest characteristics is that it is the only known mammal to wash out its own ears with its tongue: just to catch the weird melodies of nature! He adores those ferocious and vindictive chants that make him sway like ... and he fights relentlessly for the domination and hegemony of incorrect and unlistenable music. He hates talking about music and certain music purists of the Forest are definitely not his friends! In recent years he has played for Dogon tribal rituals and for those more intimate Metaxu deliriums, but he is   considered a solitary mammal and consequently has only published one anthem to protophony for a small label of the American prairies.

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