N(i)rv(a)n(a)

Extrait d'un concert improvisé à l'atelier Duverger dans le cadre des Ouvertures d'Ateliers d'Artistes 2014 avec Eric Nau - Remi Luc - Ludovic Pulli 

Sounds inspired by a tropical atmosphere.
Opening artist's studio, exhibition with Julie Dawid and Matthieu Herreman.

Eric Nau (mini violin-voice), Ludovic Pulli(machines), Rémi Luc (harmonica-percussions), Sarah Ouazzani (voice-flute-accordéon).

Improvisation  avec Eric Nau - Remi Luc - Ludovic Pulli

C' est un liquide biologique contenu dans le sac amniotique, dans lequel baigne l'embryon. Le liquide amniotique est constamment renouvelé.
Flottement. Balancement. Répétitions. Harmoniques.

Liquide amniotique. (Amniotic fluid)

Musique de la vidéo Berceuse

It is a biological fluid  inside the amniotic sac, in which the embryo is immersed. The amniotic fluid is constantly renewed. Floating. Swing. Repetitions. Harmonics.

Liquide amniotique

This GiZap's composition for orchestra was played with real instruments on the 5th December 2015 at Ausland in Berlin with a great help of Martin Kuentz for running ,printing, supporting me in many ways, Gregor Hotz and Ausland's Team for hosting us , Sound tech - mixing - mastering John Blue, Felix Thiemer for lending the video-camera, Anat Cohavi rewriting correctly scores keys and printable version , and all the great musicians which took part of this :
Rhythm guitar and cello : John Blue
Trumpet: Dimir Bacikin
Violin: Biliana Voutchkova
piano: Boris Baltschun
Viola: Yodfat Miron
Flute: Sabine Vogel
Sax Tenor: Anat Cohavi
Clarinet: michael Thieke
Vibraphone: Charlotte Birkenhauer
Guitar: Yair Karelic

Plus, a part of the future coming out memorial tribute CD 2016, is kindly supported by Zapparoli family , Fermo Family , Mario De Vega and Christian Zhan ! Thanks to All to make it possible !
Stay tuned !!! Marta


Verso La Libertá (played with real instruments)

Bribes de présences, humaines, animales. Bribes de mélodies qui disparaissent dans l'air frais. Odeur de bois humide. Déplacement. Lenteur. Crépitement. Matières en mutations.

L'hiver, parfois. (Sometimes in Winter)

Fragments of human and animal presences. Songs of melodies that disappear in the fresh air. Smell of damp wood. Shifting. Slow. Crackling. Materials in mutation.

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L'hiver,parfois...

Chat-huant. C'est ainsi que l'on appelle également la chouette hulotte.
Rapaces nocturnes, les chouettes n'ont pas d'oreilles... visibles. Elles entendent pourtant mieux que l'homme, avec leurs deux oreilles asymétriques. La forêt. La nuit. Bavardages. Dialogue entre un synthétiseur analogique et une voix humaine. Cette pièce met en relation des cris organiques et des cris analogiques, des cris humains et animaux. Lentement, la voix humaine prend plaisir à crier comme un animal.

In french, the «tawny owl» is also called «Chat-huant». The english traduction would literally be «booing-cat» or «hooting-cat». Tawny owls, nocturnal bird of prey, don’t have visible ears. They, however, ear better than men, thanks to their two asymetrical ears. The forest. The night. Chatter. A dialogue beetween voice and analog synthesizer. This piece is linking organic and analogic shouts, human and animal shouts. Human voice is slowly taking pleasure in shouting like an animal.

​FILE hypersonica Electronic Language Int. Fest. 2017, July, Sao Paulo, Brésil

Sounds Like Audio Art Fest, 2017, November, Saskatoon, Canada 
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Chat - Huant

Extrait sonore de la vidéo Zuhaitz. Exploration sonore et visuelle autour d'un feu, des étoiles, d'un arbre et d'un rituel basque.

N(i)rv(a)n(a)

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