[ENG]

Like every top Dj, Maya enjoys his residency in the island of Ibiza. Every Saturday, he is in charge, along with his ElRow colleagues, to make the crowd dance in the clubs which have won the title of the best club in the world in the last 4 years as Space Ibiza, and now Amnesia.  
Always attracted to the grooviest rhythms, Marc makes it quite difficult while classifying his style in a particular genre. Dynamic and versatile throughout his sets, this is the key to his worldwide success. Not to forget his continued national awards nominations from the VMA. 
His entrepreneurial charisma and toughness in the studio have also a lot to do with Marc’s career next to the big names of the scene. Recently he launch an ep “She is back” on the respected British label Saved de nick fanciulli, and his track “last trip” has been included in the annual compilation of the mythical festival Tomorrowland. Besides, several labels like Time Has Changed, Stick Records, Great Stuff, 1605, Upfront Records, Newviolence, elRow Music or Florida Music already have releases signed by Marc Maya. 

http://soundcloud.com/marcmayaofficial
http://www.facebook.com/MarcMayaOfficial
http://twitter.com/MarcMayaOficial
https://www.instagram.com/marcmayaofficial/
https://www.elrow.es 
http://www.florida135.com/
http://www.Monegrosdesertfestival.com/

BOOKINGS:
irvin808(at)gmail.com

There are not many artists these days who manage to forge their reputation solely as a DJ, but Pierre comes proudly from an era when the craft of stitching records together into a meaningful experience had just as much importance placed on it as being the producer behind the tunes. From his position of influence as one of the long-standing residents of the world famous Fuse club, he has been responsible for countless moments of shock and awe amongst the club-going crowds of Brussels and beyond.
His roots are in the foundations of funk, soul and disco, although like any seasoned digger his tastes reach into the pulse of new wave and obscure 80s electronics. From catching the house and techno bug in 1991 at Fifty Five in Kuurne, he made a natural progression to spinning US deep house at a Sunday residency at Café d’Anvers, at a time when it was rarely heard in Belgium.
This determination to play the music he wanted to hear, whether fashionable or not, has guided his style ever since, and when Fuse opened in 1994 his remit to explore Detroit house and techno as one of the residents gave him the perfect platform to shape the identity of the iconic club.
Through the years of the mammoth I Love Techno events, sharing a radio show with Dave Clarke and delivering numerous mix albums, Pierre also found time to channel his groove instinct into studio sessions. Of these excursions, one of the most timeless is his “Reconstruction Mix” of Spokesman’s “Acid Creak”, originally released in 1994 and still slammed out at techno temples across the world to this day.
However the increasingly knuckleheaded thump of schranz and other such monochromatic techno styles meant that Pierre’s focus started to evolve towards a more experimental style, and with JessicaBossuyt he started the Lessizmore events, label and booking agency as an outlet for the most creative aspects of European house and techno.
The boom in more adventurous minimal records in the early ‘00s was a perfect match for Pierre’s wild tastes, and as the credible corners of the scene kept moving on to pastures new so Lessizmore has evolved naturally to present some of the most exciting music revolving around, but not limited by, the 4/4 groove.
With his years served in the nightlife of Brussels Pierre has turned his hand to parties in unofficial locations, held down residencies at Le Triptyque in Paris and Arma 17 in Moscow and also been invited to launch the Fuse label. It’s this mixture of professional instinct and a constant hunger for new, challenging ways to experience music that have made Pierre such a lasting influence on generations of party people, with the art of his DJing and the direction of his events at the heart of what he does. In his own words, “whether it be for the Fuse’s bookings or those for my label Lessizmore, it’s more of a feeling and family business than anything else.”

Electronic music label focused in tech-house sounds since 2012. We also like confetti & inflatables

After a lifetime of making music, Jon Gaiser is always leading from the front of his own world. With his signature sound, he has created a shift in the direction of underground electronic music, starting a movement of atmospheric bass-line driven techno that is entirely unique and unmistakable. It has come almost exclusively on Richie Hawtin’s Minus, and with that label he has been an influential part of the modern day techno landscape, both on stage and in the studio. From pioneering Minus projects like Contakt and CNTRL, to being a key resident of ENTER via his always inventive live sets and mind bending visual accompaniments, Gaiser has always harnessed the power of electronic music and nurtured its most evocative and cinematic possibilities. 
Coming up in Grand Rapids, Michigan, Gaiser’s musical life ranged from the formal, where he studied percussion with the symphony, to the informal, where he played drums in punk rock bands. Later experiencing the golden years of Detroit, it was the infinite possibilities and futuristic darkness of techno that really captured him, and since his early teens he has been on an endless mission to create sounds that have never been heard before. 
He has accomplished this on many occasions now, thanks to his exquisite sense of sound design. Pair that with his ability to evoke otherworldly feelings and knit drums together into the most compelling grooves, and you have something entirely immersive. Someone who is inspired by the odd and peculiar sound tools, from the latest digital technology to extremely rare analog pieces, what matters most to Gaiser is the end result. Across countless releases and nonstop touring around the world, he has proven that time and time again.
Further proof of his artistry comes on his four studio albums. From the abstract minimal of “Blank Fade” (2008) to the spaced out and industrial ambiance under the name VOID “No Sudden Movements” (2011) to the slick- and sci-fi percussions of “False Light“ (2014), Gaiser has very much explored techno’s outer edges in his own cerebral ways. 
2017 will see the light of Gaiser’s next studio album. “III” is an album of evocative and fluid techno that paints colourful pictures in your mind, while your pants are dancing on their own. Each track lives in its own unique world, and together create a dynamic storyline from start to finish. From dark grooves to choppy house, warm atmospheres to curious sci-fi landscapes, it is another complete experience and one that proves Gaiser is unafraid of experimentation, of pushing boundaries and searching out new paths.

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