LAV.ISH --- https://open.spotify.com/artist/3va4KoIv4rtbZIZZGFf5Yj

東京在住。電子音楽家。幼少より録音機器や楽器にふれ、様々なギミックで独自の音創りをはじめる。硬質なビートを好み、自由な発想で音素材をコラージュしトラックメイキングを行う。
容姿と相対する硬派なサウンドと鮮烈なヴィジュアルイメージで注目を集め、2013年に1st Album『Tough and Tender』をリリース。
現在は、ラップトップの他、モジュラー、コンパクトエフェクターなどのアナログ機材を使用したライブパフォーマンスも話題。
最近ではリズムをテーマとした自身の企画『GNOMONS』や「パフォーマンスをコラージュする」をテーマにした新企画『KOYU PILOT』を開催。
また、鈴木光司原作・福田陽平監督のホラー映画『アイズ』、田中佑和監督長編映画『青春群青色の夏』、ヤマシタマサ監督『東京ノワール』など多岐にわたる映画の劇伴や、広告音楽、サウンドロゴなどの作編曲も手掛けている。
She lives in Tokyo. an electronic musician. From childhood, she was exposed to recording devices and musical instruments and began to create her own sound with various gimmicks. She prefers hard beats, and She collages phoneme materials and makes tracks by free-thinking.
She attracted attention with her rigid sound and vivid image in contrast to her appearance and released 1st Album ‘Tough and Tender’ in 2013.
It is currently attracting attention for its live performance using analog equipment such as laptops, modular and compact effectors.
Recently, she held his own project ‘GNOMONS’ with the theme of rhythm, and a new project ‘KOYU PILOT’ with the theme of “collage the performance”.
She also created and adapted various movies such as ‘Eyes’ a horror movie based on a novel by Koji SUZUKI and directed by Yohei FUKUDA, ‘Seishun Gunjo iro no natsu’ a feature film directed by Yuwa TANAKA and ‘Tokyo Noir’ directed by Masa YAMASHITA, as well as advertising music and a sound logo.

Patchin' myself to this world >'w'<
現在是Bass 的聲音 ㄉㄥㄉㄥㄉㄥ…ㄉㄥㄉㄥㄉㄥ…
Now Playing Bassssss D D D…D D D…

Email: patchin2024@proton.me

Taipei-based Producer Patchin' uses old synth and sampling to craft indie dance inspired by their roots and Taiwanese classic sound. The apostrophe symbolizes a patch cable—connecting nostalgic memories with a reachable future through electronic signals.

ヾ(＠⌒ー⌒＠)ノ

mgmt: shaunpkoplow@gmail.com

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Max Cooper is an electronic composer, multi-disciplinary artist, music label founder and former scientist who has carved out a unique space in music and visual art.

He holds a PhD in computational biology at the same time as being the first contemporary electronic musician to perform at the ancient Acropolis theatre in Athens and one of the first clutch of musicians to produce in Dolby Atmos.

Cooper has enquired for over 15 years through music, collaborations, and his label Mesh, to explore the intersections between the arts and sciences with installations, performances, immersive experiences, online media, music videos and live events.  Anchored throughout is his emotive approach, connecting how ideas and forms feel, in a manner accessible to us all. 
 
As an artist synonymous with the evolution of club culture, Cooper honed his craft as a DJ with a 10 year residency at legendary Midlands techno event Firefly where he formed a foundational relationship with Architecture Social Club, with whom he still collaborates on extravagant immersive installations.

"I want to encourage the acceptance of electronic music as an art form like any other. Bringing electronic music and abstract audio-visual projects into concert halls, museums and galleries is liberating - the art world opens up doors to communicate in ways that aren’t possible elsewhere."
  
Pivoting from computational biology to electronic music might not seem like the most natural career transition, but for Cooper the commonalities are obvious:
 
"In both fields, you're in a sense, free. Free from the limits of living systems, free from the limits of corporeal sound. The only constraints are in your mind."

www.maxcooper.net 

Contacts:
Management: James Palmer-Bullock, The Wild Seeds - james@thewildseeds.com 
Label: Anthony Faulkner, Mesh – anthony@thewildseeds.com 
PR: Neil Bainbridge, Neighbourhood PR - neil@nbhd-group.com 
Radio: Matthew Maxey, Enganche - matthew@enganche.co.uk

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