Lend Me Your Radio - Aug 21

Andrew Pekler

Fave Tracks - Experimental / Contemporary

https://andrewpekler.bandcamp.com/album/klangturm-sounds-for-the-bell-tower-of-the-immanuelkirche-hamburg-veddel

"Klangturm" was commissioned by the Immanuelkirche church in Hamburg-Veddel. The church had recently replaced its bells with a loudspeaker and automated playback system and had asked a number of artists to compose music to be played hourly as well as shorter sounds to be played 15, 30 and 45 minutes past the hour. 

Thinking about what sounds have bell-like properties (but aren't bells) and taking into consideration the technical limitations of the bell tower's loudspeaker (mono, limited bass and high frequency), I decided to work with a limited pallet of just electric guitar and a few effects pedals (reverb, tremolo, pitch shifter, envelope). 

Each piece at the full hour is "previewed" by short fragments of its component parts at the preceding 15, 30 and 45 minute mark. Some, but not all, of the pieces include a time-telling element; a melody with the same number of notes as the hour. 

These pieces were played back from the bell tower of the church from 8 AM to 8 PM every day (except Mondays) during July 2021.

8:00 PM (excerpt from "Klangturm")

“Marika” is an improvised free jazz trio from Istanbul, formed by Korhan Futacı (alto & tenor saxophones), Berke Can Özcan (drums) and Barlas Tan Özemek (bass). The Berlin based label “bohemian drips” invited them to work with the amazing acoustics of the old “Kindl” brewery’s Sudhaus and its massive copper tanks in the middle of Berlin-Neukölln. This was made possible with the kind support of the “KINDL - Centre for Contemporary Art”.

The LP was recorded live and in binaural audio with “Kunstkopf” 3D microphones. Listening to these recordings on headphones gives the audience the threedimensional perspective of being seated literally in the center of the recording scenario. “bohemian drips presents: Marika” is the trio’s debut record and will be released on audiophile 180g vinyl by bohemian drips in august 2015.

Release

07.08.2015

Tracklist

Side A - The Wolf (13:58)
Side B - The Sheep (15:00)

Release details

180g vinyl, booklet, audiophile dust sleeve.
Catalogue number: BD002.
All recorded live and in binaural audio with the “Neumann Kunstkopf” in november 2014 at the “KINDL - Centre for Contemporary Art” in Berlin.

Credits

All music played live by Marika.
Recorded and produced by Lasse Kuhlmann in november 2014.
Executive production by bohemian drips.
Mastering by Zino Mikorey in Berlin: zinomikorey.com/
Photography by Aljoscha Redenius.
Cover design by Alexander Meurer.
Realized with the kind support of “KINDL - Centre for Contemporary Art”: kindl-berlin.de/

© by bohemian drips 2015.
All rights reserved.

B – The Sheep

A – The Wolf

10.1 ~ quiquoiou (dj marcelle & guido möbius) ~ la soupe de potiron...

Live home recording, Antwerp, December 2015

Rite II : Boscawen Un

From the album Sounds From Phantom Islands:
https://andrewpekler.bandcamp.com/album/sounds-from-phantom-islands

Bandcamp

Taprobana

A no-video karaoke tribute to Donna Summer and Giorgio 
[from COH - RETURN TO MECHANICS 12", ge-stell.net]
[original music: Moroder/Belotte]

COH - I FEEL SUMMER [karaoke]

Artist: Andrew Pekler
Album: Tristes Tropiques
Format: LP/DL
Label#: Faitiche14
Release date: November 11th

Faitiche welcomes back an old friend: Andrew Pekler was the musical director of the 2011 album Ursula Bogner – Sonne=Blackbox (faitiche05 lp/cd/book). Known for his albums on Senufo Editions, Entr’acte, Dekorder, Kranky and other labels, Andrew Pekler’s new work Tristes Tropiques is now released by Faitiche. Tristes Tropiques is an album of synthetic exotica, pseudo-ethnographic music and unreal field recordings.  

Find out more about Andrew Pekler’s Tristes Tropiques in the following interview:

Jan Jelinek: You’ve titled your album Tristes Tropiques – a reference to Claude Lévi-Strauss’ famous account of his travels among native peoples in the Mato Grosso. If I remember correctly, the book can be read in two ways: as an ethnographic study of indigenous Brazilian tribes, and as a critique of anthropological methods. What exactly about Tristes Tropiques inspired you? The melancholy travelogue, or the formation of a new, critical school of thought?

Andrew Pekler: Both. Lévi-Strauss’ constant reflection on the purpose of his work and the often melancholy tone of his writing constitute an internal tension which runs throughout the whole book. Tristes Tropiques is many things; autobiography, traveler’s tale, ethnographic report, philosophical treatise, colonial history. But ultimately, it’s the author’s attempt to synthesize meaning from fragments of his own and other cultures that resonated most strongly with me – and led me to a new perspective on how I hear and make music. 

JJ: Listening to Tristes Tropiques I noticed a certain oscillation between references, which is what I really like about it. Obviously, your music alludes to the beloved fairytale kitsch of exotica, but it also repeatedly shifts to a mode of ethno-poetic meditation music that seems to have no beginning or end. Where do you yourself locate the tracks gathered here? 

AP: As a listener and as a musician, exotica music of the 1950s and 60s has always been a constant reference point and inspiration. And perhaps my listening has been ‘ruined’ by exotica, but as I have dug deeper into ethnographic archives of ‘traditional’ music, I’ve come to the realization that all recordings that evoke, allude to, or ostensibly document other musical forms have a similar effect on my imagination: I am most intrigued when I perceive some coincidentally familiar element within the foreign (a tuned percussion recital from Malawi that immediately brings to mind Steve Reichian minimalism, or the Burundian female vocal duet that sounds uncannily like a cut-up tape experiment, etc.). I suppose this album is an attempt to recreate the same kind of listening experience as what I’ve described, just with the electronic means that I have at hand. 

JJ: I know that you perform Tristes Tropiques not only as music, and that there is visual and spatial aspect to the presentation. Can you reveal more about this?

AP: I made an accompanying video – mainly close-up footage, shot in Thailand, of various tropical flora. The video was recorded at very slow speed and this gives the plants, flowers, trees, bamboo, etc. the appearance of rather abstract objects. In live performance, this abstracting effect is further emphasized through real-time modulation of the colors, brightness and other parameters of the video image. There is also an installation version of the video that is meant to be projected on multiple screens / walls and with its own soundtrack of heavily manipulated field recordings captured in the same locations in the jungle.  

JJ: We can get an idea of what this looks like from the beautiful video stills on the back cover of the album.

Andrew Pekler: Theme From Tristes Tropiques / Avian Modulations / Life In The Canopy

Gibbons of Siem Pang Protected Forest recorded by Adrian Stoeger
Andrew Pekler - Untitled / Insect March
Alessandro Brivio - Untitled
Jake Meginsky - Vandals + Waldkautz Balz recorded by Walter Tilgner 
Mike Kitcher - Processed Snippet of "Congo Traditional 1952 & 1957" # 8
Yannick Dauby - 蛙界蒙 + Francis Bebey- Sanza tristesse
Unnamed Aka Pygmy Singer - Dikoboda sombe (Hut song solo) + Morton Feldman - Samoa
Hanno Leichtmann - Primitiva 4
Three Legged Race - Tyrant (loop) + Lieven Martens Moana - A Subtle Landscape + Knud Viktor - Images
Luluwa people of Congo - Wa Kabwala Wa Beena Luluwa + Andrew Pekler - additional sounds 
Andrew Pekler - Synthetic Gamelan & Frogs
Yas-Kaz - Psychopomp + Tor Dietrichson - The Conjurer + Asmus Tietchens - Vektor 2 R
Rupert Clervaux & Beatrice Dillon - Study VII for Samplers and Percussion + Louise Lawler - Birdcalls
Günter Sommer - Hörmusik + Jake Meginsky - Four Zopas
Native Instrument - Live at Atonal 2016 + Cluster - Rote Riki (loop)
Pierre Henry - Continuum + Adam Asnan - Rev Sets 11
Hamza El Din - Song With Tar + Yannick Dauby - A Pattern Which Connects B
Gamelan Son of Lion - Gamelan II
Geinoh Yamashirogumi - Agba'a
Andrew Pekler - Humidity Index / Khao Sok (chopped and screwed)
Gibbons of Siem Pang Protected Forest recorded by Adrian Stoeger

Fourth World Problems II

Artist: Andrew Pekler
Album: Sound From Phantom Islands
Label#: Faitiche20
Format: LP/DL

Faitiche is delighted to present a new album by Andrew Pekler: Sounds From Phantom Islands brings together ten tracks created over the last three years for the interactive website Phantom Islands - A Sonic Atlas. With his 2016 album Tristes Tropiques, Pekler created a highly unique cosmos of ethnographic sound speculations. Sounds From Phantom Islands continues and simultaneously expands this concept: finely elaborated chordal motifs float like fog over fictional maritime landscapes. A masterpiece of contemporary Exotica.

Phantom islands are islands that appeared on historical maps but never actually existed. The status of these artefacts of European colonial expansion from the 15th to the 19th century oscillates between cartographic fact and maritime fiction. Sounds From Phantom Islands interprets and presents these imaginations as a quasi-ethnographic catalog of music and synthetic field recordings. The pieces on this album are based on recordings made for Phantom Islands - A Sonic Atlas, an online interactive map developed with cultural anthropologist Stefanie Kiwi Menrath.