From Endurance's Long-Term Memory, out now on tape and digital:
https://muzaneditions.bandcamp.com/album/long-term-memory

Endurance - Expanding Repetition

This is a mixed down composite version of Browser Music 4.

The individual parts and instructions for playing them are as follows:

Open each link below in its own web browser tab or window and press play on each. The four parts are meant to play at the same time but don’t have to start together. You can stop / re-start individual parts and change their respective volumes as you wish. Like the components of a mobile sculpture, each part can be considered on its own or in any combination.

Part One:
youtu.be/4fE2awB7_d0

Part Two:
youtu.be/kT9ZastGvqE

Part Three:
youtu.be/Hzd_ydrGCqE

Part Four:
youtu.be/EpPkit3i8Vg


This is music without development, where nothing much happens (or rather: the happening is evenly distributed throughout). This is also quiet music – perfect for playing in the background on your web browser while you are doing something else on your computer. You can even listen to other music / watch other videos / make Zoom calls, etc. while playing Browser Music in the background.

Bandcamp

Browser Music 4

aired 16th of March on LYL Radio

@lunafreya000

Transatlantic bimestrial show on LYL Radio:
https://lyl.live/episode/transatlantic-2

lunafreya

Transatlantic w/ lunafreya

Maths Balance Volumes follow up their acclaimed 2020 release A Year Closer with a further and sturdier bucket of songs scraped from the dust of being. Haunted, fragile and beautiful, this is music that explores the ghostly zones of its own creation. The loneliness and vulnerability that unfolds with the opening cut Stay lays the way for exploration of sound and song as simple melodic guitar and organ whilst the subsequent and subsequent Janet’s Song weaves these elements alongside the sound pebbles entering a water. 

This is evocative music made thoroughly by humans with the most basic of tools. Unafraid to step away from their screens Maths Balance Volumes stroll with breezy resistance to the current thread of platform regurgitation. 

Tonight flips the song on its side as a barnstorming melange of concrete hustle made from shakers, animals, humans and beelzebub knows what. Egyptian Wedding sounds like Still House Plants if they operated off the depths of a rotating well. Forming a round is a dusty scratchy heartbreaker that encapsulates the hybrid Smithsonian Folkways label approach that only MBV do. 

There is something enormously human about Maths Balance Volumes take on underground experimental music, one far more so than the human pitched music made in the mainstream today. In the 20th Century it was the other way around. What has happened ? I will let you contemplate that. But for me, in this case explicitly this press scribe is chuffed at the consequence of this reversal. Very happy indeed. 

Released June 30, 2023

Maths Balance Volumes - Stay

a float

{roca 003} இ︎

𝘳𝘰𝘤𝘮𝘢𝘴

※ ·*Christmas compilation from angels and xmas digimons  ˖*°❆· ※ ˖°࿐

Mastering - Oats
Artwork - Skip 

Shlove to everyone! 
Grr <3

•❅───✧❅✦❅✧───❅•

All proceeds made from the album sales will go towards the Palestine Children’s Relief Fund. https://www.pcrf.net/

Boy Lucid - lighting a cold hearth

unmade - 28/02/2024

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INT002 - V/A 《GEO》
8th March 2024

Yetsuby, Heejin Jang, Jiyoung Wi, HWI, Yu Chi, Tabris, Wona, YAWNISH, Yeong Die, Joyul, ABOPF, Dayoung, 7ip7o3, 2STEP GAKSULI, BAMBOO PRINCESS, TAATI, faacia, Julian H,  Salamanda, Jionne, jinnin, jujuland, Kimgundi, Eumfy, NIMNOI, KONA, uman therma, Yuzo, August, AIRY, KISEWA, KIRARA 

Composed / Arranged mixed by Each artist
Mastered by Each artist or Yetsuby

Artwork by Sol Lim

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the-intl.net
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www.instagram.com/theinternatiiional/
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https://soundcloud.com/theintlmix
· ··
https://www.youtube.com/@TheInternatiiional


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Ambient, Breakcore, Contemporary부터 Dance floors Music과 Hyper pop까지, 전자음악이라는 배경을 바탕으로 포용할 수 있는 모든 음악을 담은 <GEO>는 빠르기와 리듬, 조성과 비조성에 구애받지 않는 32명의 창작자들이 보여주는 시간예술의 지표이자, 저마다의 서사로 음악의 경계를 허무는 한국의 다양한 전자음악가들을 연결해 그린 지형도이다.

<𝙶𝙴𝙾> 𝚎𝚗𝚌𝚘𝚖𝚙𝚊𝚜𝚜𝚎𝚜 𝚊𝚕𝚕 𝚖𝚞𝚜𝚒𝚌 𝚝𝚑𝚊𝚝 𝚌𝚊𝚗 𝚋𝚎 𝚎𝚖𝚋𝚛𝚊𝚌𝚎𝚍 𝚘𝚗 𝚝𝚑𝚎 𝚋𝚊𝚜𝚒𝚜 𝚘𝚏 𝚎𝚕𝚎𝚌𝚝𝚛𝚘𝚗𝚒𝚌 𝚖𝚞𝚜𝚒𝚌, 𝚏𝚛𝚘𝚖 𝙰𝚖𝚋𝚒𝚎𝚗𝚝, 𝙱𝚛𝚎𝚊𝚔𝚌𝚘𝚛𝚎, 𝚊𝚗𝚍 𝙲𝚘𝚗𝚝𝚎𝚖𝚙𝚘𝚛𝚊𝚛𝚢 𝚝𝚘 𝙳𝚊𝚗𝚌𝚎 𝚏𝚕𝚘𝚘𝚛𝚜 𝙼𝚞𝚜𝚒𝚌 𝚊𝚗𝚍 𝙷𝚢𝚙𝚎𝚛 𝚙𝚘𝚙. 𝙸𝚝 𝚜𝚎𝚛𝚟𝚎𝚜 𝚊𝚜 𝚊 𝚒𝚗𝚍𝚒𝚌𝚊𝚝𝚘𝚛 𝚏𝚘𝚛 𝚝𝚑𝚎 𝚊𝚛𝚝 𝚘𝚏 𝚝𝚒𝚖𝚎, 𝚍𝚎𝚖𝚘𝚗𝚜𝚝𝚛𝚊𝚝𝚎𝚍 𝚋𝚢 𝟹𝟸 𝚊𝚛𝚝𝚒𝚜𝚝𝚜 𝚠𝚑𝚘 𝚊𝚛𝚎 𝚗𝚘𝚝 𝚋𝚘𝚞𝚗𝚍 𝚋𝚢 𝚝𝚎𝚖𝚙𝚘, 𝚛𝚑𝚢𝚝𝚑𝚖, 𝚝𝚘𝚗𝚊𝚕, 𝚘𝚛 𝚊-𝚝𝚘𝚗𝚊𝚕. 𝙸𝚝 𝚒𝚜 𝚊𝚕𝚜𝚘 𝚊 𝚐𝚎𝚘𝚐𝚛𝚊𝚙𝚑𝚢 𝚍𝚛𝚊𝚠𝚗 𝚋𝚢 𝚌𝚘𝚗𝚗𝚎𝚌𝚝𝚒𝚗𝚐 𝚍𝚒𝚟𝚎𝚛𝚜𝚎 𝚎𝚕𝚎𝚌𝚝𝚛𝚘𝚗𝚒𝚌 𝚖𝚞𝚜𝚒𝚌𝚒𝚊𝚗𝚜 𝚒𝚗  𝚂𝚘𝚞𝚝𝚑 𝙺𝚘𝚛𝚎𝚊, 𝚎𝚊𝚌𝚑 𝚠𝚒𝚝𝚑 𝚝𝚑𝚎𝚒𝚛 𝚘𝚠𝚗 𝚜𝚝𝚘𝚛𝚢, 𝚋𝚛𝚎𝚊𝚔𝚒𝚗𝚐 𝚝𝚑𝚎 𝚋𝚘𝚞𝚗𝚍𝚊𝚛𝚒𝚎𝚜 𝚘𝚏 𝚖𝚞𝚜𝚒𝚌.

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𝙱𝚞𝚢 𝚊𝚕𝚋𝚞𝚖

❀INT002❀ Joyul - Table Reading

DWELL TIME for Dublab Radio (03.12.24)

Composed and produced by Francisco Nicosia 
You can use this track for whatever you want or need.
Creative commons
i will appreciate your colaboration in my profile..!
thanks !!

Dark Latitude (You can use this track for whatever you want or need, creative commons)

Sometimes when playing organ preludes and postludes in church, I improvise on rap songs. Sometimes I start with something else (say, for example, motives based on my own interpretations of "redemption" or "jubilation" or "cupcakes") but the journey ends up, somewhere along the way, in the loopy-oriented terrain a rap song or vice versa. 

Most people listening out in the pews more often than not have no idea what sources I quote at the time (depending on who's out there, of course), but the most intriguing part of the exercise is that people of all stripes seem to like the pieces, and have said to be "moved" by them in ways unconventional and far away from a song written for, say, a club. 

There is little material intervallic and harmonic difference between a song played on the organ and a song played through a DAW after all; meaning is ultimately ascribed through timbre and context. This fact testifies to the power of a delicately placed recontextualization and is proof of an "everyday sacred"  contained in even the most deceivingly simplistic 4/4 riffs and 12-bar bass lines.  

A 2013 Gate Production. 
Composed and Performed by Kara-Lis Coverdale in Montreal, Quebec. 

Browser Music 4

Andrew Pekler