Hi, I’m Conor Neill, an entrepreneur and teacher at IESE Business School.  I speak and write about Persuasion, the art of Moving People to Action. I have founded 6 companies and have the privilege of being father to a great little daughter.  I live in Barcelona, Spain.

DanceHall - Soca - NuCumbia - GlobalBass - HipHop - Ragga - Champeta - Zouks

Bebel Gilberto (born Isabel Gilberto de Oliveira on May 12, 1966 in New York City) is a Brazilian popular singer often associated with bossa nova. She is the daughter of João Gilberto and singer Miúcha. Her uncle is singer/composer Chico Buarque. Gilberto has been performing since her youth in Rio de Janeiro.

Bebel's debut song was, as expected, precocious. At the tender age of nine, Bebel had already performed at Carnegie Hall with her mother and Stan Getz, and had previously participated in the musicals Pirlimpimpim and Saltimbancos with her mother and her uncle Chico Buarque.

Her professional solo debut came in 1986 with a self-titled EP released by WEA which included "Preciso dizer que te amo," a partnership with Cazuza, Dé, when both were in the Barão Vermelho band. In 1991, the daughter of Gilberto and Miúcha traded Ipanema, where she grew up, for Manhattan, where she was born. Bebel continues to live in New York City, but shares her time between the U.S. and Brazil.

Bebel was a great friend of Cazuza and she composed several songs with him in addition to "Eu preciso dizer que te amo," including "Amigos de Bar," "Mais Feliz" and "Mulher sem Razão."

Bebel next participated in the project Red, Hot + AIDS, joining major music stars such as Everything but the Girl, Maxwell, George Michael and others for the benefit CD recording. She also collaborated on the CD of Japanese producer Towa Tei Future Listening, singing on the hits "Technova" and "Batucada" and also participated in the project Peeping Tom Mike Patton (former lead singer of Faith No More), singing "Caipirinha."

With the release of 'Tanto Tempo' in 2000, Bebel concocted her trademark electronic bossa nova, which took over clubs around the world and positioned Bebel as one of the top-selling Brazilian artists in the U.S. since the '60s. With her second album, 'Bebel Gilberto' (2004), she refined her sound to create an acoustic lounge style that showcased her strengths as a Brazilian composer.

With Momento (2007), her third album in seven years, she wanted to do a fusion of both. Mixing the taste of Rio 'Orchestra Imperial' with the melting pot of New York's Brazilian Girls, and following the direction of the English producer Guy Sigsworth (Madonna's partner in "What It Feels Like for a Girl"), Momento reaffirms the international character of Bebel.

All in One, which was released worldwide on September 29, 2009 on the famous American jazz label Verve, was released in Brazil by Universal Music. It is the least electronic-infused of her albums, it also brings to the forefront more of Bebel's personality and love for organic styles.

To forge a mature serenity on 'All in One,' Bebel had a super team of producers including Mark Ronson (Amy Winehouse, Lily Allen), John King (Dust Brothers, Beck), Daniel Jobim, Carlinhos Brown, Didi Gutman (Brazilian Girls) and Mario Caldato Jr (Beastie Boys, Bjork, Jack Johnson).

Since the launch of 'Tanto Tempo' in 2000, it has sold over 2.5 million records and has been featured on seven film soundtracks (including "Next Stop Wonderland," "Bubble," "Closer" and most recently 2010's "Eat Pray Love") and seven TV series (Sex and the City, Six Feet Under, Nip/Tuck ...).

Discography:

Studio albums:
Um Certo Geraldo Pereira, Funarte (with Pedrinho Rodrigues) (1983, Atracao)
De Tarde, Vendo O Mar (with Luizão Maia & Banzai) (1991)
Tanto Tempo (2000) Ziriguiboom
Bebel Gilberto (2004) Ziriguiboom
Momento (2007) Ziriguiboom
All in One (2009) Verve Records

Remix albums:
Tanto Tempo Remixes (2001) Ziriguiboom
Tanto Tempo (Special Remix Edition) (2003) EastWest Records
Bebel Gilberto Remixed (2005) Ziriguiboom

EPs:
Bebel Gilberto (EP) (1986) Warner Jazz
Bring Back The Love — Remixes EP 1 (2007) [digital-only]
Bring Back The Love — Remixes EP 2 (2007) [digital-only]
Live Session (iTunes Exclusive) - EP (2008) [digital-only]

Odradek Records is a democratic classical cooperative, non-profit and artist-controlled label and concert association, promoting new artists and fresh repertoire.

Entrance to our roster is through anonymous demo.

Our dream is utopian: to separate music-making from markets and create a just system of pure artistic meritocracy.


Odradek Records is not just a new record label. Odradek Records is the first wedge of a larger project, proposing a new way to produce and enjoy classical music. We think that the current model undermines the true essence and significance of music. We think that a model centered on just a few big names, the great concert halls, a limited repertoire that is necessarily restricted by the bonds of popularity--a model that makes its selection of new young performers from the anti-musical system of competitions, the success of which is often obtained through extravagant histrionics rather than the correctness or subtlety of interpretation--and finally, a model that is subject to the exploitation of the marketplace, and which obliges the majority of musicians to pay enormous sums to record CDs, for which the profits then go largely to the record company, thus depriving many very worthy but not wealthy musicians from the possibility of recording--is not only a model that is far from art, but is a model that even itself is in crisis. 

Ideally, music just as other primary goods, should not fall subject to the markets. We know that in a strict sense, this is utopian, but it is precisely this tension towards an unreachable utopia that guides our project.

Odradek Records is a non-profit seeking label. Once production and distribution expenses are recuperated, all of our proceeds go directly to the artist. Odradek Records selects its artists solely through the criterion of utmost quality of the recording and the interest of the proposed program. We don’t want to exclude, but rather include: we are not interested if you have won important competitions or not, neither if you have performed in important halls or signed with major labels. We are not interested in your age or where you come from. The only thing that interests us is whether you play your instrument to a very high and professional level. With us you can record Chopin, but you can also record: Berio, Scelsi, Copland, Carter, Webern, Schoenberg, Ligeti, Kurtag, Ives, and many others.

Our recording studio avails itself of the greatest technical instruments available today.

The distribution of our CDs is guided by an innovative criterion of transparency and flexibility in setting prices.
The rights of the composers and of the artist are protected by Creative Commons copyright (sometimes referred to as “copyleft” policy) because we want to render legal and free all those things that almost everybody already illegally does anyway.

We consider that the distribution of our music is not a one way street, but instead a dialogue. Only the presence of an active public gives true life to an artistic product. Write us. In the comments section you can leave opinions, suggestions, and criticisms of our music and our project. If you want to you can sign up as a “Friend of Project Odradek”, indicating your name, your profession, where you are from, and why you support Project Odradek. Send us your thoughts on the state of music, culture, and the arts: we’ll publish them on our blog.

If you like us, help us spread the word by linking to us from your blogs, sites, and through your social networks.

Odradek Records does not only produce CDs. We are convinced that the truest fruition of music happens in live concerts. For this reason we organize itinerant music festivals, moving from city to city, to promote our disks and music.

And finally, a word about our name: we borrow it from Kafka. Like the worried family man in Kafka’s tale, we are also worried. We are worried that music might become always more and more an odradek, an indefinable and incomprehensible being, whose voice sounds falsely, like the voice of one who is “without lungs”, a being without form, disturbingly replicating that which was once alive, that can plastically become whatever is wished for by those who posses the instruments of power and control. We wish for the cage-like railing surrounding the man of Kafka’s drawing to become instead an instrument to play - we would like to transform our prison into our liberty. 

We would like to restore music to its true role, that of artwork, and restore musical interpretation to its true function, the only one that opens itself towards the possibility of a future: that of a field of research.

Welcome to Project Odradek.

Animated videoclip by me:
https://www.youtube.com/watch?v=i-35sQFkeNk

Merch: 
http://www.redbubble.com/es/people/sukopyramid

Rewiews/reseñas:
http://shepherdexpress.com/blog-13818-max-devereaux-and-suko-pyramid-bring-out-the-best-.html

https://crazyminds.es/nuevas-bandas/openminds-13-suko-pyramid-pop-60s-70s-jazz-indie-fusion/

https://www.segundopremio.com/2019/06/20/suko-pyramid-over-explained/

https://rabbitholerepost.blogspot.com.es/2017/09/interview-with-suko-pyramid-max.html

https://rabbitholerepost.blogspot.com.es/2017/02/juicy-costumes-by-suko-pyramid.html

Videoclips with Max Devereaux:
See The Light: https://www.youtube.com/watch?v=k_8NSHbyJ4Y
The Moon In Hearts(Live From The Bathtub): https://www.youtube.com/watch?v=jSRf9HfOtkc
Yellow T-Shirt: https://www.youtube.com/watch?v=x0mw4OjQ9lg

Videoclips with moduS ponY:
Dry Pasta: https://www.youtube.com/watch?v=xqcSN1G2lgA&list=PL9meOTygwDLpaDCqyJ2785-v8c84XVcyY&index=1
Maybe I Have Tetanus: https://www.youtube.com/watch?v=LbWHp0Nod_s&t=26s

pelluz is following