Name: Concerto in F Minor, BWV 1056: II. Largo by PENTATONE in JOHANN SEBASTIAN BACH *
Duration: 2 min 50 s
Description: Discover now! http://smarturl.it/BachHarpsichord2

JOHANN SEBASTIAN BACH *

Bach: Sei suonate à cembalo certato è violoncello piccolo solo

Sonata No. 2 in A Major BWV 1015: III. Andante un poco (Transcription for violoncello piccolo and continuo)

Bach: Fantaisies chromatiques, sonates & transcriptions

Sonata No. 4 in E Minor, BWV 528: II. Andante

Bach: Sei Solo a Violino senza Basso accompagnato - II

Sonata per violino senza basso accompagnato No. 2 in A Minor, BWV 1003: III. Andante

Sonata per violino senza basso accompagnato No. 3 in C Major , BWV 1005: III. Largo

Bach: Partitas

Partita II in C Minor, BWV 826: IV. Sarabande

Bach: Concerts avec plusieurs instruments I

Concerto pour hautbois d'amour in A Major, BWV 1055: II. Larghetto

Bach: The Well-Tempered Clavier, Book I

The Well-Tempered Clavier, Book 1: Prelude XIV in F-Sharp Minor, BWV 859

Bach: Ouvertures

Ouverture in C Major, BWV 119R (Reconstructed from the Opening Chorus of Cantata BWV 119 "Preise, Jerusalem, den Herren")

Bach Coltrane (Alpha Collection)

Cantata Vergnügte Ruh, beliebte Seelenlust, BWV 170: Aria No. 1

ÜberBach by Arash Safaian. Performed by Sebastian Knauer, Pascal Schumacher, Zürcher Kammerorchester

ÜberBach

I. Aria (After Aria, Cantata "Vergnügte Ruh, Beliebte Seelenlust", BWV 170)

J.S.Bach Et Misericordia From Magnificat BWV 243 - Dir.Herreweghe

Bach: An Italian Journey

Concerto in D Minor, BWV 974: II. Adagio

With Le Banquet Céleste, Damien Guillon, Maude Gratton

Bach: Cantatas BWV 169 & 82
https://lnk.to/BachCantatas169_82

Following his recording of J.S. Bach’s solo cantatas for alto BWV 35 and 170 (issued by Outhere in 2009), and building on the success of that disc – still a benchmark even today – countertenor Damien Guillon has continued his work of research and interpretation, devoting his second CD to the Cantata BWV 169 for alto solo, and to the famous BWV 82 Ich habe genug; though better known in its 1727 version for bass, from 1735 onwards it was also performed by an alto voice.
To complement this cantata programme, organist Maude Gratton performs Bach’s Prelude and Fugue BWV 543, as well as the chorales Allein Gott in der Höh sei Ehr, BWV 662, BWV 663 & BWV 664.

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Après un enregistrement consacré aux cantates pour alto BWV 35 et 170, paru en 2009 chez Outhere et devant le succès de ce disque qui fait aujourd’hui encore référence, Damien Guillon poursuit son travail de recherche et d’interprétation en consacrant un deuxième opus à la  cantate pour alto solo BWV 169 et à la fameuse BWV 82 Ich Habe Genug, plus connue dans sa version pour basse (1727) mais aussi interprété dès 1735 par un alto.
En complément de ce programme, l'organiste Maude Gratton a associé à ces cantates le prélude et fugue BWV 543 & ainsi que les chorals Allein Gott in der Höh sei Ehr, BWV 662, BWV 663 & BWV 664.

Bach: Cantata "Ich habe genug", BWV 82: I. Aria "Ich habe genug"

Discover now! http://smarturl.it/BachHarpsichord2

Concerto in F Minor, BWV 1056: II. Largo

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Concerto in F Minor, BWV 1056: II. Largo

PENTATONE

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