NO FEAR IT'S QUEER 

Your gender bending, freedom lending, love bursting excuse to let loose 

Let’s make love ❤️

Luncbox Candy - Cosmic Dolls Domination - May 24th  

https://ra.co/events/2164727

Lunchbox Candy - Amsterdam - @ RAUM - July 4th 

Lunchbox Candy @ WHOLE FESTIVAL - BEACH STAGE, Saturday July 19th 

Lunchbox Candy - The Ket Gala @ AEDEN - July 26th / 27th 

Lunchbox Candy - The September Issues @ KREUZWERK - Sep 20th 

Lunchbox Candy DJs @ Los Ninos - Brussels - Oct 11th 

Sugar Free - October 19th @ AEDEN 

Lunchbox Candy - 4 Year Anniversary - November 8th @ KREUZWERK 


https://www.instagram.com/lunchboxcandy/



https://elninodiablo.bandcamp.com
https://www.adammunnings.com

SAVE THE DATE, 2026
July 17-20, Ferropolis 🫦

average music producer & DJ

team @chevryagency
contact • dalb.music@gmail.com
booking request • booking@chevry-agency.com

punctual trance
@punctualityrecords

AKA @spriitzz

mgmt: cg@285.group
booking: peter@klsbookings.com
NA / SA: marlena@liaisonartists.com

A collective, a family. Of gold miners & creators alike. Of party goers & party throwers...

Team:
@felon5
@buddylovemusic
@jhobei
@oliverrf5
@bizarrezeus
@charlezemusic

Booking Request :
zac@rowzbookings.com

Contact :
info@bizarretrax.com

Bookings:  BOOKING@JOSE.CLUB

JOSÉLO is a NYC-based DJ and founder of Maricón NYC, the underground party
pushing queer and Latinx sounds to the front. His sets blend Latin house, club, and

techno—anchored by sexy, percussive rhythms and a fearless energy. Known for high-
impact performances and unapologetic vibe curation, JOSÉLO brings fire, feeling, and

resistance to every dancefloor he touches.
He’s played some of the most respected spaces in NYC and beyond, including Boiler
Room, Basement, and Nowadays. His reach extends internationally, with performances
in cities across the globe. JOSÉLO has also brought his sound to major cultural
institutions and brands, including MoMA PS1, the Adidas flagship store, and Ivy Park
activations. Most recently, he released an explosive mix for NTS Radio, showcasing his
signature sound to a global audience.
As a tastemaker and community builder, JOSÉLO continues to create spaces that uplift
queer, Latinx, and POC communities through sound, sweat, and connection.

FLOORPAN "THE MASTER'S PLAN" (CLASSIC MUSIC):
https://cmc.lnk.to/cmcd141d

Before I got into this music I wanted to be an originator ; I wanted to be original".
Founding member of the legendary group Underground Resistance as a 'Minister Of Information' with ‘Mad’ Mike Banks & Jeff Mills, his seminal works on Jeff Mill's Axis and his very own M-Plant imprint paved the way for a wave of stripped-down dancefloor minimalism that directed much of techno's path throughout the late Nineties.
Robert Hood makes minimal Detroit techno with an emphasis on soul and experimentation over flash and popularity. 

"Growing up in Detroit, I grew up with Motown in the house - a lot of Motown and Philadelphia soul, artists like Marvin Gaye of course and Curtis Mayfield. I remember Isaac Hayes, the soundtrack from ‘Shaft’ had come out. My father was a jazz musician; he played piano, trumpet and drums. My mother was in an R’n’B group.
We listened to a lot of Motown - in fact, my grandfather’s first cousin is Berry Gordy.
"I was influenced by my father - I wanted to play trumpet like he did."
Robert's father tragically died when he was just 6. The photo of Robert siting down holding a trumpet is his fathers.
"I had to beg my grandmother to let me borrow the trumpet to take a picture with it"

In the early 90's he began to concentrate on his own production 'Vision EP', the 'Riot EP' and X-102 were big stepping-stones for him as they were the first releases he worked 100% on his own. The X-101 to X-102, were Waveform Transmission projects with Mills for Tresor. He slowly progressed to work more and more on his own, but collaberated on some of the first Axis releases with label owner Jeff Mills as H&M (Hood & Mills) with ‘Tranquilizer EP’ and ‘Drama’.

He soon decided it was time for him to start his own label to focus on what was in his soul musically. M-Plant started in ’94. I had developed this “grey area” sound - what I mean by that is that in Detroit, even when the sun is out, there’s something in the atmosphere. I don’t know if its pollution or whatever, but the sky has that grey haze over it. It’s got to be something from the industrial factories there. I’d never really heard a sound like that before and it came from a Roland Juno - it was a chord sound that really went along with my depiction of what Detroit was at that time. A lot of buildings were abandoned and there was a lot of lifelessness in the city, especially downtown. The M-Plant, in minimalism, kind of reflected that. I remember thinking of Detroit like a museum. You know, like a work of art standing still, suspended in time. There wasn’t a whole lot of activity going on.

Releasing singles such as "Internal Empire,", “The Protein Valve” "Music Data," and "Moveable Parts", "The Pace", more recently "Range", "Alpha" and that isn't even touching his other monikers Floorplan, Monobox, The Vision, etc.
"M-Plant is what I've always wanted to hear: the basic stripped down, raw sound. Just drums, basslines and funky grooves and only what's essential. Only what is essential to make people move. I started to look at it as a science, the art of making people move their butts, speaking to their heart, mind and soul. “It's a heart-felt rhythmic techno sound. M-Plant is just M. minimal. “

Although his desire to remain underground has been replaced by an urge to reach a wider audience, mainly via his housier, disco, gospel moniker Floorplan with his daughter Lyric Hood,   Hood remains fiercely critical of artistic and economic movements destructive to inner-city communities and has combined his musical enterprises with outreach and social activist ends.

Strictly Rhythm Records is house music.  Since 1989 the legendary New York label not only put out records by almost every name in the game, but it also defined house music throughout the 1990s with Erick Morillo, Todd Terry, Louie Vega, Kenny Dope, Armand Van Helden, DJ Pierre, Roger Sanchez, Josh Wink, Ultra Naté and Barbara Tucker.  As well as keeping the underground stoked with a steady supply of club grooves, the label also delivered a stream of crossover hits with Reel 2 Real’s “I Like To Move It”, Ultra Naté’s “Free”, Wamdue Project’s “King Of My Castle” and Wink’s “Higher State Of Consciousness”.  

Relaunched in 2007 after a five year break following a short-lived venture with Warner Music, Strictly Rhythm did what no dance label had ever done: successfully re-launch itself.  The label made many of its classic releases available on digital download for the first time and signed new productions from the likes of Quentin Harris, Osunlade, Bingo Players Vs Chocolate Puma, Dennis Ferrer, Michel Cleis, Dirty South and Bob Sinclar.  
Always an innovator, the label that invented the 12” white label and put out the first ever commercially released DJ Mix CD in 1993 (The Tony Humphries Strictly Rhythm Mix) is still at the cutting edge, finding and promoting the best in house music.

Pepiita’s creativity is boundless, but music is truly her passion. Raised in Bordeaux, she moved to Paris early in her career after studying film, but soon found her calling in the underground electronic music scene. A resident DJ at Barbi(e)turix and Rosa Bonheur, she is also the co-founder of the Queer Ranch Festival in Lesbos.

Pepiita champions freedom and inclusivity on the dancefloor. Her infectious energy fuels her dark disco sets, which flirt with hard house and rave, leading you on an unforgettable journey across miles of dancefloor. Get ready—her sense of fun is unstoppable.

Pepiita is following