Fabulous

PASS THE WEED

We'll make your week by bringing you a roundup of the music we can't stop listening to and which we recommend you check out.

𝔽𝕦𝕝𝕝 𝕡𝕝𝕒𝕪𝕝𝕚𝕤𝕥 𝕠𝕟 𝕊𝕡𝕠𝕥𝕚𝕗𝕪 - 𝕃𝕚𝕟𝕜 𝕚𝕟 𝕓𝕚𝕠.

Playlist: New Music Monday

#Playlist 51

Dark Skin Space

The best of modern psychedelic rock,  neo-psychedelic, and psychedelic indie.

Modern Psychedelia

New single out now as part of Drum&BassArena’s 25th anniversary series. 

Stream / download here: https://ffm.to/dnba25_flipthenarrative

Flip The Narrative

Artist: AUCO
Current pronouns: they/them/theirs

Please welcome AUCO for mix number 42 of the Oscillate Mix Series. I first met AUCO working as artistcare at a friend’s party this Summer and was immediately hooked by the dynamics and energy of their set. AUCO is a DJ, producer, radio host and label owner from London currently living in Berlin. Apart from djing Berlin's hottest parties, they are also one half of Infinite Quest alongside Neana which started as a radio show on Cashmere and has grown into a party series and also a label recently. This mix was recorded after a night out when AUCO was feeling particularly inspired by being able to move and feel their body within a club space after a long time of pandemic induced abstinence. Recently AUCO released their first solo EP on Infinite Quest Records. Thank you for bringing your energy to the Oscillate Mix Series!

Current influences: Peshay, Horsepower Productions, Heavee

https://soundcloud.com/auco23
https://www.instagram.com/auco_co/
https://cashmereradio.com/shows/infinite-quest/
https://infinitequestrecords.bandcamp.com/album/auco-ep

AUCO recommends this charity to look into and consider donating to: 
African Rainbow Family (ARF) is a not-for-profit charitable organisation that support lesbian, gay, bisexual, transgender, intersexual and queer (LGBTIQ) people of African heritage and the wider Black Asian Minority Ethnic groups. ARF was established in 2014 by a lesbian in the wake of some Commonwealth countries in Africa’s toxic and draconian anti-gay laws, persecutions and environment which seek to criminalise LGBTIQs for the preference of whom they choose to love. (description taken from their website)

https://africanrainbowfamily.org/

Oscillate is taking the artists up on their recommendation and will be donating money to the cause provided from now on.

Oscillate
Bandcamp - www.oscillate-tracks.bandcamp.com/
Resident Advisor - www.residentadvisor.net/to/oscillate
Facebook - www.facebook.com/oscillatemusic
Instagram - www.instagram.com/oscillat_e/

Photo credits: Rachel Israela

Oscillate Mix #42 - AUCO

TITLE: 1312
ARTIST: DJ Fucks Himself + jpeg.love
REMIXERS: Terrorrythmus + Tooflez All Starz
LABEL: TOOFLEZ + RAIDERS 
RELEASE DATE: 13-12-2021
MASTERED BY TIM @ Man Made Mastering
ARTWORK BY Alexander Pannier

@raiders_records
@djfuckshimself
@jpeglove
@terrorrythmus
@andi_a_303
@doshy
@midikidzmusic

BANDCAMP

[TFZ012] 1312 EP - jpeg.love + DJ Fucks Himself (+REMIXES)

Buy = Free Download
Babasonicos nunca se le ocurrio que podia cruzarse con Charli Xcx, AG Cook, Umru y Dylan Brady.... las cosas que hace posible internet.
Cuantos fans de Dargelos y Pc Music habran?

Villancicos 2021

FREE DOWNLOAD

La Pregunta x Click (Garoto 3000 Mash)- Babasonicos x Charli XCX

Stream "THE LOVE" album where music is heard https://music.empi.re/thelove

Follow @KidCapri101 on the webby web
🎧  Instagram: https://www.instagram.com/kidcapri101/
🎧  Twitter: https://twitter.com/kidcapri101
🎧  Facebook: https://www.facebook.com/TheRealKidCapri
🎧. YouTube ►► https://bit.ly/KIDCAPRI
🎧  TikTok: http://www.tiktok.com/@kidcapri101 
🎧  Official Website: https://kidcapri.com

Streaming:
🔊  Spotify https://open.spotify.com/artist/0uyaY...
🔊  Apple: https://music.apple.com/us/artist/kid...
🔊  TIDAL: https://tidal.com/browse/artist/30495
🔊  Soundcloud: https://soundcloud.com/kid-capri
🔊  Audiomack: https://audiomack.com/kidcapri

℗ 2021 No Kid'n Records
© 2021 No Kid'n Records

Karen Why You Caring

Canção da Cura

SCALPING  @scalpingmusic share a new single and video ‘Remain In Stasis’ featuring Grove @theyisgrove, taken from the band’s highly anticipated debut album ‘Void’. The video, recorded on location in the iconic @fabric club, is a visceral and raucous live performance which captivates the energy and brutality of the track.
 
‘Remain in Stasis’ features fast-rising artist Grove; the Bristol-based vocalist, producer and self-professed metalhead whose commanding presence sets the track alight.  Grove's 2021 release ‘Spice’ launched them into prominence with high praise from Crack Magazine, Metal Magazine, Mixmag, Resident Advisor, Pan-African Music, Hunger and more. 

“Me and SCALPING met at Mickey Zogg's in Bristol since our @noodsradio radio shows are one after the other. I've admired their artistry for time and was gassed to be asked to work on a tune together. After a few pints and good conversation on the concept of memory, we got to work warping and playing with their track demo. I landed on lyrically exploring the duality of memory. It has the power to be beautiful/terrifying, reminiscent/ traumatising and all the shades of mundane in between. This is a cathartic exercise of that.  Grove

"It's very exciting to share our first music with vocals. This was our first time collaborating musically with someone outside of the band, and working with Grove was amazing. The energy they brought to the process and the way they evolved the song was incredibly refreshing; especially after working on our music remotely through various lockdowns for the best part of two years. Although Remain in Stasis is musically the most straightforward track on the album, it took us the longest to finish. We finished the mix while in the van on the way to London to master the album." Scalping

SCALPING - Remain In Stasis (feat. Grove)

Hold Tite

I Like Dis

Up and Away

Nomad

Extra Presence

WaterWavesArrival (feat. Jesse Peterson)

Dedicated to my wonderful grandmother, Charlotte

in loving memory of Reason Tillman-Morgan

Charlotte

About Damn Time

Lessons In Love

Artemus

BUY HERE

Love Is Why

COMPLEX OF KILLING A MAN FINAL

INTO THE BLUE

We're Not In Orbit Yet…

Verse Simmonds new single "Boo Thang" featuring Kelly Rowland.

Boo Thang

Boo Thang (feat. Kelly Rowland)

Quilombo do Futuro dives deep into afro-brazilian rhythms and sound system culture.  It's the roots of the terreiro growing and overtaking the asfalto.  Crumbling it bit by bit.  Life that springs from urban decay.  Coco, maculelê, samba, jongo and capoeira meet ragga and dub, hip hop and kuduro, grime and dubstep. Organic elements combined with electronic production to bring the punch and power for big sound systems, this is serious batucada and bass, mids, treble. TUDO.

Maga Bo has performed and worked in over 40 different countries - from Delhi to Sydney, Berlin to Addis Ababa, New York City to Brasília, all the while keeping his feet (and ears) firmly planted in the sonic axis RJ/SP/BA - Rio de Janeiro, São Paulo, Salvador.  Inspired as much by his experiences touring internationally in the global beats and bass world as his time spent in the traditional Afro-Brazilian roots scene in Rio de Janeiro, Quilombo do Futuro offers a careful juxtaposition of raw, heavy bass with organic, instrumental and vocal subtlety.  Far from relying on pre-made loops of "Brazilian" drums or other shallow cultural signifiers, this album was recorded with some of the most original and brightest musicians in Brazil today. 

Working with celebrated Brazilian musicians, BNegão, Gaspar, Lucas Santtana and Marcelo Yuka, the record also brings in new talents, Funkero, Biguli and one of the most innovative groups in Brazilian music today, BaianaSystem.  Bo's mestre of capoeira angola, Mestre Camaleão, brings the berimbau while Rosângela Macedo's vocals hold down tradition.  Guyanese Brooklynite, Jahdan Blakkamoore, and Panamanian Chicagoite, MC Zulu, bring the dancehall vibe to riddims that most don't even try to touch.  All percussion was tracked and produced by Maga Bo and his long time partner in riddim, percussionist and fellow carioca, João Hermeto. 

A quilombo was an autonomous, fugitive settlement founded by ex-slaves and others in colonial brazil.  The Quilombo do Futuro is more than a possible physical space.  It is a potential world-wide agglomeration of cultural resistance.  After centuries of wealth generated by an economy built on slavery (and the subsequent post-abolition adaptations), the Quilombo do Futuro is a break from this legacy.  Fortified by an international community based on plurality, inclusive democracy and direct communication, cultural resistance is paramount in creating a sustainable, healthy existence in the face of world-wide corporate domination.  

Born in the United States and based in Rio de Janeiro since 1999, Maga Bo has collaborated with Mulatu Astatke, Issa Bagayogo, Bollywood star Shilpa Rao, BaianaSystem as well as releasing critically acclaimed remixes for Poirier, Luisa Maita, Filastine, Blick Bassy and Bomba Estéreo.  His music and remixes have also been released on Tru-Thoughts, Ninja Tune, Cumbancha, Dutty Artz, World Connection and many others.  Among his many international tours, he has performed at the Sydney Festival, WOMEX, Club Transmediale and Mundial.

02  No Balanço da Canoa feat. Rosângela Macedo and Marcelo Yuka

Lala &ce | Boiler Room Festival | Day 2: Rap

The Slow Rush

One More Hour

prod.Kuro

@yungkuro666
@lokmanabdulhaleem

CARAMLEH

with @sawyersawya 
mix/mastering by @sawyersawya 
cover by @sawyersawya

"/enable fly" feat. Sawyer

www.monsieurdoumani.com
A satirical song by Monsieur Doumani inspired by the financial crisis in Cyprus. From Monsieur Doumani's debut album 'Grippy Grappa' (2013)
Vocals: Maroulla Constantinou from Astromeritis
Backing vocals: Dimitris Aristidou, Symis Sioukouroglou, Efthymia Alphas, Monsieur Doumani
Clarinet: Symis Sioukouroglou
Music/Lyrics: Antonis Antoniou
........................................­.......................................

Τωρά που λείφτης τον ππαρά εδίκλισες τζαι κάτω,
Τόσο τζαιρό αππώνεσουν παιάκιν μυρωάτον
Τζαι τοσα που δανείστηκες να χτίσεις τζείντο σπίτι
να πιάσεις Μπι Εμ Νταπλουγιου ντάμα να μεν σου λείπει
Την γραβατούν τυλίχτηκες τζ΄ είπες άμπρα κατάμπρα
Τζαι νόμισες ρε πίθηκε πως έννα μοιάσεις μ'άντραν.
Μα τώρα που τα λείφτηκες σου φάνην η μιζέρκα,
Εν προλαβαίνεις να βουράς να γλείφεις κωλομέρκα
----------------------------------------­---------------------------
The money fountain ran dry, you hit hard earth with a bump, perfumed boy you lived like a spoilt brat
All that debt for the big house, and the BMW car, never short of a tart
Flashy ties, always smart and abracadabra, little monkey you thought you would become a man
End of the road now no more easy pickings, can't run fast enough, busy arse-licking

Παιάκιν Μυρωάτον/Young upwardly-mobile professional - Monsieur Doumani feat. Maroulla Constantinou

I Just Wanna

K.G.

Intrasport

Chicago’s Jana Rush records an hour of high-energy footwork and head-spinning rhythms for the On Cue mix series, and speaks to Ray Philip about balancing creativity with a busy day job, mental health, and her forthcoming music on Planet Mu

Interview: https://djmag.com/features/cue-jana-rush

On Cue: Jana Rush

Multi-award winning experimental pop auteur, Sasha Perera aka Perera Elsewhere is a producer, musician, songwriter and DJ who has garnered critical acclaim from Pitchfork, NPR, BBC, FADER, Vogue, KCRW and many more. Her use of technology to create and to experiment with her voice, lyrics, trumpet, percussive beats, bass frequencies, sound design and existential ideas all led to what fans and press initially coined the ‘Doom-Folk’ sound of the Perera Elsewhere project. She found a home on Los Angeles based label Friends of Friends where she has released 3 albums that have seen her sonic imprint graciously evolve. Her music evokes a hybrid of comparisons such as Mica Levi, Dean Blunt, Jon Hassell and Massive Attack.
Journeys have punctuated Perera Elsewhere’s life perspective and career, taking her from London’s vibrant club scene to Berlin’s bass experimentalist underground. All of which developed her shapeshifting approach to music. Elsewhere, but always rooted. No matter where Perera has found herself musically–from live shows & DJ sets at institutions such as Berghain, the Guggenheim, the Hamburg Philharmonic, Sonar Festival and Boiler Room.
Her music has been licensed for Ava Du Vernay’s ‘Queen Sugar’ series, by Oscar winning director Paolo Sorrentino for his ‘Loro’ film and recently by Apple for the promotional launch of their faster than ever M2 chip.
A true multi-hyphenate, Perera’s open and autodidact technique is also highlighted by a long list of side releases, collaborations as well as bespoke compositions for moving image, theatre and audio-visual installations for leading global institutions such as Bass Museum Miami (2022 and ZKM in Karlsruhe (2024). She produced 4 songs for German icon Nina Hagen’s recent album (2023).
Perera Elsewhere won ‘Best Act ’at the VIA awards 2022, the only independent award for musical innovation in Germany. She also won Sony Music Germany’s ‘Female Producer Award’ in 2024.
Perera’s published works have led to invitations by renowned institutions such as Ableton, Native Instruments, Yale or Berlin’s University of Arts and the award- winning Errrormusic programme to share her creative knowledge via studio sessions, workshops, teaching, and mentoring.   Sasha has also worked with the British Council and Goethe Institute as an artist and co-curator or mentor on music projects and music-tech education initiatives across Asia and Africa .  She recently composed the sound for a Kampnagel dance/ theatre production titled' Reparation Nation.'  Perera Elsewhere is clearly at home in many places.

Bookings : andrea@worldrhythm.net
Licensing / sync : leeor@fofmusic.net 
Composition/ remixes / other projects : info@pereraelsewhere.com 

 www.pereraelsewhere.com