COMING SOON

"Just some basses and celli from Areia and otherwise pretty much all SOLO." -Arn

Audio Imperia - SOLO: Going Places (Dressed) by Arn Andersson

Music by Jasper Blunk

Using Chorus and featuring select elements from upcoming Audio Imperia and Performance Samples releases

Audio Imperia - Chorus: Tech Demo - Men Slow Syllables

Official demo for Audio Imperia's choir library : Chorus

More informations about the library : https://www.audioimperia.com/collections/best-sellers/products/chorus-modern-cinematic-and-symphonic-choir-for-kontakt-player

Echoes Of The Stars - Official demo for "Chorus" (Audio Imperia)

Pacific - Strings - Legato Violins Improv Test (close-heavy mix) - by Jasper Blunk

No proc/eq/verb. Patch is not final in this example.

Pacific - Strings - Legato Cellos with Playable Sus Repetitions (mic mix)

No proc/eq/verb. Patches are not final in this example.

Pacific - Strings - Cello+Viola Sus with Playable Sus Repetitions (mic mix)

Light verb, no proc./EQ. Patch is not final in this example.

Pacific - Strings - WIP Test: Repeated Note Speed Flexibility (with [Legato] Sus Vla)

This piece moves gently, carrying a subtle sadness, but never sinking into despair. Its mood feels like quiet reflection — tinged with melancholy but also with warmth and dignity.
The music opens with a French horn solo, soft and resonant, its tone suggesting both distance and intimacy, like a voice calling from memory. The horn’s melodic line is simple yet noble, setting the reflective character of the work.
As the clarinet enters, it answers the horn in a lighter, more lyrical voice, bringing a hint of comfort and movement. The bassoon follows with a deeper, more grounded timbre, adding weight and gentle sorrow to the texture. Underneath, the cello provides sustained tones and subtle, pulsing rhythms — not heavy, but steady, anchoring the ensemble.
Through the middle section, the four instruments weave together in a chamber-like conversation: the horn’s phrases stretching long and noble, the clarinet offering sigh-like responses, the bassoon coloring the harmony with a touch of gravity, and the cello carrying a quiet undercurrent of resilience.
The piece gradually thins out near the close, leaving the French horn once again in solitude. The final horn solo mirrors the opening, but softer, as if the memory has faded — not with sorrow, but with acceptance.
The overall impression is of a slightly sad but tender piece, evoking reflection, farewell, or the quiet turning of a page.


Echoes of Tomorrow

Maximo: Action Packed & Powerful Cinematic Orchestral Sampling
https://www.sonokinetic.net/products/instruments/maximo/?ref=sndcl
Maximo fills a space in our phrase-based orchestral line-up that many composers working in media have been waiting for. Like the old adage, we didn't go home, we went BIG! Our enlarged and expanded orchestra worked overtime to play the biggest, baddest orchestral phrases possible. Not only is the sound huge, but the writing has been tailored to this specific set of instruments. Some phrases were composed specifically using unusual harmonic content like the odd flat 6th and flat 2nd intervals. We created a product that will fit in perfectly with any contemporary writing style. 
Of course all of the stuff you would expect in a Sonokinetic phrase-based instrument is there, so if you've used any of our instruments before you will be able to put Maximo to work right away without any trouble. Within minutes you'll be adding this big amazing sound to your palette. 
Using our midi drag and drop functionality doubling the orchestral phrases with a synth for that hybrid sound has never been easier. The full score is also available within the interface so you can peek under the hood and see what's going on compositionally with the phrases you are using and how the sound coming out of your speakers has been achieved.
Expanding the brass section and having them play their lungs out was a very visceral experience and we think it translates really well to the finished product. The sound has a 'kinetic' strength and brings about a joyous feeling that is hard to ignore. We've been smiling all the way through production with this one!
For the strings and woodwinds the emphasis is on the lower side of things too, with 8 double basses, 16 celli, 6 bassoons and a contrabassoon. We've made sure that the low content has enough pressure and presence to carry a mix all the way through, whatever you decide to add on top.
We, at Sonokinetic BV, are very proud to introduce Maximo to you and can’t wait to hear the amazing things you, our valued customer base, will produce with it.

Maximo Demo - Captain Bitonus - Sascha Knorr

Composed & Orchestrated by Benny Oschmann
Performed by the "Brandenburgisches Staatsorchester Frankfurt/Oder"
Conducted by Bernd Ruf

Take a look behind the scenes of the music for "The Raven":
http://www.youtube.com/watch?v=Y6BePMIdOcY