Hast du alle drei PO-s oder nur den 12er? Meinst du man kann den 12er auch für DnB benutzen? Der klingt mir persönlich ja eher geeignet für was langsemeres

After watching the video for this I had to immediately cycle into the countryside and do some outdoor music making. Thanks for the inspiration!

https://www.youtube.com/watch?v=H6EFcYvFRO8

it is possible to put the PO 12 in stereo ?

Watch it live in the wild:
http://youtu.be/H6EFcYvFRO8

Glycoside (live jam in the wild + video)

fantasmadol 10-15r.sc

WASWAAS - Aversion

Roel Funcken - Dragomane Misinize ep

will release 15th of september 
digital, vinyl, poster and t-shirts will be available

A1	Otonbori Dosaka 	
A2	Foucault Pendula		
A3	Munai Bailer 			
A4	A Dyad in the Force 	

					
					

B1	Preneral Jyde			
B2	Theospinel Sulfide		
B3	Ekto Gambit 			
B4	Zonic Emulsifizm		


					
All tracks written and produced by Roel Funcken  
https://linktr.ee/roelfuncken

Art is a painting by Roel Funcken called Dragomane Misinize

Design/ Layout by Moicflo 
https://moicflo.com

Mastered by Snap Mastering 
https://www.snapmastering.com


Bion Glent records BG2020.001

Dragomane Misinize

Theospinel Sulfide

a new one for the Funck'd community 

only available trough subscription

https://roelfuncken.bandcamp.com/community

Funck'd

Bradykinin Hypothesis

Endless grey skies. Dim sunlight. Seeping cold...

Frozen Surfaces

Shift Cascade

Click Here To Buy!

Pre Polar - Shift Cascade

In anticipation of the JANKA debut album (planned for the beginning of 2021) we present 4 different versions of the song "Hanka Dub" (from the very first JANKA's "Krzyżacy" EP).

http://uknowme.bandcamp.com/album/janka-krzy-acy-ep

The authors of the new interpretations are Bennelux (Astigmatic Records), Petr Yac (DYM Recordings), Pin Park (Instant Classic / Coastline Northern Cuts) oraz Jazxing (The Very Polish Cut-Outs / Polena).

mastering: Kwazar
cover: Seikon

Hanka Dub Remixed

JANKA - Hanka Dub (Petr Yac Redub) [UKM 089]

From the album 'Liminal Space' out on Rednetic

Aesthetic Preservation

@nenormalizm-rec Showcase, mixed by @ill-o-can-b-lo

tracklist:
Tobetozero - Backbone (00:00)
Hobotek - Parkan Flow (03:20)
Palsekam - Gadget (07:30)
csum - When Thoughts Trapped in Wires (10:55)
King Imagine - Trip Fantasia (13:55)
Unconceptual - Wacky Game (Nothing Inappropriate Bonus Mix)(18:01)
Abjective - Socket box (21:34)
Rushmo - 3vision (26:12)
Hixory - Nejnost (30:51)
Fibo Toukro - 03_1^8 (34:16)
medkit - gray cat madrigal (38:26)
InSpectr - Angina (42:11)
Bruce Lee - Star Wars (46:25)
illocanblo - Trametes versicolor (49:09)
Potential DifferenSe - Battle for the Moon (illocanblo remix sleng teng classic) (55:22)
Potential DifferenSe - Exp (59:14)
yrrow - K (62:08)
Keiss - The White Sea (64:13)
The Petrus - Plasticface (67:52)
Unlogic Thing - sun (69:30)

https://nenormalizm.bandcamp.com/
https://www.facebook.com/Nenormalizm/
https://www.facebook.com/illocanblo/
Demos: nenormalizmlab@gmail.com

Nenormalizm Recs. >>

INDEx Mix #9 - Nenormalizm Recs. Showcase (mixed by Illocanblo)

French composer and multi-instrumentalist Christine Ott returns to Gizeh Records for her fourth album ‘Time to Die’, the sequel to the highly regarded ‘Only Silence Remains’ (2016). 

Info / Listen >> www.gizehrecords.com

‘Time To Die’ is a musical fresco in eight chapters, a sensory journey between the world of the living and the dead, for which the musician weaves a unique dramaturgy between contemporary classical and electro-acoustic music.

The title track picks up the story where ‘Only Silence Remains’ left off ... Like it’s centrepiece; ‘Disaster’, the beloved cinematic text here is read by Casey Brown. Ott seeks to offer strong sensations, without artifice, whether by the power of her compositions on the piano (‘Brumes’, ‘Horizons Fauves’), or by intuitive arrangements mixing her unique practice of Ondes Martenot with a maelstrom of Jupiter8, Monotrons, Timpani and Tubular Bells as on the first track. In addition, Ott captivates us with her harp playing on ‘Chasing Harp’, by her aerial singing on ‘Landscape’, or even on the airwaves on ‘Comma Opening’, which ends a triptych of songs after the versions published on ‘Chimères (pour Ondes Martenot)’ (NAHAL 2020) and on ‘Volutes’ from her side-project Snowdrops (Injazero 2020). These two previous records have been praised by critics, especially in the best records of the year according to The Guardian.

This expressive and spontaneous impetus, leitmotif in her musical production, takes a new form within ‘Time to Die’. Through the notes disseminated in an endlessly reinvented minimalist heritage, the interpretation is the ultimate musical glue allowing the pieces to come to life, thereby making this repertoire and its composer-performer unique. A universe where music - despite the album's title - never dies.

We finally share these few words from the talented American musician and videographer Fredo Viola, with whom Christine has forged long-distance correspondence since the first lockdown. Listening to the record, he wrote her these few words, which he allows us to share here:

"Stunning, terrifying, magnetic, delicate, painful and uncanny... It’s like discovering a bizarre object hanging very low in the sky, something beautiful but unfathomable, just out of reach. The way I see the album is as a series of quite cinematic meditations on the theme of death and dying, changing prismatically, up to that incredibly delicate and beautiful conclusion.” Fredo Viola

PRESSING NOTES
50 — Blue Vinyl + CD - Deluxe edition. Gizeh Store Exclusive. Includes the sheet music for the track 'Miroirs' housed inside a hand-numbered, silkscreened card folder with additional texts from Christine Ott. Heavyweight card sleeve with poly-lined paper inner.

200 — Blue Vinyl - Heavyweight card sleeve with poly-lined paper inner. 

CD — Housed in a six-panel digipak with additional artwork featured on the inner sleeve.

CREDITS
All music composed by Christine Ott
—
Christine Ott — Harp, Vocals, Piano, Ondes Martenot, Jupiter8, Percussions, Timpani, Tubular bells, Monotron, Vibraphone / Mathieu Gabry — Mellotron, Keyboards, Vibraphone, Effects, Processing and Arrangements on 1,4,5,8 / Casey Brown — Spoken Voice on 1
—
Recorded in Serpentine Studio Strasbourg, Conservatoire de Strasbourg & Musée Würth Erstein from 2012 to 2019 / Mixed by Benoit Burger in Spring 2020 / Mastered by Lawrence English / Artwork by Renaud Allirand / Layout by Richard Knox / Limited Numbered Vinyl Edition includes the piano score of "Miroirs", transcribed by Rémi Zeller

Time to Die

Christine Ott - Time to Die

Artist // Roel Funcken
Release // Semtinal Convex EP
Label // MethLab
Release Dates // Worldwide - 04.07.2019

METHLAB RECORDINGS continues its INTEGRAL AESTHETICS series with the SEMTINAL CONVEX EP, the debut release of veteran IDM pioneer ROEL FUNCKEN on the label. Championed within are the sonic ideals central to the INTEGRAL AESTHETICS series as the EP unfolds both radiant aural landscapes and complexly spiraling sonic sequences across its 6 tracks.

NEBULA MESSIR's vast pads wash over the looping rhythm created in the synthesis of its pulsating bass and cyclic drums, providing a backing for a variety of glistening motifs which unravel themselves from its center. PYKES KESSLER contrasts its predecessor with a sharp percussive palette which takes precedence over the groaning reverberations of its bassline in an experience of multifaceted turmoil reigned in by the constancy of its distant melody. THORN CACTI thusly represents a synthesis of the EP's opening pair, blending shimmering chords with dense percussive sequences that evolve convergently with its staccato melody for a track that is at once both dense and expansive. BOYTRON KOVAX features a collaboration with RECUE and unifies a disparate grouping of ideals within its span, moving between moments of mania and lucidity inexorably bound by naught but a shared tonality yet concise in their shared existence. Sharing its name with the EP itself, TITULAR CONVEX opens with a yearning arpeggio that floats upwards, effervescent atop a wandering drumbeat that slides effortlessly through a realm of wistful strings, frenetic vocal chops and dusky pads before exiting with phantasmal ease. SAVAREEN brings finality to the EP not with a decisive demonstration but rather with a conceptual remembrance. The track gathers the myriad textures of the EP within the grasp of its gentle atmosphere, releasing them in sparse bursts of reverie that fade into the ether of its pads before closing with a brief drum flourish which rolls into nothingness as though an afterthought.

With the TITULAR CONVEX EP, ROEL FUNCKEN & METHLAB RECORDINGS present a fiercely experimental work born of the joint unity of their philosophies, unfurling the sonic tale of the INTEGRAL AESTHETICS series further with its complex sequences.

Follow Roel Funcken //
Soundcloud - @roelfuncken
Facebook - www.facebook.com/roelfuncken1975

Savareen

Perplex On is a band from Munich which makes electronic music.
Between Apparat and Tocotronic, Funkstörung and postpunk sounds of raindrops leaking through the cracks in the city, looking for the jumps to reality where dark psychedelic replaces the omnipresent pathos.
The result is on the one hand black metal for digital sleep walkers, but on the other hand dream pop for existentialists. [S.A.W.]

Glycoside (live jam in the wild + video)

Perplex On

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