Name: Das Wachsfigurenkabinett (Waxworks/El gabinete de las figuras de cera) Jack the ripper by Perra Rabiosa
Duration: 6 min 58 s
Description: Música compuesta para acompañar el segmento "Jack the ripper" de la película Das Wachsfigurenkabinett (Waxworks/El gabinete de las figuras de cera) de 1924, dirigida por Paul Leni

Listen to 16 minutes of raw, unfiltered sounds of the Perseverance Mars rover traveling in Jezero Crater. The noise generated by the interaction of the rover’s wheels and suspension with the surface can be heard, along with a high-pitched scratching noise. Perseverance’s engineering team continues to evaluate the source of the scratching noise, which may either be electromagnetic interference from one of the rover’s electronics boxes or interactions between the rover mobility system and the Martian surface. The entry, descent, and landing microphone was not intended for surface operations and had limited testing in this configuration before launch.
 
Credit: NASA/JPL-Caltech

Sounds of Perseverance Mars Rover Driving – Sol 16 (16 minutes)

Música compuesta para acompañar el segmento "Jack the ripper" de la película Das Wachsfigurenkabinett (Waxworks/El gabinete de las figuras de cera) de 1924, dirigida por Paul Leni

Das Wachsfigurenkabinett (Waxworks/El gabinete de las figuras de cera) Jack the ripper

Sonic landscapes, avant-garde, and pre-hispanic percussion in Mexico between 1977 and 1993.
Paisajismo sonoro, experimentación y percusión prehispánica en Méjico de 1977 a 1993.

Camino Celeste de la Luna Mixtape

Thanks for ORCHESTRAL TOOLS.
Compose a piece of music  depicting the moment a new universe is discovered.
For ORCHESTRAL TOOLS #DiscoveryCompetition.
With ORCESTRAL TOOLS SINE player and The samples are derived from single instruments within ‘Modus—Jeff Russo’.
Besides UVI workstation, SampleTank.

Universe Encounter Awe

¿Y si los descubiertos fuésemos nosotros? / wath If we be the discovered?

Sesiones pandémicas

3001 - #DiscoveryCompetition

🎵🎶 'Precipice' (Royalty-free music)🎶🎵
A short, sweeping fantasy orchestral track evoking the anticipation of approaching the unknown, the confusion and terror as you cross the threshold, and the pride and relief as you learn and grow from your discoveries. This piece came 3rd in the Orchestral Tools 'Discovery' competition, where I won a copy of Modus!

📷 Album art by Amanda Buckley, from an original image by Mike Kolp (via Pexels): https://bit.ly/3taksRt

🔽Download 'Precipice' for free from my library here: http://bit.ly/3j1U0F1

🎵 You can also listen here: 
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▶ Deezer: http://bit.ly/3t60p6M
▶ YouTube: https://youtu.be/x9BlqhIQcdw

This track is released under Creative Commons Attribution, meaning you can use the track in your projects (including commercial projects) as long as you credit me. More info here: http://bit.ly/2mF9RPX

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Free Download

Precipice (CC-BY)

A sound piece for the klangkunst series- TOPOGRAPHY of SOUND 

One record with a 78 on top to make natural loops performed live by Maria Chavez.
MEDICI was recorded live by Daniel Neumann in Santos Party House, NYC.

This sound piece is what Maria thinks the catacombs of the Vatican would sound like..

Download this track via the Wire Magazine: Below the Radar 12

http://thewire.co.uk/audio/tracks/below-the-radar

TOPOGRAPHY of SOUND: MEDICI

Perra Rabiosa es el pseudónimo musical de Carlos Mejía Rosas, músico mexicano residente en la Ciudad de México.

Das Wachsfigurenkabinett (Waxworks/El gabinete de las figuras de cera) Jack the ripper

Perra Rabiosa

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