im considering changing the purpose of the 4.1 set of playlists, this is the 20th entry and while its been an interesting experiment i feel like perhaps i should give 4.1 more focus, since it is a completely mixed bag as of right now what i add in these. but that was sorta the point, these were supposed to be a mark of easily visible activity and easier to share then a link to my likes. or at least back when i started this it was (if memory serves me). i dont know.
part 1 - soundcloud.com/clipsekitten/sets/list4_1-00
part 2 - soundcloud.com/clipsekitten/sets/list4_1-01
part 3 - soundcloud.com/clipsekitten/sets/list4_1-02
part 4 - soundcloud.com/clipsekitten/sets/list4_1-03
part 5 - soundcloud.com/clipsekitten/sets/list4_1-04
part 6 - soundcloud.com/clipsekitten/sets/list4_1-05
part 7 - soundcloud.com/clipsekitten/sets/list4_1-06
part 8 - soundcloud.com/clipsekitten/sets/list4_1-07
part 9 - soundcloud.com/clipsekitten/sets/list4_1-08
part 10 - soundcloud.com/clipsekitten/sets/list4_1-09
part 11 - soundcloud.com/clipsekitten/sets/list4_1-0a
part 12 - soundcloud.com/clipsekitten/sets/list4_1-0b
part 13 - soundcloud.com/clipsekitten/sets/list4_1-0c
part 14 - soundcloud.com/clipsekitten/sets/list4_1-0d
part 15 - soundcloud.com/clipsekitten/sets/list4_1-0e
part 16 - soundcloud.com/clipsekitten/sets/list4_1-0f
part 17 - soundcloud.com/clipsekitten/sets/list4_1-0g
part 18 - soundcloud.com/clipsekitten/sets/list4_1-0h
part 19 - soundcloud.com/clipsekitten/sets/list4_1-0i
part 20 - You are here.

favs 1 - soundcloud.com/clipsekitten/sets/list4_2-00
favs 2 - soundcloud.com/clipsekitten/sets/list4_2-01
favs 3 - soundcloud.com/clipsekitten/sets/list4_2-02
favs 4 - soundcloud.com/clipsekitten/sets/list4_2-03

list 4.1_0j - 30.05.2024

[UNDER CONSTRUCTION]

Meet ____________ (insect and spider specie, when I'm back in linux)

Calm and Steady tracks series no. 477

created on 2024/09/29

Picture CREDIT (none yet, there's no picture so far ; )

hk_calm-steady_tracks_477

Uchuujin Shoujo

last rave before the earth swallows us all

L'appel du vide

active here now https://soundcloud.com/myfavoritecolorisred

waqs - readth (vafi remix)

we all know that there's no difference whether i'm there or not.

my wounds cut deeper and my plea for help falls onto deaf ears.

i guess that's how it is, huh?

whether if i'm breaking down behind closed doors, or sharing my triumphant victories.

it's only a matter of time until i show you what's behind this smile of mine.

[new ep soon, song inspired by nacho's "i've never changed"]

yt upload: https://youtu.be/YAfpDA13wq4

behind this broken smile

track 4 of my "Daydreams & Night Thinks" ep (2023)

Daydreams & Night Thinks

Illumination

Substak:
https://substak.bandcamp.com/
https://soundcloud.com/substak

Pertin-nce:
http://www.pertin-nce.ca
https://pertin-nce.bandcamp.com
https://the-end-is-near.bandcamp.com
https://mixcloud.com/pertin 
https://facebook.com/pertinnce
https://facebook.com/then2014
https://soundcloud.com/pertin-nce

3 Substak - Strange & Unusual Part III

‘ne obliviscaris fabam’
Travel Stories.
Track created in 2024.

Tribute to Ringo who returned fairly quickly from a famous "holiday camp" in Rishikesh in 1968, the ashram of Maharishi Mahesh Yogi where many masterpieces of the White Album were composed.

Tools :
Pam’s, Marbles.
- Drum2 (space snare) > Rings > Zagrzeb > Desmodus Versio.
- Basimilus.
- DFAM > DSP (reverb).
Zadar, Ochd, Batumi.
Sinc Defero, Mutes, Buff Mult.
StMix, Black stereo mixer, Listen IO.
- RD-700GX (GX Strings 1).
Recorded live and mastered with Logic Pro X.

Associated image : Petrus Major.

Two Bags for Rishikesh [travel stories]

Cry an Ocean
Prod by:Me
Sang by:Me
Wrote by:Me

Cry an Ocean [From the album: Don't let me out at night]

=high voltage=

about / bio:
''...Created by Quebec City producer Maxime Tanguay in 2005, Pertin-nce 
has been one of those nearly hidden netlabel treasures that has consistantly churned out a unique spectrum of offbeat electronica for the sheer pleasure of creation - patiently and steadfastly holding to an ethic of playful experimentation and open collaboration amidst an ever expanding and evolving digital music...''