The Dark Side Of The Moon is the evil twin of https://soundcloud.com/mooninmypocket, pretty influenced by the former industrial Techno Club GERBEREI (1994-2013) home-based in Schwerin, Northeast Germany.

https://soundcloud.com/love-is-music

"Life without MUSIC would be a MISTAKE " (Nietzsche) 

"Music was my FIRST l3ve and it will be my LAST"

"I wanna say THANK YOU to ALL my FOLLOWERS :) "

"Less DRAMA more MUSIC <3"

-Namaste-

Richtet sich an

 first general Leader/Führer  SLAUGHTERMASTER HIMSELF   Ben BUTCHER 🤩🖤🪖🪖🪖🪖😈😈😈🕺🏼🕺🏼🕺🏼🕺🏼🤌🤌💣💣💣🫡🫡

GENERAL Majorin MEREL 
GENERAL Major MAURO TEMPLE

GENERALSTAB

GENERAL Major PATTENBERG 
GENERAL Major DrUcKVeRlUsT
GENERAL Majorin LadydeluxXxee
GENERAL Major DRUCKGEWALT
GENERAL Major BrUcHrilLe
GENERAL Major Unchained Sense
GENERAL Majorin Dark
GENERAL Major UrGeWaLt


Sehr geehrter GENERALSTAB DER HEERESFÜHRUNG WARTECH ... es ist für mich als Major Captain eine Ehre unter ihnen zu kämpfen, scheppern und stampfen ohne zu verkrampfen 🪖🪖🪖💣💣💣🪖🪖💣💣💣.... TREUE bis in den Tod ☠️☠️☠️🕺🕺🕺🕺🕺🕺🕺🕺👨‍🦽🧑🏻‍🦼👨‍🦽‍➡️🧑‍🦼‍➡️😈😈😈😈😈


General Major REAKTOR_RONNIE wurde nach  etlichen Tagen des Verlaufens in sein Amt wiedererhoben... 🫡🫡🫡🫡🫡🪖🪖🪖🪖🪖🪖🪖🖤🖤🖤🖤✊️✊️✊️✊️✊️✊️🔨💥💥💥💣💣💣🕺🏼🕺🏼🕺🏼... es wird der Pervitin Spiegel beobachtet☝️

UK based Producer and DJ
Bookings: tom@paramountartists.com
Management: kathi@mhairitechno.com

www.youtube.com/@christiansoundboy78

https://www.instagram.com/soundboydj?igsh=MjVrOW5xMjNjZGF2



Enzo Carrera is a DJ and Music Producer from Heidelberg who has found his home in the electronic Music scene. He is known for his passion for House Music, which is also reflected in his Motto:
"All About House Music".

Enzo Carrera ist ein DJ und Musikproduzent aus Heidelberg, der in der elektronischen Musikszene sein Zuhause gefunden hat. Er ist bekannt für seine Leidenschaft für House-Musik, die sich auch in seinem Motto widerspiegelt: 
“All About House Music”.

🪐 Booking // booking.bertha@gmail.com

Bertha // (Proggy) House / Electronic / Breakbeat
Lysergid // (Hypnotic, Nordic & Proggy) Techno / Trance
½ Two Girls One Horse

🌕 2026
-----------------------
04 / 17 - tba
02 / 07 - tba
01 / 17-18 - tba
01 / 16 - ROSA (Greifswald)
01 / 09 - Fundbureau (Hamburg)

🌓 2025
-----------------------
12 / 19 - Süß war gestern (Berlin)
12 / 11 - Ilses Erika for Elotrance Kollektiv (Leipzig)
12 / 06 - ROSA (Greifswald)
12 / 03 - KIKI Vintage (Leipzig)
11 / 06-30 - Vacay month
11 / 05 - Fabrique / Gängeviertel (Hamburg)
10 / 29 - Garage Ost (Leipzig)
10 / 15 - Lack & KIKI Vintage (Leipzig)
10 / 10 - ROSA (Greifswald)
09 / 27 - Beate Uwe (Berlin)
09 / 19 - ROSA (HGW) as Two Girls One Horse
08 / 30 - Kinkel Festival (Secret location)
08 / 23 - Neiphos Festival (Kyritz)
08 / 10 - 3000° Festival (Feldberg)
08 / 01 - Husch Ecke (Greifswald)
07 / 18 - kap.tripití Open Air (Leipzig)
07 / 16 - Secret Rave (Leipzig)
07 / 12 - DUQO (Leipzig)
07 / 05 - Fundbureau (Hamburg)
07 / 04 - ROSA (Greifswald)
06 / 23 - Husch Ecke (Greifswald)
06 / 13 - Süß war gestern (Berlin)
06 / 06 - Rote Erde Festival (Taucha)
05 / 28 - Secret Rave (MV)
05 / 23 - Husch Ecke (Greifswald)
05 / 02 - Kulturlounge (Leipzig) - Privat event
04 / 30 - ROSA (Greifswald) as Lysergid
04 / 29 - Husch Ecke (Greifswald)
04 / 23 - Elipamanoke (Leipzig)
04 / 20 - Südpol (Hamburg)
04 / 05 - Lapidarium (Greifswald)
04 / 04 - Club 9 e.V. (Greifswald)
03 / 21 - Husch Ecke (Greifswald)
03 / 12 - Garage Ost (Leipzig)
03 / 08 - Pittlerwerke (Leipzig)
02 / 22 - Elipamanoke (Leipzig)
02 / 08 - Kulturlounge (Leipzig)
01 / 08 - Husch Ecke (Greifswald)

🌑 2024
-----------------------
12 / 28 - Fundbureau (Hamburg)
12 / 21 - ROSA (Greifswald)
12 / 06 - ROSA (Greifswald)
11 / 22 - Kulturlounge (Leipzig)
11 / 16 - Theaterwerft (Greifswald)
11 / 13 - Garage Ost (Leipzig)
09 / 27 - Kulturlounge (Leipzig) - Privat event
09 / 13 - DUQO (Leipzig)
08 / 31 - TARMAC Festival (Flugplatz Allstedt)
08 / 23 - Neiphos Festival (Kyritz)
08 / 11 - Crack Bellmer (Berlin)
08 / 09 - ROSA (Greifswald)
07 / 30 - Husch Ecke (Greifswald)
07 / 12 - Garage Ost (Leipzig)
07 / 06 - Kinkel Festival (Secret location)
06 / 15 - Meeresrausch Festival (Peenemünde)
06 / 07 - ROSA (Greifswald)
06 / 01 - Südpol (Hamburg) - Pop-Up Stage
05 / 21 - Club 9 e.V. (Greifswald)
05 / 04 - Kulturlounge (Leipzig) - Privat event
01 / 01 - Objekt klein a (Dresden)

Bertha not only inspires the people around her with her positive energy and penchant for creativity on the dance floor but also on the decks. With her feeling for the music and the vibe in the room, the Hamburg native develops an atmosphere of a pleasant get-together and leads those who love dancing into a world of the fantastic. She herself describes her sound geographically: early education in Hamburg, teenage years in MV, garnished with Berlin and Leipzig sprinkles. Bertha plays whatever moves her heart. True to the motto “Gets in your ear. Stays in your head.”

Welcome - It all started when I was 6 and studied musical school on the top of normal school. We learned classical music - notation, scales, chords, etc. Within a couple of years, I got pretty good foundation of music theory, and I kept playing flute for next 5 years. 

But the real fun started at 13, when I purchased my first guitar, and then started composing within a year. I wrote many simple pop songs, punk songs, and some gospel, later on learned to play and compose very complicated riffs, licks, and many solo techniques, eventually landed in death metal band, where I played guitar for 3 years. 
     
Of course, that is a long history now, and I gave up making music at 31. But roughly 11 years after that I came along to own my first Ipad, which happened to have Garageband app. And since then I slowly learn more and more tricks, and have now done over 2 hours of music, which you can hear for free on this page. 
     
Every song is an experiment itself, although I tend to be melodic, upbeat, and various. I'm still using diatonic scales and chords as main channel for composition, just as I learned in school as a little kid. Although some pentatonic scales now and then won't hurt, right? 
     
Here is how I see it about the music. The most basic and effective way to make the magic is the combination of good chord progression and good melody. So basically, brilliant cords, brilliant melody and how much they complement each other - that is the magic. And, of course, the structure that utilizes all that to the max. All the rest is just a gravy, (I mean, "just" a gravy) Don't get me wrong, the gravy can be very beautiful and  enjoyable, and most of my tracks so far are mostly gravy, but the proper meal should contain some meat, Know what I mean? My most "meaty" songs so far are probably Autumn Falls and Hint Of Tribecore. The biggest and dirtiest gravy so far would be probably Tribal Beginnings and Warning Immediate Noise. But you can judge that for yourself. 

Still, my main focus now increasingly becomes a sound modulation, and structures of song, because more I play with that tweaking of sound, more crazy sound I can hear. The goal here is pure magic and beauty distilled into nice 2-6 min. pieces. 
     
Also, a little disclaimer here. I don't do any vocals, mixes, remixes, or live pieces. All should be well thought through, electronic, and freshly new, and original. So enjoy listening and feel free to comment. I appreciate the feedback as it gives me more info and insight.
Peace.

Followers of Shorty*ॐ