- Sweet Music | Digging the best Electronic Music since 2014 -

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♫ About ♫ 
PREMIERE : Betoko - Zounzpaze (Dirty Doering Remix) [Jaw Dropping Records]
Buy: https://www.beatport.com/release/the-remix/3490827
Release Date : 2021-09-13

The Remix Ep by Jaw Dropping Records includes the Katermukke boss Dirty Doering, Le Son Du Placard, AndReew and the new rising star Bianka Banks. The Artwork was made by the legendary One Line Design artist David Cantu. #keepthegroovealive

♫ Follow ♫
https://soundcloud.com/betoko
https://soundcloud.com/dirtydoering
https://soundcloud.com/jawdroppingrec

PREMIERE : Betoko - Zounzpaze (Dirty Doering Remix) [Jaw Dropping Records]

Can't Stop is Jonathan Kaspar's debut EP on Maeve.

The title track runs to almost 12 mins and although debated and discussed many times, both the artist and label felt the track needs this length to fully intoxicate a dance floor. It is, in short, a trip.

Mano Le Tough steps up on remix duties for Can't Stop and delivers his signature magic touch. Littered with live percussive elements, it takes the original to deeper hypnotic level before firing the machines into life and surprising the listener with a soaring hook and glittering melodies.

Come Close is a straight up, heads down techno roller, made for late nights and hazy mornings in special dancing spaces. Rounding off the release is, "Too Late But Sorry", a sweet track that is reminiscent early Kompakt records in its beauty and pace.

All four tunes have their place in any DJ set and already have found an adoring audience the world over, it's fair to say we are extremely proud to have this on Maeve.
credits
released October 12, 2023

Mastered by Gio Conti

Jonathan Kaspar - Can't Stop

Techno URUKHAI 503

Butch - 1000 Lords (Zoo Brazil Remix)

Patrice Bäumel adds softer hues to Michael Ritter and Felix E 5-tracker "Plastikrosen" feat Solveig Eger: centering his rendition on a blossoming field of detuned saws, Patrice artfully strips down the title track to its warm and emotive core. Dub chord chops, a minimal drum structure, and playfully detuned sweeps and keys gently merge force and feeling, conjuring a vast and blooming hymn geared at late nights and early mornings.
credits
released March 1, 2024
license
all rights reserved

Bandcamp

Felix E, Michael Ritter feat. Solveig Eger - Plastikrosen (Patrice Baumel Remix)

Permanent (Robag Wruhme Ruinalta Forli Remix)

Agustin Giri, Gespona - Permanent (Robag Wruhme Ruinalta Forli Remix)

ROCKKA - Amnesia

Played by Nick Warren @ Plaza De La Musica [Cordoba,Arg]

https://www.youtube.com/watch?v=oVSV08EQeaY 

Fernando Ferreyra @ Dreamers Vol. 77 

https://soundcloud.com/fernando-ferreyra/fernandoferreyradreamersvol77

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Sven Weisemann - Love In Vein (Lucas Rossi Re-Work) [Hernan Cattaneo Resident 258]

all rights reserved to Dystopian Records
Track from Alien Worlds EP
releases March 27, 2017 

DYSTOPIAN021 
artwork: Woo York 
layout: Nina Langel


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Woo York - Uranium Echoes - Alien Worlds EP Dystopian021

'Sincopat welcome back Vlad Jet to the label after his first appearance in their ‘BeenTouched’ series...'

Read More : https://whenwedip.com/2020/09/premiere-vlad-jet-affkt/

Follow: @affkt // @vlad_jet // @sincopat

Connect: When We Dip on Spotify - open.spotify.com/user/whenwedip

www.whenwedip.com
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Premiere: Vlad Jet - Fusion (AFFKT Remix) [Sincopat]

Gregor Tresher - The Life Wire (Petar Dundov Variation)

What is techno? Scientists and philosophers have long since pondered the concept of its musical definition since it burst out of Detroit in the mid-‘80s. Is it that notion of the “ghost in the machine”, of soul from electronics that its inventors elicited? Or is it more the repetitive throb and thump of 4/4 beats and slow-burning momentum that the Berghain generation are proponents of? Croatian producer Petar Dundov’s stunning music manages to marry both ideals in the most explosive of fashions.

To Dundov, “techno is music that precedes movement. It is dance music, solid enough to carry emotions through the dance floor and abstract enough to be a template for ever”. And indeed his breathtaking productions embody this ethos, serving the inherent function of making your body pulse spontaneously while also challenging your brain with its complex melodies and slow-burning, hypnotic progressions. It’s the antidote for anyone who thinks that techno is about senseless, dull looping.

Although maybe the word “techno” doesn’t give enough detail about his style, it’s probably the nearest ballpark to whose principles his music adheres – and he is keen to expand the horizons of what people know and expect of the genre. But it’s that sense of his tracks being alive, forever evolving and expanding and increasing in intensity, which gives his music its unique sound and has seen his work crossover into a myriad of different areas of the global electronic music scene. The last two years have seen his mind-bending single Oasis (played by everyone from Dubfire to Sasha to Ben Klock to Prins Thomas to Timo Maas) take the scene by storm with its intricate, ever-changing melodies, John Digweed snap him up for an epic rework of Alan Fitzpatrick’s Reflections, and Gregor Tresher squeeze a deep, mesmerising remix of his track The Life Wire out of him.

His music shows you that he’s a producer with more than churning out mindless, functional and dispensable drivel on his mind. There’s a philosophy entrenched in his productions that breathes the very spirit of life and dynamism into them: “My ultimate goal as a producer and musician is to bridge the world of inspiration and physical world to the extent where the listener wouldn't be able to distinguish between the two. Music has this unique property to communicate deep emotions that are inherently in all of us. We just forgot how to use them, and my search is an attempt to revive those emotions where we all resonate as one.”

Born in Zagreb in the early ‘70s, his career in dance music stretches back the best part of 20 years, but it’s only in the new millennium that he’s been using his own name for his productions. Over the years he’s graced many of the world’s most prestigious and best-loved techno institutions – including mega-festivals I Love Techno, EXIT, Awakenings and Wire, and cutting-edge clubs like Berghain, Matter (RIP), Womb, Air, Fuse and Space. He counts a longstanding relationship with Belgium’s legendary Music Man label amongst his achievements, an imprint that has also played host to releases by everyone from Jeff Mills (for whose label Tomorrow he created the Sculptures mini-LP) to Green Velvet to Robert Hood, and after completing his acclaimed debut album Escapements in 2008, he’s got the follow-up in the works (for completion by the end 2010).

Petar Dundov makes intelligent electronic music that breaks boundaries, moves feet and twists minds. He is without a doubt one of the most inspiring, original and daring producers in electronica, and with the likes of Sven Väth, Francois K, Laurent Garnier, Adam Beyer, Josh Wink, Guy J, Glimpse, Hernan Cattaneo, Brendan Moeller, and Danny Tenaglia amongst his fans, it would be hard to disagree.


Gregor Tresher - The Life Wire (Petar Dundov Variation)

petar dundov