23-indiedump

La Nef - Janvier-Juin 2017

xxnz

Mixahulababy #319

Wolkig mit Aussicht auf Musik #104

2015

set mexa

letthemusicplay Feat. Kate Tempest - Our Town

Hot on the heels of their recently announced label compilation We Make Colourful Music Because We Dance In The Dark, and an EP from new talent Tirzah produced by Micachu, London via Berlin collective Greco-Roman get set to release ‘Our Town’ by letthemusicplay featuring Kate Tempest is out now.

Get it here: 
World ex USA & Canada - https://itunes.apple.com/gb/album/our-town-feat.-kate-tempest/id690487204
USA/Canada - https://itunes.apple.com/us/album/our-town-feat.-kate-tempest/id718263520

www.greco-roman.co.uk


Kate Tempest
www.facebook.com/katetempest

letthemusicplay
www.facebook.com/letthemusicplayofficial

letthemusicplay Feat. Kate Tempest - Our Town

all sounds, noises, piano and saxophone played and recorded by Zoy in 2013

ETA CARINAE - Zoy Winterstein

Connan Mockasin - I'm The Man, That Will Find You EP [PH31]

12" Black Vinyl & digital

Side A: I'm The Man, That Will Find You 
Side B: She Lives In My Lap

Out now on vinyl & digital:
Phantasy Webstore http://po.st/ConnanMockasinPH31
Rough Trade http://po.st/PH31rt
Phonica http://po.st/PH31ph
Piccadilly Records http://po.st/PH31pr
iTunes http://po.st/PH31itunes 

Taken from the new album by Connan Mockasin - 'Caramel' out 4th November (UK) & 5th November (US)
CD / LP/ Digital
(UK/EU) https://soundcloud.com/phantasysound under exclusive license to https://soundcloud.com/because
(US) Phantasy under exclusive license to https://soundcloud.com/mexicansummer

Pre-order the limited edition 12" here: http://po.st/ConnanMockasinPH31

You can buy 'Caramel' from:

Phantasy 
http://po.st/caramelPH

Mexican Summer
http://po.st/CaramelMS

Record Store
http://po.st/caramelRS

Rough Trade
http://po.st/caramelRT

Piccadilly Records
http://po.st/caramelPR



Caramel

I'm the Man, That Will Find You

Track 3 from Malka's forthcoming EP "Gliding" - released on May 19th 2014

03. Tall Grey Buildings - Malka Spigel

I was asked to visit Cambridge University to perform my vocal work. Near the date, they called me, asking if I was still coming... since they knew that I was about to get married and didn't know if my plans had changed or not. "Tell him you're coming with a band," John whispered loud from the side. John and I thought it was a riot, but we didn't know they would take it at the other end of the phone. Was it alright to bring a rocker? But the guy held his ground well. It was Cambridge, so the greeting committee was cordial but cool. John took that in, of course. He joined me on the stage and played underneath my vocal. Maybe I WANNA HOLD YOUR HAND? That would have been cute. But he went in for the kill and played an incredibly creative avant-garde guitar that nobody in the world had ever heard before and since. The audience didn't react to it. I was probably the only musician who was totally impressed by it. But did I express my appreciation? John loved CAMBRIDGE 1969. So for awhile, he always asked for it to be played when we were in the car. I just thought "Oh, not that one again!" "How about Yesterday?" (a joke). And when I tried to play something else he wouldn't hear of it.

Yoko Ono, 24 March 2014.


Recorded 2 March 1969, at Lady Mitchell Hall, Cambridge University, Cambridge
Yoko Ono: Vocals
John Lennon: Guitar
Saxophone: John Tchicai 
Percussion: John Stevens

From the album <a href="http://amzn.to/1mqxGDF">Unfinished Music Vol. 2 - Life With The Lions</a>

Cambridge News Article: <a href="http://www.cambridge-news.co.uk/Home/How-John-Lennon-turned-to-Cambridge-for-life-after-The-Beatles.htm">How John Lennon turned to Cambridge for life after The Beatles</a>.

Buy at Amazon.com

John Lennon & Yoko Ono - Cambridge 1969

Tuxedomoon Seeding The Clouds | remixed by Parks

Let me be your Light is taken from the new album "The Door Behind the Door" due for release 24th February 2015.
www.theantimachinemachine.com

Let Me Be Your Light

Bobby Black

Diane

"Daydream" is from Calvin Love's forthcoming album 'Super Future'

http://calvinlove.com
https://www.facebook.com/IamCalvinLove
https://twitter.com/calvinlovemusic

Calvin Love - Daydream

"Compass" appears on the "Hunger" digital single, out now! Buy the single here, http://smarturl.it/HungerDigital

Watch the new video for "Hunger", found.ee/HungerYT

Zola Jesus is currently on tour through the Spring of 2015. For a full list of tour dates, click here, zolajesus.com/tour.html.

BUY TAIGA HERE: 
Digital- found.ee/taigadigital
CD- found.ee/taigacd
LP- found.ee/taigalp
Marbled LP- found.ee/TaigaMarbled

Website: www.zolajesus.com/
Twitter: twitter.com/ZOLAJESUS
Facebook: www.facebook.com/zolajesusofficial
Instagram: instagram.com/zolajesus
YouTube: www.youtube.com/user/ZolaJesus
Tour Dates: www.zolajesus.com/tour.html

Photo by Tom Chaves

Zola Jesus- Compass (Hunger B-Side)

Krafty Kuts & Dynamite MC - Real Big Deal

Back once again with the renegade masters, Krafty and Dynamite deliver a 110 club banger that Ron Burgundy would be proud to call his own.

Big bass, beats and melodic hooks combined with a classy Dynamite hook, this track is doing the damage in clubs and festivals internationally!

Support from A Skillz, Featurecast, The Freestylers, The Funk Hunters, Nick Thayer and many more.

Look out for the forthcoming Krafty Kuts and Dynamite MC Album - All Four Corners. 

Krafty Kuts & Dynamite MC - Real Big Deal *OUT NOW*

SLAPBACK - Rugged N Raw

Vidéo : https://www.youtube.com/watch?v=NzYesXMnLSs

FACEBOOK : https://www.facebook.com/djoneup/
INSTAGRAM : https://www.instagram.com/djoneup/

Musiciens :  Simon Bismuth - Drum
                     Axel Rasoanaivo - Bass
                     Quentin Andréoulis - Guitare
                     DJ One Up - Samples & Scratching

Clip réalisé par Adeline Moreau et son équipe à la Fabrique Bellevue-Chantenay Olympic.

Danseurs :  Bboy Bruce
                    Bboy Fever
                    Bboy Orlov

Technicien : Boris Colino

Mixage & Mastering: Guillaume Geoffroy & Le Parasite

Remerciements à La Ville de Nantes, à la Fabrique Bellevue-Chantenay/Olympic, Trempolino, La Nef Angoulême, Amjad, 7$, le Dahu et à toute l'équipe artistique.

BOOKING CONTACT : contact@djoneup.com

Catch The Unique Break Volume 2

Rugged N Raw

SLAPBACK - Rugged N RAw (LiveBand Version)

Palindrome Hunches, the follow-up to Halstead’s acclaimed sophomore solo effort Oh! Mighty Engine finds the Cornwall, England-based musician continuing to craft moody and endlessly mesmerizing folk-infused songs. This time around, Halstead teamed up with producer Nick Holton and members of Wallingford’s Band of Hope (including Ben Smith on violin, Drew Milloy on double bass, Paul Whitty on piano, and Tom Crook on guitar) to achieve a sound that’s both remarkably rich and piercingly intimate.

Tied To You

Decades

Can You Love Me Now

"The History Of Apple Pie are all systems go at the moment. Having released their debut album 'Out Of View' earlier this year, they're now set to unleash another single taken from it this May.

Alongside that rather exciting news, there's a little something more. The London five-piece have also scheduled two London shows; one of which sees them open up live proceedings for the mighty Phoenix, when they make their return to the capital later this month.

They'll be performing with Phoenix at Shepherds Bush Empire, before headlining White Heat the following evening:

APRIL
22 Shepherds Bush Empire, London (w/ Phoenix)
23 White Heat, London

The band will be previewing their two newly announced dates with two Record Store Day releases too: a 12" repressing of their split single with Gross Magic, Echo Lake and Novella, as well as split 7" featuring 'Glitch' and 'Dromes' by Young Husband.

'Glitch' is also due to be released digitally on 27th May.

For more info and features on The History Of Apple Pie, please contact debbie@createspark.co.uk (online) / andy@somefriendly.co.uk (UK) / anton@forcefieldpr.com (US)

www.thehistoryofapplepie.com
www.marshalltellerrecords.com
www.twitter.com/thoapband
www.facebook.com/thehistoryofapplepie

Glitch

Glass Tassle

Manon Theme, from the contemporary dance theatre choreographed by Kimiho Hulbert in Japan 2012.
Sync/Licensing inquiry to: info@schole-inc.com

official site: https://akirakosemura.com/
bandcamp: https://akirakosemura.bandcamp.com/
spotify: https://open.spotify.com/artist/4n1lW38WKgyPEIZowQ3AND?si=gwGM3HyeRACgj5z4pSVlug
itunes/apple: https://itunes.apple.com/artist/akirakosemura/216327255

Bandcamp

Manon Theme (2012)

03 Cafe  Elephant

THE HISTORY OF APPLE PIE NEW SINGLE – ‘SEE YOU’

BUY ON ITUNES: https://itunes.apple.com/gb/album/see-you-single/id587334514

Released on MARSHALL TELLER RECORDS

London based five piece, The History Of Apple Pie are set to release a new single digitally on Marshall Teller Records on the 14 January, 2013.

‘See You’ is available to download and is lifted from the bands eagerly awaited debut long player ‘Out Of View’, which is released on 28 January, 2013 (UK) / 29 January, 2013 (US).

PRE-ORDER 'OUT OF VIEW' NOW: http://t.co/ayh0x5Gm

The album, recorded in London over the last few months, was self-produced by guitarist Jerome Watson, mixed by Charles ‘Chicky’ Reeves and engineered by Joshua Third of The Horrors.

A truly great and exciting live band, to coincide the release of ‘See You’, The History Of Apple Pie line up of Steph Min (Vocals/Guitar), Jerome Watson (Guitar), James Thomas (Drums), Aslam Ghauri (Guitar) and Kelly Owens (Bass) will set off on their first UK tour for over a year. The dates kick off in York on 31 January and finish up with a London show at The Old Blue Last on 19 February. 

Prior to the tour, the band will play a special in-store show at Rough Trade East in London on the day of the album release on Monday, 28 January 2013.

LIVE DATES:

28 Jan - Rough Trade East In-Store, London
31 Jan - The Basement, York
01 Feb - Inside Out, Darlington
02 Feb - Victoria Inn, Derby
03 Feb - Banquet Records In-Store, Kingston
04 Feb - Soup Kitchen, Manchester
05 Feb - Art School, Glasgow
06 Feb - Dog & Parrot, Newcastle
07 Feb - The Compass, Chester
08 Feb - The Cockpit, Leeds
09 Feb - West End Centre, Aldershot
11 Feb - Bodega, Nottingham
12 Feb - Undertone, Cardiff
13 Feb - Joiners, Southampton
14 Feb - Marlowe Theatre, Canterbury
15 Feb - Green Door Store, Brighton
16 Feb - 60 Million Postcards, Bournemouth
17 Feb - Thekla, Bristol
19 Feb - Old Blue Last, London
20 Mar - Point Ephemere, Paris
21 Mar - Fuzz'Yon, La Roche-Sur-Yon

See You

dog bite covers thom yorke's "atoms for peace".

http://www.dogbitemusic.com/
https://www.facebook.com/dogusbitus
https://twitter.com/dogusbitus

Velvet Changes iTunes

Dog Bite - Atoms For Peace (Thom Yorke Cover)

“I still find mystery in creating something out of thin air,” says Keith Joyner, vocalist, multi-instrumentalist and chief songwriter for the Los Angeles-based band Twinstar. The new album, The Sound of Leaving, is unmistakably Twinstar—bridging a gap between the hazy days of the Wrecking Crew and cinematic 60s pop, and a current post-punk revival. In essence, it’s something you think you may have heard before, but then again—maybe you haven’t. Indeed, the music itself is a strange hybrid borne of the sometimes-competing musical interests of Joyner and Twinstar’s other main constant, multi-instrumentalist and co-producer, Chris Candelaria.

“There was a time when our roles were more or less predetermined going into an album,” says Candelaria. “But I don’t think either of us were interested in repeating the past. We allowed plenty of time to experiment. And what we’re left with is—I hope—a more realized version of our old selves.” Nothing embraces this idea more than the startling opening track “The Man They Came For,” a post-punk-cum-new wave rocker that is nothing less than a departure for the band. Though surprises abound as the album eases into lush orchestral arrangements, from the sparkling jangle of “Amazon Eyes” to the at-first meditative, then explosive closing opus “Sold.” It shouldn’t make sense, but it does. In fact, what we find is a wiser, more thoughtful band embarking on a quest to create something special in an age where short attention spans often prevail. “It came from a very focused mindset,” says Candelaria, “It would seem a shame not to represent it in the classic sense of an album.”

So why the long wait since Twinstar’s last recorded output? “I’m not a casual listener,” Joyner continues. “I constantly seek out music that moves me in some manner. We approached this album with that in mind. It took a good while for the songs to materialize. There were no artificial deadlines. We simply let it guide us to its natural completion, and here we are.”

And The Sound of Leaving simply would not have been the same without the additional assistance of a select few. Says Joyner: “For the first time, we put our implicit trust in others to bring something to this project that we could not have on our own.” Those talents include Joe Higgins (AM Radio, Peel) on drums and percussion, orchestration and string arrangements from Chris Carmichael (Alison Krauss, The Autumn Defense and a legion of others); guitars and co-songwriting from David Roland (David Roland & The Last Transmission); recording and engineering plus guitars from David Newton (The Mighty Lemon Drops, Thee Mighty Angels and honorary Twinstar member); Erin Barnes on hammer dulcimer; mixing by Mark Rains (BRMC, Acid Mothers Temple); design by Cristina Padron; and mastering by Mike Wells. Joining the live band are guitarist Johnny Joyner and keyboardist Michael Ashton.

For those unaware, Twinstar evolved from the ashes of Los Angeles bands Revolux and Chihuahua. Twinstar’s self-titled debut was released in 2002 followed by the EPs Expatriate and The Arena of the Unwell. Keith cut his teeth in the Athens, GA outfit Seven Simons, releasing two albums (Dog Gone and TVT) before notably replacing Johnny Marr in The The (Matt Johnson) on the Dusk tour. Chris played in various bands in San Francisco and LA before forming the critically acclaimed Chihuahua, who signed to Island Records subsidiary Supreme before sadly imploding.

Twinstar - "Lost Ends"

"Shannon Wright is an example of that shocking, spooky thing: a natural." New York Times 

"The most underestimated american songwriter of our musical era." - Noise

After thirteen years and seven LP's as a solo artist, Shannon Wright has returned with what could be her fiercest record to date. Crashing out of the gates with the aptly titled "Noise Parade" Wright immediately reintroduces listeners to her trademark cutting guitars with a distinctive bittersweet fury that jumps from the speakers. In Film Sound bursts with urgent immediacy, a kind of direct intention-into-thought that's as raw as it is focused. It's an album where your favorite track can change with each listen, be it the easy sway of "The Caustic Light" that thrusts into a chaotic attack of atonal guitar and rhythm, or the gorgeous piano dirge of "Bleed" overflowing with chest pounding wonder and loss. 

"In Film Sound" features an esteemed rhythm section consisting of Shipping News members Kyle Crabtree (drums) and Todd Cook (bass) and was recorded this fall in Louisville, KY by Kevin Ratterman (My Morning Jacket, Andrew Bird, Maserati) and mastered by Bob Weston at Chicago Mastering Services. It is Wright's first new LP for Brooklyn's Ernest Jenning Record Co. after a decade of work with esteemed Chicago imprint Touch and Go Records and a self-released 2010 LP. Wright has been out of the spotlight in America since her long time label shuttered, but in that time she has been active overseas where an adoring European audience has supported her from the start, and collaborations with cult composer Yann Tiersen have only increased her international profile. France's Vicious Circle will also be releasing the album in Europe. 

Wright's songwriting has always been unflinchingly honest while untainted by the whims of current trends and her legendary guitar playing continues to shine through, often heavier than ever. The Intensity of her voice refuses to let up these days either, and her sense of harmonic movement and rhythmic patterns often hints at something unsettling going on, a dangerous and explosive feeling that shrouds and ultimately defines In Film Sound.

The Caustic Light

'Everyone Seems to Be in on Something' is the 2nd single taken from Wintercoats beautiful EP titled, 'Heartful', which is available now as a 'name your price' download.

http://music.yespleaserecords.com/album/heartful

www.facebook.com/pages/Wintercoats/120050614689124
www.facebook.com/yespleaserecords
music.yespleaserecords.com

Wintercoats - Everyone Seems to Be in on Something

Tunnel Vision

Name In Lights

Download

Written, produced and performed by João Vieira. Mixed by Pedro Chamorra and mastered by Simon Francis.

How I Feel

From Songs: Molina...For Jason Molina. From Joel and Stuart.
Mixed and Mastered by Jon Rinneby at Sound Of Wool, Malmo SWE

http://songsmolina.bandcamp.com/album/songs-molina-a-benefit-compilation-for-jason-molinas-survivors